| Clue | |
| Director: | Jonathan Lynn |
| Screenplay: | Jonathan Lynn |
| Producer: | Debra Hill |
| Cinematography: | Victor J. Kemper |
| Music: | John Morris |
| Distributor: | Paramount Pictures |
| Runtime: | 97 minutes[1] |
| Country: | United States |
| Language: | English |
| Budget: | $15 million |
| Gross: | $14.6 million |
Clue is a 1985 American black comedy mystery film based on the board game of the same name. Directed by Jonathan Lynn, who co-wrote the script with John Landis, and produced by Debra Hill, it stars the ensemble cast of Eileen Brennan, Tim Curry, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull, and Lesley Ann Warren, with Colleen Camp and Lee Ving in supporting roles.
Inspired by the nature of the board game, the film has multiple different endings. Originally screening one of three possibilities at different theaters, home media releases include all three endings. The film initially received mixed reviews and performed poorly at the box office, grossing $14.6 million in the United States against its budget of $15 million, but later developed a considerable cult following.[2]
In 1954, six strangers are invited to a secluded New England mansion. Greeted by the butler Wadsworth and the maid Yvette, each guest receives a pseudonym to maintain confidentiality: "Colonel Mustard", "Mrs. White", "Mrs. Peacock", "Mr. Green", "Professor Plum", and "Miss Scarlet". During dinner, they discover they all hold government influence before being joined by Mr. Boddy, who has been blackmailing everyone for some time. Wadsworth has called the police to arrest Boddy, but Boddy threatens to expose everyone's secrets if they turn him in. He then presents the six guests with weapons—a candlestick, rope, lead pipe, wrench, revolver, and dagger—and suggests someone kill Wadsworth to protect their secrets before turning out the lights. After a gunshot rings out, Boddy is found on the floor, seemingly dead.
As the guests investigate Boddy's death, Wadsworth explains how he became indentured to Boddy and summoned the guests, hoping to force a confession from Boddy and turn him over to the police. As the group suspect the cook, only to find she was fatally stabbed with the dagger, someone discovers Boddy is alive before killing him with the candlestick. Wadsworth locks the weapons in a cupboard, but before he can throw away the key, a stranded motorist arrives and Wadsworth locks him in the lounge before throwing a key out the front door. The group draw lots to pair up before searching the manor. However, someone burns the blackmail evidence, unlocks the cupboard, and kills the motorist with the wrench. Discovering a secret passage, Mustard and Scarlet find themselves locked in the lounge with the motorist's corpse. When they scream for help, Yvette shoots the door open with the revolver. The group deduce that Wadsworth threw out the wrong key and the murderer pickpocketed the cupboard key from him.
A cop investigating the motorist's abandoned car arrives to use the phone. The mansion receives a call from FBI chief J. Edgar Hoover, which Wadsworth takes alone. After successfully distracting the cop and concealing the bodies, the group resumes their search until someone turns off the electricity. In the darkness, Yvette, the cop, and an arriving singing telegram girl are murdered with the rope, pipe, and revolver, respectively. Wadsworth restores the power and gathers the group, having deduced what happened. Recreating the night's events and amidst a brief interruption from an evangelist, he explains how the other five victims were Boddy's informants who are each connected to one of the guests, which dovetails into one of three possible outcomes.
Yvette murdered the cook and Boddy under orders from Scarlet, who then killed her and the other victims. Intending to sell the guests' secrets, Scarlet prepares to use the revolver to kill Wadsworth, who argues there are no bullets left before disarming her just as law enforcement raid the manor and the evangelist is revealed to be the chief of police. Wadsworth further reveals he is an undercover FBI agent before accidentally firing the last bullet in the revolver at a chandelier, which narrowly misses Mustard as it falls.
Peacock killed all the victims to prevent her exposure for taking bribes from foreign powers before holding the others at gunpoint to escape. To the others' confused relief, Wadsworth reveals he is an undercover FBI agent. Peacock is arrested outside before law enforcement raid the manor and the evangelist is revealed to be the chief of police.
Apart from Green, everyone committed one murder—Peacock killed the cook, Plum killed Boddy, Mustard killed the motorist, Scarlet killed the cop, White killed Yvette, and Wadsworth killed the singing telegram. Holding the guests at gunpoint, Wadsworth then reveals he is the real Boddy, Plum killed the real butler, and announces his intent to continue blackmailing them until Green draws his own revolver and kills him. Green further reveals he is an undercover FBI agent sent to investigate Boddy before letting in law enforcement and the evangelist, the chief of police, to arrest everyone.
See main article: List of Cluedo characters.
Additionally, Howard Hesseman makes an uncredited appearance as the Chief of Police who works undercover as an evangelist.
Producer Debra Hill initially acquired the rights to adapt the game from Parker Brothers and intended to distribute through Universal Pictures.[3] As early as 1981 Hill mentioned plans to adapt the game into a movie, with P. D. James reported to be writing the screenplay with multiple endings.[4]
The multiple-endings were developed by John Landis, who had initially been set to direct, and who claimed in an interview to have invited playwright Tom Stoppard, writer and composer Stephen Sondheim, and actor Anthony Perkins to write the screenplay. The script was ultimately finished by Jonathan Lynn, who was invited to direct as a result.
A fourth ending was filmed, but Lynn removed it because, he later said, "It really wasn't very good. I looked at it, and I thought, 'No, no, no, we've got to get rid of that.'"[5] In that ending, Wadsworth committed all the murders. He was motivated by his desire for perfection. Having failed to be either the perfect husband or the perfect butler, he decided to be the perfect murderer instead. Wadsworth reports that he poisoned the champagne the guests drank so they would soon die, leaving no witnesses. The police and the FBI arrive and Wadsworth is arrested. He breaks free and steals a police car, but his escape is thwarted when three police dogs lunge from the back seat. This ending is documented in Clue: The Storybook, a tie-in book released in conjunction with the film.
Carrie Fisher was originally cast to portray Miss Scarlet, but withdrew to enter treatment for drug and alcohol addiction; she was replaced with Lesley Ann Warren.[6] [7] Jonathan Lynn's first choice for Wadsworth was Leonard Rossiter, but he died before filming commenced.[8] The second choice was Rowan Atkinson, but it was decided that he was not sufficiently well known at the time, so Tim Curry was cast.[8] The entire cast received the same salary and billing, despite their different levels of notability at the time.
Clue was filmed on sound stages 17 and 18 at the Paramount Pictures film studios in Hollywood.[9] The set design is credited to Les Gobruegge, Gene Nollmanwas, and William B. Majorand, with set decoration by Thomas L. Roysden.[10] To decorate the interior sets, authentic 18th- and 19th-century furnishings were rented from private collectors, including the estate of Theodore Roosevelt.[11] After completion, the set was bought by the producers of Dynasty, who used it as the fictional hotel The Carlton.
All interior scenes were filmed at the Paramount lot, except the ballroom scene. The ballroom, as well two driveway exteriors, were filmed on location at a mansion in South Pasadena, California. This site was destroyed in a fire on October 5, 2005.[12] The driveway and fountain were recreated on the Paramount lot and used for most shots, including the guests' arrivals. Exterior shots of the South Pasadena mansion were enhanced with matte paintings to make the house appear much larger; these were executed by matte artist Syd Dutton in consultation with Albert Whitlock.
Jonathan Lynn screened His Girl Friday for the cast as inspiration for how to deliver their lines. Madeline Kahn improvised her monologue about "flames."
The film was released theatrically on December 13, 1985. Each theater received one of the three endings, and some theaters announced which ending the viewer would see.
The novelization is by Michael McDowell, based on the screenplay. Landis, Lynn, and Ann Matthews wrote a children's adaptation, Paramount Pictures Presents Clue: The Storybook. Both adaptations were published in 1985, and differ from the film in that they feature a fourth ending cut from the film. In this ending, Wadsworth says that he killed Boddy as well as the other victims, and then reveals to the guests that he has poisoned them all so that there will be no witnesses and he will have committed the perfect crime. As he runs through the house to disable the phones and lock the doors, the chief of police – who had been posing as an evangelist – returns, followed by the police, who disarm Wadsworth. Wadsworth then repeats the confession he gave the guests, physically acting out each scene himself. When he arrives at the part about meeting Colonel Mustard at the door, he steps through the door, closes it, and locks it, leaving all the guests trapped inside. The police and guests escape through a window while Wadsworth attempts to make a getaway in a police car, only to hear the growling of a Dobermann from the back seat.[13]
The film was released to home video for both VHS and Betamax videocassette formats in Canada and the United States on August 20, 1986, and to other countries on February 11, 1991.[9] It was released on DVD by Paramount Home Entertainment in June 17, 2000,[14] and on Blu-ray by Paramount Home Media Distribution on August 7, 2012.[15]
On December 12, 2023, Shout! Factory released a 4K UHD Blu-ray collector's edition of Clue. It includes new interviews with director Jonathan Lynn and production manager Jeffrey Chernov.[16]
The home video, television broadcasts, and on-demand streaming by services such as Netflix include all three endings shown sequentially, with the first two characterized as possible endings but the third being the only true one. All Blu-ray and DVD versions offer viewers the option to watch the endings separately (chosen randomly by the player), as well as the "home entertainment version" ending with all three of them stitched together.[17]
La-La Land Records released the John Morris score for the film as a limited-edition CD soundtrack in February 2011.[18] For the film's 30th anniversary in 2015, Mondo issued a limited-edition 180-gram vinyl pressed on six different character-themed color variants.[19] A vinyl reissue from Enjoy The Ride Records followed in 2022.
The film initially received mixed reviews. Janet Maslin of The New York Times panned it, writing that the beginning "is the only part of the film that is remotely engaging. After that, it begins to drag".[20] Similarly, Gene Siskel of the Chicago Tribune gave the film 2.5 out of 4 stars, writing, "Clue offers a few big laughs early on followed by a lot of characters running around on a treadmill to nowhere."[21] Siskel particularly criticized the decision to release the film to theaters with three separate endings, calling it a "gimmick" that would distract audiences from the rest of the film, and concluding, "Clue is a movie that needs three different middles rather than three different endings."
Roger Ebert of the Chicago Sun-Times gave the film 2 out of 4 stars, writing that it has a "promising" cast but the "screenplay is so very, very thin that [the actors] spend most of their time looking frustrated, as if they'd just been cut off right before they were about to say something interesting."[22] On Siskel & Ebert & the Movies, both agreed that the "A" ending was the best while the "C" ending was the worst.[23]
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 71% based on 38 reviews, with an average rating of 6.4/10. The website's critics consensus reads, "A robust ensemble of game actors elevate Clue above its schematic source material, but this farce's reliance on novelty over organic wit makes its entertainment value a roll of the dice." On Metacritic, the film has a weighted average score of 41 out of 100 based on 17 critics, indicating "mixed or average reviews".[24]
Clue has grossed $14.6 million in North America, just short of its $15 million budget.[25]
Hasbro Entertainment established deals in April 2024 with TriStar Pictures and Sony Pictures Television for new screen adaptations of the board game.[26] [27]
Previous plans for a remake or reboot have languished for years. Initially Gore Verbinski was developing a new Clue film in 2009,[28] which was dropped by Universal Studios in 2011.[29] Hasbro Studios moved the project to 20th Century Fox by August 2016, envisioned as a "worldwide mystery" with action-adventure elements, potentially establishing a franchise with international appeal.[30] Ryan Reynolds optioned a three-year first-look deal in January 2018, planning to star in the remake, with a script by Rhett Reese and Paul Wernick.[31] Jason Bateman was briefly attached to the film in September 2019,[32] followed by James Bobin attached as director in February 2020,[33] with Oren Uziel hired to rewrite the script in August 2022.[34] Hasbro sought new rights deals for Clue in February 2024.[35]
See main article: Clue: On Stage.
The screenplay for the film was adapted for stage performances in 2017 by the original screenwriter Jonathan Lynn.[36] The stage production of Clue premiered in 2017 at Bucks County Playhouse, adapted by Hunter Foster with additional material by Eric Price. It was directed by Foster and starred Sally Struthers and Erin Dilly.[37] A revised adaptation by Sandy Rustin, incorporating material from Foster and Price, was first performed in 2020. Rustin's adaptation was described as "a welcome throwback to an era of physical comedy".[38] The stage adaptations have been performed widely.[39]
A national tour of the mystery-comedy play launched in 2024, directed by Casey Hushion.[40] [41]