Clément Duhour was born in Saint-Jean d’Anglet, in the Aquitaine region of south-western France on 11 December 1912.[1] He died on 3 January 1983 in Neuilly-sur-Seine. He was a French athlete, singer, actor, film director and producer.
A French Basque, Clément Duhour was the son of a baker. He was also the younger brother of Édouard Duhour.[2] At age 16, he won his first French national championships in both the shot put and discus. Almost simultaneously, he was expelled from the public high school in Bayonne for "indiscipline". Subsequently, his father sent him to Paris to become an apprentice salesman at the Félix Potin grocery store. Three days later, he quit the apprenticeship to become an entertainer at the Lapin Agile club under the stage name Guy Lormont. In 1932, he took part in the Summer Olympic Games in Los Angeles shot put competition, where he tossed well beyond the 45-foot mark without much training. His brother, Édouard, was also a French shot putter, who competed in the event at the Olympics the previous year. The following year, Clément was again crowned French national shot put champion.
During the German occupation of France, Duhour opens his own cabaret, Le Cavalier, on the Rue de Ponthieu, in the 8th arrondissement of Paris. He also starts his movie career as "Boris Ivanovitch" in L'Âge d'or directed by Jean de Limur. According to Hans von Luck, Duhour's cafe-inn was a cover for Resistance activities, thus hiding resisters behind a cloak of superficial compliance with the Germans. In 1942, Duhour met Viviane Romance and they married in 1943. Together they created the production company Izarra Films, "izarra" meaning "star" in Basque.
After the end of the Second World War, Clément Duhour becomes Sacha Guitry's regular producer and collaborator through his production company "CLM" (Courts et Longs Métrages), whose name is meant as a quasi-acronym of his first name, Clément ("Clem"). This association would prove fruitful in the 1950s with the production of a series of cinematographic masterpieces, like the cult classics Three Make a Pair, Lovers And Thieves or If Paris Were Told To Us.
Clément Duhour also paid tribute to Sacha Guitry's memory after his death in 1957 by directing and producing Life Together (La Vie à deux) in 1958.
He died "of natural causes" on January 3, 1983, in Neuilly. He was 71 years old.
Year | Title | Director | Notes |
---|---|---|---|
1941 | The Golden Age | Jean de Limur | |
1942 | The Trump Card | Jacques Becker | |
1945 | La Route du bagne | Léon Mathot | |
1946 | La Colère des dieux | Karel Lamač | |
1946 | La Maison sous la mer | Henri Calef | |
1948 | Crossroads of Passion | Ettore Giannini | |
1951 | Passion | Georges Lampin | |
1951 | Paris Still Sings | Pierre Montazel | actor and producer |
1952 | Promenades à Paris | Stany Cordier | |
1953 | Saluti e baci - (La Route du bonheur) | Maurice Labro and Giorgio Simonelli | actor and producer |
1953 | L'Embarquement pour le ciel | Jean Aurel | |
1953 | Le Chemin de l'étoile | Jean Mousselle | |
1953 | La Montagne du bout du monde | Lionel Terray | |
1953 | Histoires de bicyclettes | Émile Roussel | |
1954 | Si Versailles m'était conté... | Sacha Guitry | actor and producer |
1955 | Napoléon | Sacha Guitry | actor and producer |
1955 | Si Paris nous était conté | Sacha Guitry | actor and producer |
Year | Title | Notes | |
---|---|---|---|
1958 | Life Together | director, writer, and producer | |
1959 | Vous n'avez rien à déclarer ? | director and producer | |