| Cobra | |
| Director: | Joseph Henabery |
| Producer: | Adolph Zukor Jesse L. Lasky |
| Starring: | Rudolph Valentino Nita Naldi Casson Ferguson Gertrude Olmstead |
| Studio: | Famous Players–Lasky / Ritz-Carlton Films |
| Cinematography: | Harry Fischbeck Dev Jennings (J. Devereaux Jennings) |
| Editing: | John H. Bonn |
| Distributor: | Paramount Pictures |
| Runtime: | 70 minutes / 7 reels (6,895 feet) |
| Country: | United States |
| Language: | Silent (English intertitles) |
Cobra is a 1925 American silent drama film directed by Joseph Henabery and starring Rudolph Valentino and Nita Naldi. It is the screen adaptation of the play Cobra written by Martin Brown, which played at the Hudson Theatre on Broadway in 1924.[1]
Cobra has survived, and has been made available to the public on both VHS and DVD by independent film dealers and major movie distributors.
Count Rodrigo Torriani is an Italian noble and a charming libertine. His weakness is women, who mesmerise and fascinate him – not unlike the myth that cobras mesmerise their prey.
Roridgo accepts an invitation from friend Jack Dorning to come to New York City to work as an antiques expert. While the job is rewarding, Rodrigo finds the temptation from the women surrounding him, including Dorning's secretary Mary Drake and wife Elise, challenging.
When Jack is away, Elise says to Rodrigo that she is in love with him. The two embrace and arrange to meet at a hotel. However, after meeting in a room, Rodrigo decides that he cannot betray his friend and leaves the hotel. It turns out to be a fortunate decision; the hotel burns to the ground in the middle of the night, killing Elise.
Rodrigo desperately wants a relationship with Mary. However, after Elise's death, he turns Mary's attentions toward Jack and decides to leave New York. The film ends with Rodrigo gazing out at the sea and the Statue of Liberty as he sets sail back to Europe.
The production of Cobra was marred by bickering and soaring production costs. Furthermore, its studio Paramount Pictures, unhappy with the final film and fearing it would flop with audiences and critics, held off releasing it until Valentino (whose popularity had declined somewhat) appeared in a stronger, unequivocally successful picture. Eventually Cobra was released in late 1925, a few weeks after what proved to be Valentino's comeback feature, The Eagle (1925).