| Circle in the Round | |
| Type: | Compilation |
| Artist: | Miles Davis |
| Cover: | Miles Davis - Circle in the Round.jpg |
| Released: | November 1979 |
| Recorded: | October 26, 1955 – January 27, 1970 |
| Genre: | |
| Length: | 98:25 |
| Label: | Columbia |
| Producer: | Joe McEwen and Jim Fishel |
| Prev Title: | Dark Magus |
| Prev Year: | 1977 |
| Next Title: | Directions |
| Next Year: | 1981 |
Circle in the Round is a 1979 compilation album by jazz musician Miles Davis. It compiled outtakes from sessions across fifteen years of Davis's career that, with one exception, had been previously unreleased. All of its tracks have since been made available on album reissues and box sets.
"Two Bass Hit" is from a 1955 session. A 1958 re-recording was released on Milestones. "Love for Sale", previously released on a 1974 Japanese compilation, features the same lineup that would play on most of Kind of Blue. "Blues No. 2" comes from the last session that Davis and John Coltrane would record together in 1961, although Coltrane does not play on the track.
The title track, recorded in late 1967, is the first Davis recording to depart from strictly acoustic instrumentation, featuring Joe Beck on electric guitar. Edited here by seven minutes, the full track was later released on the 1998 box set The Complete Studio Recordings of The Miles Davis Quintet 1965–1968. The first officially released Davis track with electric guitar was "Paraphernalia", from 1968's Miles in the Sky,[2] with George Benson contributing. Benson appears here on the second take of "Side Car" and "Sanctuary".
"Teo's Bag",[3] both versions of "Side Car", "Splash", and "Sanctuary" come from two sessions in early 1968; Wayne Shorter had recorded a version of "Teo's Bag" in 1966 as "The Collector", which would appear on the 1987 CD reissue of his album Adam's Apple. "Splash" was later released unedited on The Complete In a Silent Way Sessions and the 2002 reissue of Water Babies, while a 1969 re-recording of "Sanctuary" had appeared on Bitches Brew in 1970.
The Crosby, Stills & Nash cover "Guinnevere" is taken from the same sessions in early 1970 which yielded "Great Expectations", "Orange Lady" and the Big Fun track "Lonely Fire". Like the title track, the version on Circle in the Round is edited; the complete take as it appears on The Complete Bitches Brew Sessions is three minutes longer.
In (1981), Robert Christgau deemed the recordings on Circle in the Round "damaged goods", even though "Miles tastes better out of the can than fresh watermelon or even V.S.O.P."[4] Lester Bangs voted it one of 1979's ten best records in his ballot for The Village Voices annual Pazz & Jop poll.[5] "Although seemingly hodgepodge in arrangement, Circle in the Round is a brilliant examination of the depth of scope and range possessed by Miles Davis", Lindsay Planer later wrote in AllMusic.[6]
All tracks by Miles Davis, except where noted.
Recorded between October 26, 1955 and January 27, 1970.