Clayton | |||||||||
Style: | MetroLink (St. Louis) | ||||||||
Address: | 275 South Central Avenue | ||||||||
Borough: | Clayton, Missouri | ||||||||
Coordinates: | 38.6456°N -90.34°W | ||||||||
Owned: | Bi-State Development | ||||||||
Operator: | Metro Transit | ||||||||
Platform: | 1 island platform | ||||||||
Tracks: | 2 | ||||||||
Bus Stands: | 6[1] | ||||||||
Connections: | MetroBus Missouri: 33, 47, 58, 97[2] | ||||||||
Structure: | At-grade | ||||||||
Parking: | 800 paid spaces[3] | ||||||||
Bicycle: | Racks | ||||||||
Accessible: | Yes | ||||||||
Opened: | [4] | ||||||||
Pass Year: | 2018 | ||||||||
Passengers: | 913 daily | ||||||||
Pass Rank: | 18 out of 38 | ||||||||
Mapframe: | yes | ||||||||
Mapframe-Custom: |
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Clayton station is a light rail station on the Blue Line of the St. Louis MetroLink system.[5] This at-grade station is located in the median of Forest Park Parkway between South Central Avenue and South Meramec Avenue in downtown Clayton.
Public parking is available in the attached county garage. However, this parking is not supplied by Metro, therefore charges may apply.[6]
The platform is accessed via stairs and an elevator from a pedestrian bridge connected to the adjacent Clayton MetroBus Center and parking garage.
1F | Overpass | Walkway to garage, bus bays, street |
P Platform level | Westbound | ← toward |
Eastbound | toward → |
In 2004, Metro's Arts in Transit program commissioned the work Oasis by Catherine Woods for the adjacent MetroBus transfer center. The panels of laminated glass are inspired by the four basic alchemical elements; earth, air, fire, and water. Included in the design is a fifth element based on the idea of good fortune. This concept takes the form of four aluminum panels suspended alongside the glass pieces. They are pierced with abstract silhouettes inspired by symbols of good luck and symbols from Peruvian, Chinese, and African cultures.[7]
In 2008, the Arts in Transit program commissioned a work for the MetroLink station. Titled Grandfather Clocks and created by Carol Fleming, the three glazed ceramic sculptures are reminiscent of the old, regal railroad clocks.[8]