Clearing | |
Type: | studio |
Artist: | Fred Frith |
Cover: | FredFrith AlbumCover Clearing.jpg |
Border: | yes |
Recorded: | 1996, 2000 |
Studio: | Jankowski Studio, Stuttgart, Germany |
Genre: | Experimental rock |
Label: | Tzadik (US) |
Producer: | Fred Frith |
Prev Title: | 2 Gentlemen in Verona |
Prev Year: | 2000 |
Next Title: | Freedom in Fragments |
Next Year: | 2002 |
Clearing is a guitar solo album by English guitarist, composer and improvisor Fred Frith. It was Frith's first solo guitar recording since Live in Japan (1982) and his first solo guitar studio recording since his landmark 1974 album Guitar Solos.[1]
Clearing comprises eleven tracks of unaccompanied and improvised music played on prepared guitars by Frith. Ten of the tracks were recorded in Stuttgart, Germany in 1996 and 2000, and one was recorded live at the Konstrukcja w Procesie Festival VII in Bydgoszcz, Poland in 2000.
In 2000, John Zorn commissioned Frith to make a guitar solo album for Tzadik Records as a follow-up to his 1974 album, Guitar Solos. Using prepared guitars, Frith recorded Clearing in Stuttgart, Germany in July 2000 in a similar vein as Guitar Solos, revisiting areas explored on that album but not developed further at the time. He also included two additional tracks, "Gaifu Kaisei" and "This Earth is a Flower" that had been recorded earlier.
Frith used a variety of found objects when recording the album. On "Chains", Frith placed a lozenger tin on the guitar strings and dropped a chain into the tin. An acoustic sound was achieved on "Blue" by placing microphones close to the electric guitar strings. Chopsticks were jammed between the guitar strings on "Gaifu Kaisei". "Minimalism" was performed entirely by striking the guitar strings with drumsticks.
Frith dedicated four of the tracks on the album to:
AllMusic said this of the album:[2]
Derk Richardson, writing for CT Insider, commented: "Some tracks are delicate and fragile, some are dense thickets of sonic thistles, some tiptoe with elegance and grace, some bully their way through time. However abstract or heady, none achieve anything less than absorbing grandeur."[3]