Cinematic style of S. S. Rajamouli explained

S. S. Rajamouli is an Indian filmmaker who primarily works in Telugu cinema and is known for his action, fantasy, and epic genre films. He is the highest grossing Indian director of all time.[1] He is a recipient of various national and international honours including a New York Film Critics Circle award, a Critics' Choice Movie Award, two Saturn Awards, and three National Film Awards. In 2016, the Government of India honoured him with the Padma Shri, for his contributions in the field of art. In 2023, he was included on the Time's list of the 100 most influential people in the world.[2]

Rachel Dwyer called Rajamouli "India's most significant director today".[3] His films are typically characterised by their epic grandeur, unbridled heroism and larger-than-life characters. His films have themes and characters inspired from ancient Indian epics such as Ramayana and Mahabharata and are noted for their integration of the essential lessons and emotions in those ancient epics with visual grandeur. He frequently mentions that the mythological themes in his films are storytelling elements intended to create strong emotional impact on the viewers and are not a reflection of his personality or worldview. His films also have a liberal dose of violence, often orchestrated in stylised action set-pieces.

Rajamouli's films mostly follow the three-act structure where every major plot point ends on a high note with the film having a clap-worthy moment every 10 to 15 minutes. Several of his films also feature flashback episodes. His recent films focus heavily on visual storytelling. They are primarily made in Telugu and then dubbed into various other Indian and foreign languages. His works are typically visual effects-heavy, and he is one of the pioneering filmmakers in India in integrating computer-generated imagery (CGI) with live action. He prefers practical effects over CGI and likes to capture as much footage as possible in-camera. With his Baahubali films, he has pioneered the Pan-Indian film movement.

M. M. Keeravani, his cousin, has worked as the music composer for all of his films. Rajamouli has co-written several of his films with his father, Vijayendra Prasad. Rajamouli's wife, Rama worked as a costume designer or stylist for all of his films starting from Sye. Other frequent collaborators include editor Kotagiri Venkateswara Rao, cinematographer K. K. Senthil Kumar, production designers Sabu Cyril and S. Ravinder, action choreographers Peter Hein, Ram-Lakshman, and King Solomon. His films feature many recurring actors, notably Prabhas, Ram Charan, Jr. NTR, and Anushka Shetty, who appeared in lead roles in several films.

Themes

A penchant for "larger-than-life" filmmaking,[4] [5] [6] [7] combined with a fascination for historical and mythological themes; abound with forts, battles, kings and their tales had Rajamouli helm films like Yamadonga, Magadheera and the Baahubali duology.[8] [9]

Rajamouli has cited ancient Indian narrative epics such as Ramayana and Mahabharata to be inspirational sources for his storytelling.[10] [11] [12] He revisits the Amar Chitra Katha comics and keeps reading different versions of the Ramayana and Mahabharata from time to time. About the presence of mythological elements in his films, Rajamouli spoke thus:

"I am deeply influenced by mythology. Including it in my projects has always been a very sub-conscious decision because I grew up listening to the stories of mythology from my grandparents. It is completely embedded in my blood. Whatever goes in, comes out. I have so much input of mythology, it comes out in my stories in different forms. I feel very proud of it."[13]

A scene in Simhadri had the protagonist impale a rapist on spikes overhead and bathe in his blood, who is then given a abhisheka by the priests for his deed. Baahubali series had elements resembling narratives from Mahabharata and Ramayana. The Devasena-Bhallaladeva scenes mirror the Sita-Ravana interactions in the Ramayana. The Baahubali-Bhallaladeva conflict parallels the Pandava-Kaurava conflict in the Mahabharata. Magadheera and Eega had the concept of reincarnation in its central plot.[14]

Piyush Roy, a critic and film historian, attributed the success of Rajamouli to his ability to integrate the essential lessons and emotions in stories of Indian epics with visual grandeur. He noted that "aspects such as constant duel between good and evil, women as strong characters, presence of mother figures like Kunti and Gandhari are recurrent themes of his narratives."[15]

Rajamouli frequently mentions that his films are not a reflection of his personality or worldview.[16] [17] [18] He stated that the mythological and religious themes in his films are storytelling elements intended to create strong emotional impact on the viewers.[19] He is also inclined to make films that transcend beyond language. Regarding that he says, "I learned that if I make my story based on basic human emotions, you can translate beyond the language. I have a chance to connect with more people."[20]

Devarsi Ghosh of India Today observed that "the themes of an orphaned hero, a secret backstory, a separated family and a protagonist in search of his/her origins are prominent in Rajamouli's films."[21] Themes centered around Jealous siblings, and adopted sons who strive to prove their loyalty featured prominently in Simhadri, Chatrapathi, and Baahubali.[22] His films also have elements of tragedy which is not typical for commercial Telugu cinemathe death of Vikram Rathore during the central set-piece in Vikramarkudu, Kaala Bhairava jumping off the cliff in Magadheera, the self-immolation of the fly in the climax of Eega, the betrayal and death of Amarendra Baahubali in Baahubali films.

Rajamouli's films feature strong, principled heroes. Piyush Roy noted that the Veera rasa (heroism), amongst the navarasas, is the most prominent in the characters of Rajamoulis protagonists who make the film very engaging.[23] [24] The antagonists in his films are irredeemable with no moral compass.[25] His protagonists have graduated from pure brawn in Simhadri, Chatrapathi, and Vikramarkudu to thinking, intelligent heroes who overthink their antagonists in Maryada Ramanna, Eega, and Baahubali. Rajamouli also experimented in Maryada Ramanna with a protagonist who is not hypermasculine or courageous - traits that are typical of his leads.

Revenge is a theme that regularly features in his films.[26] When asked why this is so, in an interview with filmmaker Sandeep Vanga, Rajamouli said, "I believe revenge is the strongest emotion. I don't set out to make a revenge drama in particular. Revenge is an emotion that strongly and easily resonates with the audience. So, most of the time it's revenge."[27] His films generally use a wide range of animals and Rajamouli attributes this to his love of animals.[28]

Rajamouli's films also have a liberal dose of violence, often orchestrated in stylised action set-pieces.[29] He cited the violence in Indian epics as an important factor that shaped up India, and as a filmmaker he doesn't think anyone in India would tone it down if not for the censorship. The violent scenes are often employed to induce awe in the viewer. His films also feature protagonists wielding ornate weapons.[30]

Method

Maintaining that his storytelling style has remained the same since he was in class two, Rajamouli prefers to set his films in an unrealistic and a fantasy world so that people can come out of their world into his. "I like people to be awe struck by my films," he said. His films mostly follow the three-act structure where every major plot point has a setup, confrontation, and resolution; resulting in a screenplay where every plot point ends on a high note with the film having a clap-worthy moment every 10 to 15 minutes.[31]

Several of Rajamouli's films feature flashback episodes where the protagonist's backstory is revealed, typically in the second half of the film. This narrative style is used in Simhadri, Vikramarkudu, Magadheera, Baahubali: The Beginning, and RRR. The high point of Rajamouli's narrative style is considered to be the pre-interval scene—the scene immediately prior to the intermission. His pre-interval action scenes rev up the emotions of the audience creating a high point that increases the interest for the second half of the film. Examples include the Godavari Pushkaralu fight scene in Simhadri, the pre-interval fight scene in Vikramarkudu, and the 100 soldier fight scene in Magadheera.

Describing his films as “big-scale action movies driven by hard-core emotion”,[32] Rajamouli considers himself to be a magnifying glass that enhances the various emotions of the characters on screen, and sees the presence of violent action as an integral factor that engages the viewer with on screen proceedings.[33] [34] "For me, the character being emotionally charged up at that moment to go into that action sequence is very, very important," said Rajamouli about action sequences in his films.

Rajamouli's initial films have comedic sub-plots and songs that are not integral to the main plot of the film. He noted, “Initially, I used to add a lot of scenes for the sake of comedy, songs because I used to fear how people would react if they aren't there. Once I got a lot of confidence as a story-teller, I no longer see the necessity to do all that”.[35]

Rajamouli regrets not working for a longer time as an assistant director. “When I made my first film Student No: 1, I didn’t know how to use a crane because I never used a crane while I was doing my TV serial." He mentions basic shotmaking as his biggest shortcoming as a director. “I still don’t know which shot exactly gives me what I need. I get so many doubts whether I should keep the camera standard, whether I should move the track-in slowly, how close should I really get close to the eyes, close to the face, whether I should go a little bit to the top. There are thousands of options that run through my mind and I don’t know which is the right thing to do. That is my shortcoming. I can’t decide which is the right camera angle," he noted in an interaction in June 2022.[36] [37]

In the beginning of his career, Rajamouli used to act and show the actors how to perform or enact the character and was very adamant on the minutiae of their performances. "Slowly I realised that all my actors are looking the same. All my actors were imitating what I was doing. Then I thought, why do I go to a particular actor? (It is) because he has a specific ability. Then I started hammering the emotion into the actor and let them perform accordingly," he noted.[38]

Beginning with the Baahubali films, Rajamouli started conducting workshops with the major cast members and writing everything about a character the complete backstory of the character including traits and events that aren't present in the final film prior to the commencement of principal photography.

Rajamouli's films typically, are visual effects-heavy and he is one of the pioneering filmmakers in India in integrating computer-generated imagery (CGI) with live action. He mentions his preference for practical effects over CGI and likes to capture as much footage as possible in-camera. Rajamouli's craft in CGI has improved with time. The CGI in the underwater shark-fighting sequence in Chatrapathi was considered ambitious, but choppy. The CGI sequences in Magadheera, Eega, Baahubali, and RRR are more polished with each film improving upon the previous one.

Visual storytelling

Rajamouli's later films focus heavily on visual storytelling.[39] [40] He noted in an interview, "While creating a story, I think 'If I switch off this dialogue portion, will the audience still connect to my movie?' Many times, the answer is a yes.”

“I try to tell my story through visuals. I try to put in as little dialogue as possible, but the dialogues we do put in … my writers take excruciating care, writing version after version so that nuance does not get lost in translation.”

Multi-lingual films

Rajamouli's films starting from Eega have been made in Telugu language and then dubbed into various Indian and foreign languages.[41] [42] [43] [44] He described the process of making a multi-lingual film in this way.

"My thinking is in Telugu, the script is in Telugu first. But even before I go to shoot, I send the script to other language writers so they also get into the clue of what the film is about. Those dialogues may not be the final ones I am going to use in the film, but they read the script and if there is anything that complements my story, I change the Telugu version. It’s an elaborate process because they write, but have to check with the lip-sync. You can’t have a 20 word sentence in place of a six word sentence. We get the lip-sync right, but we don’t compromise on the quality."[45]

Influences

Action and adventure films are Rajamouli's favourite genre.[46] Rajamouli frequently mentions Mayabazar (1957), Ben-Hur (1959) and Braveheart (1995)[47] [48] [49] as his most favourite and influential films.[50] [51] [52] His other favourite films include Missamma (1955), The Last of the Mohicans (1992), The Good, the Bad and the Ugly (1966), Terminator 2 (1991), Indiana Jones and the Last Crusade (1989), City Lights (1931), Apocalypto (2006), Kung Fu Panda (2008), The Lion King (1994), Aladdin (1992), Sherlock Holmes (2009), Django Unchained (2012).[46] He expressed his liking for the films of James Cameron, Steven Spielberg, Quentin Tarantino and John Woo. The chariot race scene in Ben-Hur was a strong influence on him since his childhood. His 2009 directorial Magadheera featured scenes with horses and chariots that Rajamouli acknowledged as an inspiration from Ben-Hur .[53]

Rajamouli has cited Mel Gibson as his favourite filmmaker and as the biggest influence on his filmmaking style. He mentioned that he considers Gibson to be his guru. He also compared himself with Ekalavya to Gibson's Drona. He regularly pays homage to Gibson in his films. He noted in an interview:

"Many of Mel Gibson's films have a very, very big influence on me. The way he blends the action with the drama, how he slows down, how he switches the dramatic moment before the action explodes, I really, really love it. I get really inspired by his action a lot. That’s one thing that really comes to my mind when I talk about action films. It’s what inspired me to do action films."[54]
He is also deeply fascinated by the films of Vijaya Productions like Pathala Bhairavi (1951) and Jagadeka Veeruni Katha (1961). He noted, "Those films stirred the creative juices in my childhood itself. The artistes, their body language, dialogue delivery are all etched into my memory permanently."[55] [56]

Rajamouli attributes his sense of drama to his father Vijayendra Prasad under whom he worked as an assistant early in his career. He is deeply influenced by the novels of Malladi Venkata Krishna Murthy and Yandamuri Veerendranath.[57] He also expressed his fondness for the works of Wilbur Smith.[58] He generally dislikes horror films, especially ones that involve jump scares. He is more receptive to films that scare the viewer with their theme or story. He mentioned his favourite films in the horror genre as The Omen (1976) and Paranormal Activity (2007).[59] [60]

Among Indian directors, Rajamouli cites K. V. Reddy as his biggest influence; Ram Gopal Varma and Raj Kapoor being others.[61] Among his contemporaries in Telugu cinema, he expressed his admiration for the works of Sukumar and Trivikram Srinivas.[62] He also praised the work and cinematic style of Rajkumar Hirani and Anurag Kashyap.[63]

For Baahubali, Rajamouli was inspired by the tales of Amar Chitra Katha and Chandamama along with the Sanskrit epics Mahabharata and Ramayana.[64] [65] For RRR, he mentioned The Motorcycle Diaries (2004) and Inglourious Basterds (2009) as his inspirations.[66] [67]

Collaborators

Crew

Rajamouli frequently collaborates with a set of crew members and technicians. Kotagiri Venkateswara Rao, under whom he started his film career as an assistant, has edited all of his films except for RRR, which was edited by A. Sreekar Prasad.[68] K. K. Senthil Kumar served as the cinematographer on eight of his films.[69] [70] Among art directors or production designers, he worked with Anand Sai for Simhadri, Sye, and Yamadonga; S. Ravinder worked with him in five of his films till Eega; the acclaimed Sabu Cyril worked with him on the Baahubali duology and RRR.[71] [72] [73] [74] [75] [76] M. Ratnam worked as a dialogue writer for all six of Rajamouli's films starting from Simhadri till Magadheera.[77] Among action choreographers, he collaborated with Peter Hein in five films Student No.1, Chatrapathi, Magadheera, Maryada Ramanna, and Baahubali: The Beginning;[78] [79] Ram-Lakshman worked with him in three films Sye, Vikramarkudu, and Magadheera;[80] [81] King Solomon worked as the action choreographer for Baahubali and RRR;[82] [83] Lee Whittaker worked as an action director / stunt coordinator for both the Baahubali films.[84] R. C. Kamalakannan served as the visual effects supervisor for five of his films Yamadonga, Magadheera, Maryada Ramanna, Eega, and Baahubali 2: The Conclusion.[85] [86] V. Srinivas Mohan worked as the visual effects supervisor for Baahubali: The Beginning, and RRR.[87] Iranian citizen Adel Adili, who previously worked on Yamadonga,[88] Englishman Pete Draper, and R. C. Kamalakannan founded Makuta VFX based out of Hyderabad.[89] Makuta has extensively collaborated with Rajamouli in all his films from Magadheera till RRR.[90] [91] [92]

K. Raghavendra Rao produced his debut film Student No: 1 and presented the Baahubali films.[93] [94] Cherry (Chiranjeevi Pedamallu) was the executive producer for Chatrapathi, Vikramarkudu and later produced Yamadonga.[95] [96] [97] B. V. S. N. Prasad produced Chatrapathi and was the executive producer for Magadheera.[98] [99] Shobu Yarlagadda and Prasad Devineni produced Maryada Ramanna and the Baahubali duology.[100] [101] Sai Korrapati and Prasad V. Potluri produced his Eega; D. V. V. Danayya produced his magnum opus, RRR.

Rajamouli regularly collaborates with many members of his extended family.[102] His cousin M. M. Keeravani has worked as the music composer for all of his films.[103] [104] His father Vijayendra Prasad provided the story for nine of his films.[105] [106] His wife, Rama Rajamouli, worked as a costume designer or stylist for all of his films starting from Sye.[107] His sister-in-law M. M. Srivalli, wife of Keeravani, served as a Line Producer on four of his films.[108] [109] His cousin S. S. Kanchi collaborated with him on four[110] [111] films in the writing department including as a story writer for Maryada Ramanna.[112]

His uncle Siva Shakthi Datta, brother of Vijayendra Prasad and father of Keeravani, worked as a lyricist in five of his films.[113] [114] [115] [116] Another uncle of his, Koduri Ramakrishna, was the co-lyricist for Saahore Baahubali along with Datta.[117] Rajamouli's cousin Kalyani Malik works as a sound supervisor for his films.[118] [119] [120] Raja Koduri, another cousin of his, contributed to Baahubali series in technical departments through AMD Radeon.[121] [122] [123] Rajabali, another cousin of his, worked as a VFX Assistant for Baahubali. His nephew Kaala Bhairava, elder son of Keeravani, worked as a playback singer in Baahubali series and RRR.[124] [125] Sri Simha, younger son of Keeravani, worked as a child actor in Yamadonga and Maryada Ramanna, along with minor roles in Eega and Baahubali: The Beginning.[126] [127] [128] In addition, Rajamouli's step-son S. S. Karthikeya also works in the production or direction department of his films.[129] [130] His adopted daughter Mayookha along with Keeravani's daughter acted in the song Saahore Baahubali of Baahubali 2.[131] Kalyani Malik's son Mayur lent his voice in some parts at the end of Baahubali 2. As many as fifteen members of his extended family had worked on Baahubali 2.

Collaborations of Rajamouli – Crew
rowspan=2
Student No:1(2001)Simhadri(2003)Sye(2004)Chatrapathi(2005)Vikramarkudu(2006)Yamadonga(2007)Magadheera(2009)Maryada Ramanna(2010)Eega(2012)Baahubali(2015, 2017)RRR(2022)
M. M. Keeravani
V. Vijayendra Prasad
K. K. Senthil Kumar
Kotagiri Venkateswara Rao
Rama Rajamouli
M. Ratnam
Peter Hein
Ram-Lakshman
Vijayan
King Solomon
Anand Sai
S. Ravinder
Sabu Syril
R. C. Kamalakannan
V. Srinivas Mohan
S. S. Kanchi
M. M. Srivalli
Shobu Yarlagadda and Prasad Devineni
K. Raghavendra Rao
Cherry
B. V. S. N. Prasad

Cast

Rajamouli has worked with some actors frequently in his career. Jr. NTR starred in four of his films including Rajamouli's debut film Student No.1.[132] Prabhas has starred in three of his films Chatrapathi and Baahubali series.[133] Ram Charan collaborated with him on Magadheera and RRR.[134] Ravi Teja starred in Vikramarkudu[135] and provided the voice for bicycle in Maryada Ramanna.[136] Sunil starred in Maryada Ramanna and played a supporting role in Magadheeera. Sudeep played the antagonist in Eega and had a cameo in Baahubali: The Beginning.[137]

Anushka Shetty played the female lead in Vikramarkudu and the Baahubali series.[138] Shriya Saran played the female lead in Chatrapathi and was also cast in RRR in a supporting role.[139] Ramya Krishna appeared in an item song in Simhadri and later played one of the central character, Sivagami Devi, in Baahubali films.[140] [141] Saloni had a cameo in Magadheera and later played the female lead in Maryada Ramanna.[142] Mumaith Khan appeared in item songs in Chatrapathi and Magadheera.[143] [144]

Kota Srinivasa Rao worked with him in three films.[145] [146] Nassar acted in Simhadri, Sye, and the Baahubali series.[147] Pradeep Rawat was introduced to Telugu film industry by Rajamouli as the antagonist Bikshu Yadav in Sye which won him fame. He later worked in Chatrapathi as the villain Ras Bihari.[148] [149] Narendra Jha was cast as the antagonist Baji Rao in Chatrapathi and later also acted in Yamadonga.[150] [151] [152] Supreeth worked in three films of Rajamouli as a goon or henchman of the main antagonist. Rajamouli gave Prabhakar his first full-fledged role in Maryada Ramanna which became his breakthrough role.[153] Prabhakar named his son after Rajamouli as gratitude towards him.[154] [155] [156] He later played the Kalakeya leader Inkoshi in Baahubali: The Beginning. After the film's success, he came to be popularly referred to as 'Kalakeya Prabhakar'.[157] [158]

Rajamouli also regularly collaborates with Rajeev Kanakala and Chatrapathi Sekhar who appeared in six and nine of his films respectively.[159] [160] [161] [162] Rajamouli also worked with the comic actors Brahmanandam, M. S. Narayana, Venu Madhav, Ali, L. B. Sriram, Raghu Babu, Srinivasa Reddy, Sivannarayana Naripeddi, and Hema in multiple films. Tanikella Bharani acted in Student No.1, Sye, and Baahubali.[163] [164] Sameer, Ajay, Jaya Prakash Reddy, Rao Ramesh, Subbaraya Sarma, Surya, and Preeti Nigam acted in supporting roles in many of his films. His cousin S. S. Kanchi acted in his films apart from working in the writing department. His nephew Sri Simha, younger son of Keeravani, worked as a child actor in Yamadonga and Maryada Ramanna, along with minor roles in Eega and Baahubali: The Beginning.

Collaborations of Rajamouli – Cast
rowspan=2
(2001)Simhadri(2003)Sye(2004)Chatrapathi(2005)Vikramarkudu(2006)Yamadonga(2007)Magadheera(2009)Maryada Ramanna(2010)Eega(2012)Baahubali(2015, 2017)RRR(2022)
Jr. NTR
Prabhas
Ram Charan
Sunil
Ravi TejaVoice role
Sudeep
Anushka Shetty
Shriya Saran
Ramya Krishna
Saloni
Mumaith Khan
Nassar
Kota Srinivasa Rao
Pradeep Rawat
Ajay
Jaya Prakash Reddy
Supreeth
Prabhakar
Narendra Jha
Rajeev Kanakala
Chatrapathi Sekhar
Sameer
Tanikella Bharani
Subbaraya Sharma
Surya
Prabhas Sreenu
Preeti Nigam
Brahmanandam
M. S. Narayana
Venu Madhav
Ali
Srinivasa Reddy
Sivannarayana Naripeddi
L. B. Sriram
S. S. Kanchi
Hema

Views on the film industry

Theatres and streaming services

Rajamouli is of the view that watching films in a movie theatre is the best way to experience them as theatres provide the unique communal experience in seeing how other people feel the emotions of the characters on screen. He said there's a kind of synergy that one experiences in a theater which doesn't come in a home or on a personal device, the experience can't be replicated. Being optimistic that theaters would thrive and prosper in the age of Streaming media, he said "[a] movie theater is like a temple. The other day, I went to the Music Box Theatre in Chicago, and I almost had tears. It was such a great feeling." In an interview with American media, he suggested various measures to make people prefer theatres over streaming services, like reintroduction of intermission as it provides an opportunity for the audience to refresh themselves. He also opined that movie stars play a big role in bringing audiences to theaters.[165]

Pan-Indian film

See also: Pan-Indian film. S. S. Rajamouli pioneered the pan-Indian films movement with his duology of epic action films (2015) and (2017), that changed the face of Indian cinema.[166] [167] He emphasised that making a pan-Indian film doesn't necessarily mean getting actors from different Indian film industries, but instead its about having a story and emotion that connects to everyone irrespective of the language. He stated that while creating a story, he often thinks whether the audience would be able to connect to his movie if the dialogue is turned off and many a times he feels in the affirmative.

See also

Notes and References

  1. Web site: 2023-03-11 . Ahead of Oscars 2023, revisiting SS Rajamouli's RRR -the records it broke, legacy it created, glory it brought . 2023-03-11 . . en . He's the highest grossing Indian director and also the director to secure the highest theatrical share..
  2. The 100 Most Influential People of 2023 . 2024-04-18 . Time . en.
  3. Web site: Dwyer . Rachel . Rachel Dwyer . 2022-04-01 . Director's Roar - The globalisation of South Indian cinema began with Rajamouli . live . https://web.archive.org/web/20220905161209/https://openthemagazine.com/cover-stories/directors-roar/ . 5 September 2022 . 2022-09-05 . . en-GB . SS Rajamouli is perhaps India’s most significant director today. He can make a film in a south Indian language that, when dubbed, becomes a pan-Indian film that can also be enjoyed overseas..
  4. Web site: Kokra . Sonali . 12 April 2022 . 'RRR' director SS Rajamouli on being a 'rollercoaster entertainer' . 30 August 2022 . . en . 'I generally like larger-than-life, pushing-the-boundaries sort of canvases,' he says. . 30 August 2022 . https://web.archive.org/web/20220830080822/https://www.thenationalnews.com/arts-culture/film/2022/04/12/rrr-director-ss-rajamouli-on-being-a-rollercoaster-entertainer/ . live .
  5. News: 13 April 2017 . Q&A: Director Rajamouli on the making of 'Bahubali' . en . The vision was not just in 2012 - it kept building over a period of years, right from my childhood. I had this penchant for bigger films, larger-than-life characters. . Reuters . 3 July 2022 . 3 July 2022 . https://web.archive.org/web/20220703203219/https://www.reuters.com/article/rajamouli-baahubali-film-idUSKBN17F0JS . live .
  6. News: Kumar . Anuj . 18 October 2012 . Flight of imagination . en-IN . I like larger-than-life ideas. I take an impossible situation and then make the audience believe in it. . The Hindu . 23 August 2022 . 0971-751X . 8 August 2020 . https://web.archive.org/web/20200808233406/https://www.thehindu.com/features/cinema/Flight-of-imagination/article12562497.ece . live .
  7. Web site: Srinivasan . Latha . 30 March 2022 . Inside the mind of SS Rajamouli: Decoding how the RRR director lends scale to his storytelling . 20 July 2022 . Firstpost . en . [f]rom a young age, I had this vivid imagination. When my father started working, he would tell us scenes he had developed, and I would amp them up in my own way. . 18 August 2022 . https://web.archive.org/web/20220818144603/https://www.firstpost.com/entertainment/inside-the-mind-of-ss-rajamouli-decoding-how-the-rrr-director-lends-scale-to-his-storytelling-10501081.html . live .
  8. Web site: Cain . Rob . 27 August 2015 . An Interview With 'Baahubali' Director SS Rajamouli: The Beginning . 27 July 2022 . Forbes . en . I was fascinated by the forts, the battles, the kings, I not only used to read those stories but I kept telling those stories to my friends in my own way.[...] I experimented a bit with two of my earlier films Yamadonga and Magadheera which had a bit of folklore and mythology in them. . https://web.archive.org/web/20221201043901/https://www.forbes.com/sites/robcain/2015/08/27/an-interview-with-baahubali-director-ss-rajamouli-the-beginning/. December 1, 2022. live.
  9. Web site: Singh . Suhani . 17 December 2021 . S.S. Rajamouli: The return of the king . subscription . 26 July 2022 . India Today . en . 1 July 2022 . https://web.archive.org/web/20220701185022/https://www.indiatoday.in/magazine/cinema/story/20211227-s-s-rajamouli-the-return-of-the-king-1888561-2021-12-17 . live .
  10. Web site: Adivi . Sashidhar . 3 August 2017 . SS Rajamouli's epic inspiration . 23 September 2021 . Deccan Chronicle . en . All my films are inspired by Mahabharata and Ramayana because I was raised with these epics. I have a deep emotional connect with them. . 30 March 2022 . https://web.archive.org/web/20220330031504/https://www.deccanchronicle.com/entertainment/tollywood/030817/ss-rajamoulis-epic-inspiration-1.html . live .
  11. Web site: My films have narratives inspired by mythology: S S Rajamouli . 26 June 2022 . OnManorama . My films will always have narratives that are inspired by mythology. I am deeply influenced by the Mahabharata and the Ramayana. They somehow come out in various forms. But it isn’t deliberate. [...] I don’t think there is any emotion that hasn’t been written in the Mahabharata or Ramayana. . 27 May 2022 . https://web.archive.org/web/20220527130927/https://www.onmanorama.com/entertainment/interviews/2022/01/30/ss-rajamouli-interview-rrr.html . live .
  12. Web site: Cain . Rob . 27 August 2015 . An Interview With 'Baahubali' Director SS Rajamouli: The Beginning . 27 July 2022 . Forbes . en . mostly my stories are drawn from the epics of India . https://web.archive.org/web/20221201043901/https://www.forbes.com/sites/robcain/2015/08/27/an-interview-with-baahubali-director-ss-rajamouli-the-beginning/. December 1, 2022. live.
  13. Web site: 20 March 2022 . SS Rajamouli opens up on why he includes mythological elements in his films . live . https://web.archive.org/web/20220626092557/https://theprint.in/features/ss-rajamouli-opens-up-on-why-he-includes-mythological-elements-in-his-films/881350/ . 26 June 2022 . 17 July 2022 . ThePrint . en-US.
  14. Web site: Tetali . Sagar . 22 March 2022 . SS Rajamouli, Maker of Myths . 16 July 2022 . Film Companion.
  15. News: Naidu . Rajesh . S S Rajamouli: The Epic Storyteller . 2022-10-12 . The Times of India . en . 29 August 2022 . https://web.archive.org/web/20220829131058/https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/s-s-rajamouli-the-epic-storyteller/articleshow/48421698.cms . live .
  16. Web site: S. . Vidya . Lidhoo . Prerna . 22 July 2022 . How Movies From the South Conquered Bollywood . 2022-08-27 . . 14 August 2022 . https://web.archive.org/web/20220814163253/https://www.businesstoday.in/interactive/longread/how-movies-from-the-south-conquered-bollywood-146-22-07-2022 . live .
  17. Web site: Kumar . Hemanth . 2017-04-27 . SS Rajamouli on Baahubali 2: The Conclusion, being an atheist and his love for cinema . 2022-09-15 . Firstpost . en . However, I must add that my personality and my films are poles apart. . 3 October 2022 . https://web.archive.org/web/20221003163317/https://www.firstpost.com/entertainment/ss-rajamouli-on-baahubali-2-the-conclusion-being-an-atheist-and-his-love-for-cinema-3408524.html . live .
  18. News: I am scared of handling big stars: Rajamouli . 2022-09-15 . The Times of India . en . 14 September 2022 . https://web.archive.org/web/20220914122617/https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/i-am-scared-of-handling-big-stars-rajamouli/articleshow/17677673.cms . live .
  19. Web site: 2017-04-27 . SS Rajamouli on Baahubali 2: The Conclusion, being an atheist and his love for cinema . 2022-09-15 . Firstpost . en . For me, Bhakti, in terms of subservience to a higher power, is a very strong emotion. I use it as a storytelling element in my movies. As a director, it’s my job to bring out such strong emotions for a big impact on the viewers. . 3 October 2022 . https://web.archive.org/web/20221003163317/https://www.firstpost.com/entertainment/ss-rajamouli-on-baahubali-2-the-conclusion-being-an-atheist-and-his-love-for-cinema-3408524.html . live .
  20. Web site: Tartaglione . Nancy . 8 April 2022 . 'RRR' Director S.S. Rajamouli Talks Film's Global Success, Comparisons To Marvel . live . https://web.archive.org/web/20220806005438/https://deadline.com/2022/04/rrr-ss-rajamouli-interview-box-office-marvel-1234997120/ . 6 August 2022 . 27 August 2022 . . All languages are of value, but it has been proven even before Baahubali, if the film is based on human emotions you can translate beyond the language..
  21. Web site: Devarsi Ghosh . 25 April 2017 . How Baahubali's themes are tied to SS Rajamouli's entire filmography . 12 July 2021 . . en . 12 July 2021 . https://web.archive.org/web/20210712050352/https://www.indiatoday.in/movies/baahubali-2-full-coverage/story/baahubali-2-the-conclusion-ss-rajamouli-eega-magadheera-973408-2017-04-25 . live .
  22. Web site: R . Manoj Kumar . 24 March 2022 . Decoding SS Rajamouli's success ahead of RRR: A director who sells more tickets than superstars . 20 July 2022 . The Indian Express . en . 20 July 2022 . https://web.archive.org/web/20220720112032/https://indianexpress.com/article/entertainment/opinion-entertainment/ss-rajamouli-rrr-a-director-who-sells-more-tickets-than-superstars-7831831/ . live .
  23. News: Naidu . Rajesh . S S Rajamouli: The Epic Storyteller . 29 August 2022 . The Times of India . en . Piyush Roy, a film historian with University of Edinburgh says, "All of Rajamouli's films have well-rounded action plots. Among the Navarasas, it is the Veera rasa that make his narrative very engaging. His plots have all elements of exploits of a hero and heroism. His heroes are not only mentally upright but also physically strong. He invests in characterisation. Even his supporting characters are well-established." . 29 August 2022 . https://web.archive.org/web/20220829131058/https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/s-s-rajamouli-the-epic-storyteller/articleshow/48421698.cms . live .
  24. Web site: Ramnath . Nandini . 3 June 2015 . SS Rajamouli conquered Telugu cinema a decade ago. Is Bollywood next? . 2022-09-15 . Scroll.in . en-US . 14 September 2022 . https://web.archive.org/web/20220914153715/https://scroll.in/article/731818/ss-rajamouli-conquered-telugu-cinema-a-decade-ago-is-bollywood-next . live .
  25. Web site: Keramalu . Karthik . 31 December 2021 . How Rajamouli became India's blockbuster director . 20 July 2022 . Deccan Herald . en . 20 July 2022 . https://web.archive.org/web/20220720125707/https://www.deccanherald.com/entertainment/how-rajamouli-became-indias-blockbuster-director-1066713.html . live .
  26. Web site: S. . Vidya . Lidhoo . Prerna . 22 July 2022 . How Movies From the South Conquered Bollywood . 27 August 2022 . . Says Rajamouli, an agnostic whose tales are replete with mythological themes of reincarnation and revenge, brought to life using heavy doses of modern-day technologies. . 14 August 2022 . https://web.archive.org/web/20220814163253/https://www.businesstoday.in/interactive/longread/how-movies-from-the-south-conquered-bollywood-146-22-07-2022 . live .
  27. From 0:25 to 1:15
  28. Web site: Patel . Sunil . 27 May 2022 . Rip-Roaring Revolution: S.S. Rajamouli on his Bromantic Epic . 3 July 2022 . . en . 3 July 2022 . https://web.archive.org/web/20220703203218/https://letterboxd.com/journal/rip-roaring-revolution-ss-rajamouli-rrr/ . live .
  29. Web site: Tetali . Sagar . 22 March 2022 . SS Rajamouli, Maker of Myths . 16 July 2022 . Film Companion . But there is another dimension to mythology that is central to Rajamouli’s filmography, long unexplored in Indian cinema — that of violence..
  30. Web site: Manohar . Niveda . 9 July 2015 . Before Watching Baahubali: 7 Rajamouli Quirks . live . https://web.archive.org/web/20230103134750/https://silverscreenindia.com/telugu/features/before-watching-baahubali-7-rajamouli-quirks/ . 3 January 2023 . 27 February 2023 . Silverscreen India.
  31. Web site: Jain . Gautam . 25 March 2022 . The original Pan India filmmaker . 20 July 2022 . Ormax Media . 23 May 2022 . https://web.archive.org/web/20220523195352/https://www.ormaxmedia.com/insights/stories/the-original-pan-india-filmmaker.html . live .
  32. Web site: Shanmugam . Kavitha . 9 April 2022 . I make big-scale movies driven by emotions: Rajamouli . 24 August 2022 . The Federal . “When humans are under the grip of emotion, they tend to behave in a superhuman way and are pushed to do anything and that is what I tap,” he said, describing his films as being “big scale action movies driven by hard-core emotion”. . 24 August 2022 . https://web.archive.org/web/20220824130532/https://thefederal.com/cii-dakshin-event/i-make-big-scale-movies-driven-by-emotions-rajamouli/ . live .
  33. Web site: Bhopatkar . Tejashree . 30 December 2021 . SS Rajamouli: My family members are ruthless critics; they show no mercy in ripping apart my films if they don't like anything . 27 August 2022 . The Times of India . Yes, violence is part of my storytelling but not in a negative way. Each and everything, whether it is violence, softness, or any kind of emotion, I like to call myself a magnifying glass. I like to enhance my emotions. And I feel the same kind of emotion will enhance much more if you have action, if it has something just running around, It will just explode. It gives a larger-than-life effect. So that is my way of storytelling. That is how I like to see films, that is how I like to make films. . 27 August 2022 . https://web.archive.org/web/20220827062904/https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/ss-rajamouli-my-family-members-are-ruthless-critics-they-show-no-mercy-in-ripping-apart-my-films-if-they-dont-like-anything/articleshow/88572528.cms . live .
  34. Web site: Jain . Gautam . 25 March 2022 . The original Pan India filmmaker . 20 July 2022 . Ormax Media . Instead of relying on action to only drive an adrenaline rush, SS Rajamouli uses action to drive various emotions. This leads to higher engagement with the proceedings on screen during action set-pieces. . 23 May 2022 . https://web.archive.org/web/20220523195352/https://www.ormaxmedia.com/insights/stories/the-original-pan-india-filmmaker.html . live .
  35. News: 27 April 2017 . SS Rajamouli on Baahubali 2: The Conclusion, being an atheist and his love for cinema . Firstpost . 1 May 2017 . 30 April 2017 . https://web.archive.org/web/20170430233149/http://www.firstpost.com/entertainment/ss-rajamouli-on-baahubali-2-the-conclusion-being-an-atheist-and-his-love-for-cinema-3408524.html . live .
  36. Event occurs from 24:56 to 26:47
  37. News: I am far from being a perfectionist, says 'RRR' film-maker SS Rajamouli . The Economic Times . 2022-09-14 . 14 September 2022 . https://web.archive.org/web/20220914122617/https://economictimes.indiatimes.com/magazines/panache/i-am-far-from-being-a-perfectionist-says-rrr-filmmaker-ss-rajamouli/articleshow/91395398.cms?from=mdr . live .
  38. S S Rajamouli and Anupam Kher at Goafest 2022 . 15 June 2022 . 28:00 to 30:42 . From . 2022-09-14 . 14 September 2022 . https://web.archive.org/web/20220914122625/https://www.youtube.com/watch?v=MDFk584zf6o . live .
  39. Web site: Ghosh . Sankhayan . A Song of Fire and Water: SS Rajamouli's Cinema of Miracles . 2023-04-14 . Film Companion . en . . Rajamouli has perfected his skills as a visual storyteller over the years, gravitating towards fantasy. . 14 April 2023 . https://ghostarchive.org/archive/20230414200403/https://www.filmcompanion.in/features/ss-rajamouli-movies-rrr-baahubali-a-song-of-fire-and-water-cinema-of-miracles . bot: unknown .
  40. Web site: 19 March 2022 . Want audience to get my story through visuals, not dialogue or subtitles: S S Rajamouli . 30 August 2022 . . 30 August 2022 . https://web.archive.org/web/20220830043838/https://www.deccanherald.com/entertainment/entertainment-news/want-audience-to-get-my-story-through-visuals-not-dialogue-or-subtitles-s-s-rajamouli-1092756.html . live .
  41. Web site: 6 July 2012 . Get ready for the buzz as Eega releases today . 2023-04-14 . NDTV.com.
  42. Web site: 20 May 2018 . Bilingual films: The big, bilingual scam . 2023-04-14 . The New Indian Express . 14 October 2020 . https://web.archive.org/web/20201014023155/https://www.newindianexpress.com/entertainment/tamil/2018/may/20/bilingual-films-the-big-bilingual-scam-1817232.html . dead .
  43. News: Released in over ten languages and counting . The Times of India . 2023-04-14 . 0971-8257.
  44. Web site: Nair . Shreejit . 2023-01-19 . What's Up With RRR's Various Dubs? . 2023-04-14 . . en.
  45. Web site: Tartaglione . Nancy . 2022-04-08 . 'RRR' Director S.S. Rajamouli Talks Film's Global Success, Comparisons To Marvel . 2022-08-27 . . 27 November 2022 . https://web.archive.org/web/20221127020429/https://deadline.com/2022/04/rrr-ss-rajamouli-interview-box-office-marvel-1234997120/ . live .
  46. Web site: 22 September 2005 . Interview with SS Rajamouli by Jeevi – Chatrapathi . . 5 January 2023 . 22 November 2018 . https://web.archive.org/web/20181122112710/http://idlebrain.com/celeb/interview/ssrajamouli.html . live .
  47. News: 18 November 2021 . How the Telugu classic, Mayabazar, set a trend . The Hindu . 4 July 2022 . 0971-751X . S.S. Rajamouli calls Mayabazar “the greatest classic and absolute influence of all times, not only on me and my generation of filmmakers, but the entire Telugu film industry.” . 5 July 2022 . https://web.archive.org/web/20220705191249/https://www.thehindu.com/entertainment/movies/how-the-telugu-classic-mayabazar-set-a-trend/article37559807.ece . live .
  48. News: Naidu . Rajesh . S S Rajamouli: The Epic Storyteller . 29 August 2022 . The Times of India . It is no wonder that Rajamouli cites K V Reddy's 1957 bi-lingual (Telugu and Tamil) film Mayabazaar as one of the films that has influenced him a lot. . 29 August 2022 . https://web.archive.org/web/20220829131058/https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/s-s-rajamouli-the-epic-storyteller/articleshow/48421698.cms . live .
  49. Web site: Kumar . Hemanth . 2017-04-27 . SS Rajamouli on Baahubali 2: The Conclusion, being an atheist and his love for cinema . 2022-09-15 . Firstpost . I was 7–8 years old when I first saw it as a kid, I loved it immensely. Later, when I came to the film industry, I kept thinking about how KV Reddy and his team made the film back in those days. I was mesmerised by the visual effects in that film. Later, while making Yamadonga, my VFX supervisor and I spent two days just to figure out how KV Reddy had pulled off such amazing special effects back then. The more I explored the world of Mayabazaar, my respect for KV Reddy kept growing. . 3 October 2022 . https://web.archive.org/web/20221003163317/https://www.firstpost.com/entertainment/ss-rajamouli-on-baahubali-2-the-conclusion-being-an-atheist-and-his-love-for-cinema-3408524.html . live .
  50. Web site: 4 July 2022 . Rajamouli on his next dream project and Bollywood vs south film industry . 4 July 2022 . . en . 4 July 2022 . https://web.archive.org/web/20220704182514/https://www.livemint.com/news/india/rajamouli-on-his-next-dream-project-and-bollywood-vs-south-film-industry-11656874085710.html . live .
  51. Web site: Rajamani . Radhika . 7 November 2006 . 'I am trying to experiment' . 27 July 2022 . . 29 September 2022 . https://web.archive.org/web/20220929111820/https://www.rediff.com/movies/2006/nov/07rajamouli.htm . live .
  52. Web site: Olson . Josh . Dante . Joe . 16 August 2022 . RRR Writer/Director S.S. Rajamouli on 'The Movies That Made Me' Podcast . 4 September 2022 . . en-US . 4 September 2022 . https://web.archive.org/web/20220904171400/https://trailersfromhell.com/podcast/s-s-rajamouli/ . live .
  53. Ben-Hur is my inspiration, says S. S. Rajamouli in Magadheera audio release function . 1:30 . 3 July 2022 . 3 July 2022 . https://web.archive.org/web/20220703203219/https://www.youtube.com/watch?v=ssi0bdAWy58 . live .
  54. 10 Questions With SS Rajamouli Baradwaj Rangan RRR . 24 March 2022 . Galatta . 7:27 to 8:15 . From . 4 July 2022 . 5 September 2022 . https://web.archive.org/web/20220905061604/https://www.youtube.com/watch?v=dl_l2vcccYw&t=447s . live .
  55. Web site: Atluri . Sri . 31 July 2008 . Star Interviews : Exclusive Interview: Rajamouli . bot: unknown . https://web.archive.org/web/20080928113529/http://www.telugucinema.com/c/publish/stars/interview_rajamouli_2007.php . 28 September 2008 . 24 August 2022 . Telugucinema.com.
  56. Web site: Rajamani . Radhika . 21 August 2007 . The Rajmouli-NTR Jr winning combination . 24 August 2022 . Rediff.com . I am fascinated by the films made by Vijaya films, which was the primary source of inspiration, and started the creative juices in me. . 25 November 2022 . https://web.archive.org/web/20221125174839/https://www.rediff.com/movies/2007/aug/21ssraja.htm . live .
  57. SS Rajamouli Superb Words About Sukumar #RRR NTV Entertainment . 11 July 2022 . 14 July 2022 . https://web.archive.org/web/20220714124508/https://www.youtube.com/watch?v=jDyefmbed4c . live .
  58. Web site: Singh . Suhani . 17 December 2021 . S.S. Rajamouli: The return of the king . 26 July 2022 . India Today . “I have read all of his books. I love his sense of largeness. The adventure and emotions are mass-y by themselves,” says Rajamouli. . 1 July 2022 . https://web.archive.org/web/20220701185022/https://www.indiatoday.in/magazine/cinema/story/20211227-s-s-rajamouli-the-return-of-the-king-1888561-2021-12-17 . live .
  59. Web site: 19 June 2022 . Rajamouli reveals his favourite horror movies . 2 September 2022 . 123Telugu.com . 2 September 2022 . https://web.archive.org/web/20220902074901/https://www.123telugu.com/mnews/rajamouli-reveals-his-favourite-horror-movies.html . live .
  60. Web site: 19 June 2022 . Rajamouli reveals his two favourite horror films at Aha's Anya's Tutorial trailer launch event . 2 September 2022 . Filmy Focus . 2 September 2022 . https://web.archive.org/web/20220902074911/https://filmyfocus.com/rajamouli-reveals-his-two-favourite-horror-films-at-ahas-anyas-tutorial-trailer-launch-event/ . live .
  61. S.S.Rajamouli's Rapid Fire RRR . 27 December 2021 . . 4:01 to 4:30 . From . 29 September 2022 . 29 September 2022 . https://web.archive.org/web/20220929182311/https://www.youtube.com/watch?v=0zVh_1cROP4&t=241s . live .
  62. Mee Star : S.S.Rajamouli Part 2 (in Telugu) . 30:06 to 31:17 . From . 9 July 2022 . 9 July 2022 . https://web.archive.org/web/20220709124848/https://www.youtube.com/watch?v=tDrM0DQ4aFI&gl=US&hl=en . live .
  63. "I Can't Even Make One Scene Like How Rajkumar Hirani Does": S S Rajamouli . 1:50 to 2:52 . From . 9 July 2022 . 9 July 2022 . https://web.archive.org/web/20220709124848/https://www.youtube.com/watch?v=YTOMLXD3_sc&gl=US&hl=en . live .
  64. Web site: TS . Sudhir . 21 July 2015 . Baahubali and Bajrangi Bhaijaan writer reveals his secrets . 3 June 2022 . DailyO . 8 November 2020 . https://web.archive.org/web/20201108102035/https://www.dailyo.in/arts/bajrangi-bhaijaan-baahubali-vijayendra-prasad-100-crore/story/1/5107.html . live .
  65. Web site: Dutta . Prabhash K . 28 April 2017 . Baahubali 2: How Rajamouli picked up patches from history for his fictional epic . 2023-02-27 . India Today . en . 27 February 2023 . https://web.archive.org/web/20230227113101/https://www.indiatoday.in/fyi/story/baahubali-2-kattappa-mahismati-ballaldev-974053-2017-04-28 . live .
  66. Web site: 'RRR' is fictitious story based on two greatest freedom fighters: SS Rajamouli . 9 July 2022 . The New Indian Express . 1 April 2022 . https://web.archive.org/web/20220401072735/https://www.newindianexpress.com/entertainment/telugu/2019/mar/15/rrr-is-fictitious-story-based-on-two-greatest-freedom-fighters-1951300.html . live .
  67. Web site: 11 December 2021 . RRR will be stronger than Baahubali in terms of its emotions – SS Rajamouli . 3 June 2022 . Only Kollywood . 25 September 2022 . https://web.archive.org/web/20220925023206/https://www.onlykollywood.com/rrr-will-be-stronger-than-baahubali-in-terms-of-its-emotions-ss-rajamouli/ . live .
  68. Web site: Sundar . Anusha . 6 April 2022 . Sreekar Prasad Interview: Editor on Cutting 'RRR', His First Collaboration with SS Rajamouli, His Process & More . 2 September 2022 . Silverscreen India . en-US . The film marks their first collaboration, Rajamouli having previously only worked with editor Kotagiri Venkateswara Rao. . 2 September 2022 . https://web.archive.org/web/20220902074856/https://silverscreenindia.com/movies/features/interviews/sreekar-prasad-interview-editor-on-cutting-rrr-his-first-collaboration-with-ss-rajamouli-his-process-more/ . live .
  69. News: Dundoo . Sangeetha Devi . 31 March 2022 . Cinematographer Senthil Kumar on the technical strides for 'RRR' and his quest to keep offering better visual experiences . en-IN . The Hindu . 1 September 2022 . 0971-751X . 1 September 2022 . https://web.archive.org/web/20220901205138/https://www.thehindu.com/entertainment/movies/for-rrr-cinematographer-senthil-kumar-wanted-the-sharpest-visual-quality/article65273800.ece . live .
  70. Web site: J Rao . Subha . 12 April 2022 . Inside RRR universe with cinematographer KK Senthil Kumar, his two-decade long association with SS Rajamouli . 1 September 2022 . Firstpost . en . 1 September 2022 . https://web.archive.org/web/20220901205139/https://www.firstpost.com/entertainment/inside-rrr-universe-with-cinematographer-kk-senthil-kumar-his-two-decade-long-association-with-ss-rajamouli-10545911.html . live .
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  75. Web site: 9 March 2022 . When Chatrapathi Art Director Handed Wooden Rod to Villain Against Prabhas And Then... . 2 September 2022 . News18 . en . 2 September 2022 . https://web.archive.org/web/20220902205531/https://www.news18.com/news/movies/when-chatrapathi-art-director-handed-wooden-rod-to-villain-against-prabhas-and-then-4856123.html . live .
  76. Web site: Rajendran . Gopinath . 24 May 2022 . Sabu Cyril: We knew that RRR wouldn't be as big as the Baahubali films . 1 September 2022 . Indulge Express . . en . 1 September 2022 . https://web.archive.org/web/20220901205139/https://www.indulgexpress.com/entertainment/cinema/2022/may/24/sabu-cyril-we-knew-that-rrr-wouldnt-be-as-big-as-the-baahubali-films-40990.html . live .
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  102. News: How 'Baahubali 2: The Conclusion' was a family affair for SS Rajamouli . 2 September 2022 . The Times of India . 2 September 2022 . https://web.archive.org/web/20220902123821/https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/photo-features/baahubali-2-the-conclusion-times-when-the-s-s-rajamouli-epic-made-headlines/how-baahubali-2-the-conclusion-was-a-family-affair-for-ss-rajamouli/photostory/58432554.cms . live .
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  105. Web site: 6 April 2022 . Meet SS Rajamouli's father, writer KV Vijayendra Prasad, who has penned RRR, Baahubali, Bajrangi Bhaijaan . 2 September 2022 . DNA India . en . 31 October 2022 . https://web.archive.org/web/20221031172539/https://www.dnaindia.com/entertainment/report-meet-ss-rajamouli-s-father-writer-kv-vijayendra-prasad-who-has-penned-rrr-baahubali-bajrangi-bhaijaan-2944324 . live .
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  108. News: 2023-03-14 . Call of cinema: Blood is thicker than water . The Times of India . 2023-04-15 . 0971-8257.
  109. Event occurs from 2:28 to 2:31
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  111. Web site: ఆదిపురుష్ చిత్రాన్ని కించపరుస్తూ ఆర్ ఆర్ ఆర్ రైటర్ ట్వీట్... ఆ సత్తా తెలుగోడికే ఉందంటూ ప్రభాస్ మూవీపై సెటైర్! . 2023-04-14 . . te.
  112. Web site: SS Rajamouli about Maryada Ramanna interview . 2 September 2022 . Idlebrain.com . Though my father gave stories to all my earlier movies, Kanchi’s contribution in story department for those movies was notable. Kanchi has been working in story department of my films since Chatrapati. I used to be like monarch in our story discussions and I dominate everybody. Kanchi is the only guy who doesn’t succumb to my domination. He gave very good story for Maryada Ramanna. . 14 November 2014 . https://web.archive.org/web/20141114105429/http://www.idlebrain.com/celeb/interview/ssrajamouli-maryadaramanna.html . live .
  113. Web site: Siva Shakti Datta Songs . 2023-04-15 . Wynk Music . en.
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  115. Web site: Google reveals top movies, songs in India in 2017; you won't believe who made it to the list . 7 July 2022 . Financialexpress . en . 7 July 2022 . https://web.archive.org/web/20220707055641/https://www.financialexpress.com/photos/technology-gallery/961982/google-reveals-top-movies-songs-in-india-in-2017-you-wont-believe-who-made-it-to-the-list/ . live .
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  118. Web site: 28 July 2015 . Interview with Kalyan Koduri about awards – Telugu cinema music composer . 1 September 2022 . Idlebrain.com . I have been given credit for ‘Sound Supervision’ in Baahubali. I have worked for Simhadri, Chatrapati, Sye and Magadheera as sound supervisor. But I am being recognized in Baahubali because of the magnitude of the film. . 1 September 2022 . https://web.archive.org/web/20220901174616/http://www.idlebrain.com/celeb/interview/kalyanikoduri1.html . live .
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  138. Web site: 16 May 2017 . Did you know Baahubali's 'Devasena' Anushka Shetty was rejected after her first audition? See her first photoshoot . 2 September 2022 . The Indian Express . en . But her major breakthrough came in 2006 film, Vikramarkudu, which was helmed by her Baahubali director SS Rajamouli. Hence, began a long association between the actor and the director, and their latest Baahubali: The Conclusion is only a testimony of their successful bond. She is the first female star to work with Rajamouli thrice. . 2 September 2022 . https://web.archive.org/web/20220902190201/https://indianexpress.com/article/entertainment/telugu/baahubali-devasena-anushka-shetty-first-photoshoot-rejected-first-audition-prabhas-ss-rajamouli-see-photos-4658391/ . live .
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  153. Web site: Vyas . 2019-05-16 . Kalakeya bags a biggie . 2023-04-14 . . en . Actor Prabhakar has been working in the industry for over a decade but got a break with S.S. Rajamouli's comedy-thriller 'Maryada Ramanna'. Immediately, he was roped in to play the role of 'Kalakeya' in the epic project 'Baahubali: The Beginning' and the recognition and response was huge!.
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  156. Web site: 20 July 2022 . Baahubali Prabhakar: అఖండ తర్వాత వరసగా 14 సినిమాల్లో పోలీస్‌ పాత్రలే.. . 3 September 2022 . Sakshi . te . 26 July 2022 . https://web.archive.org/web/20220726055632/https://www.sakshi.com/telugu-news/movies/kalakeya-prabhakar-telugu-actor-journey-family-movies-special-interview-1472229 . live .
  157. Web site: Adivi . Sridhar . 31 July 2017 . I am indebted to Rajamouli, says Kalakeya Prabhakar . 2 September 2022 . The Times of India . en . 25 November 2022 . https://web.archive.org/web/20221125174840/https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/i-am-indebted-to-rajamouli-says-kalakeya-prabhakar/articleshow/59842100.cms . live .
  158. Web site: Dhantadhan Baahubali Fame Kalakeya Prabhakar Interview . 2023-04-14 . . mr.
  159. Web site: 2023-04-07 . Rajamouli: రాజమౌళి ప్రతి సినిమాలో చత్రపతి శేఖర్ ఎందుకు ఉంటాడో తెలుసా ?.. కారణమదే.. . 2023-04-14 . . te . రాజమౌళి మొదటి చిత్రం స్టూడెంట్ నెంబర్ 1 సినిమా మొదలుకొని.. సింహాద్రి, సై, చత్రపతి, విక్రమార్కుడు, మగధీర, మర్యాద రామన్న, ఈగ, ఆర్ఆర్ఆర్ వంటి చిత్రాల్లో కనిపించాడు శేఖర్. ఇప్పటివరకు జక్కన్న మొత్తం 12 చిత్రాలు తెరకెక్కించగా.. 9 సినిమాల్లో ఉన్నాడు శేఖర్..
  160. Web site: 8 August 2022 . రాజమౌళి చెప్పడం వల్లే: రాజీవ్ కనకాల . 2 September 2022 . ETV Bharat News . 2 September 2022 . https://web.archive.org/web/20220902190202/https://www.etvbharat.com/telugu/telangana/entertainment/movie/rajeev-kanakala-about-ntr-rajamouli/na20220808150231479479919 . live .
  161. Web site: 14 May 2019 . Secret Behind Jakkanna Name For Rajamouli . 30 June 2022 . Sakshi Post . en . 30 June 2022 . https://web.archive.org/web/20220630140017/https://english.sakshi.com/entertainment/2019/05/14/secret-behind-jakkanna-name-for-rajamouli . live .
  162. Web site: Vadla . Praveen Kumar . 13 March 2020 . ప్రభాస్ నాకు ప్రాణం పోసాడు.. ఛత్రపతి నటుడు సంచలన నిజాలు.. . 2 September 2022 . News18 Telugu . te . 2 September 2022 . https://web.archive.org/web/20220902190203/https://telugu.news18.com/news/movies/prabhas-saved-my-life-in-chatrapathi-shooting-says-actor-sekhar-who-acted-in-rajamouli-movies-pk-474586.html . live .
  163. News: 11 July 2015 . Rajamouli is the man of the moment: Karan Johar . . 2 September 2022 . 2 September 2022 . https://web.archive.org/web/20220902205531/https://www.business-standard.com/article/pti-stories/rajamouli-is-the-man-of-the-moment-karan-johar-115071100223_1.html . live .
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  165. Book: RRR director S.S. Rajamouli: To save movie theaters, we have to deliver. Polygon. 13 December 2022. 5 January 2023. 23 December 2022. https://web.archive.org/web/20221223184017/https://www.polygon.com/23478046/rrr-ss-rajamouli-movies-top-gun-avengers-future. live.
  166. Web site: Bamzai . Kaveree . 1 April 2022 . Cinema's Biggest Mythmaker . 26 June 2022 . . en . He is perhaps singlehandedly responsible for the rise of the pan-Indian film. . 26 June 2022 . https://web.archive.org/web/20220626102823/https://openthemagazine.com/cover-stories/ss-rajamouli-cinemas-biggest-mythmaker/ . live .
  167. Web site: Srinivasan . Latha . 30 March 2022 . Inside the mind of SS Rajamouli: Decoding how the RRR director lends scale to his storytelling . live . https://web.archive.org/web/20220818144603/https://www.firstpost.com/entertainment/inside-the-mind-of-ss-rajamouli-decoding-how-the-rrr-director-lends-scale-to-his-storytelling-10501081.html . 18 August 2022 . 20 July 2022 . . en . Producer G Dhananjayan says, “Rajamouli has redefined the reach of regional cinema consistently through his films, starting with Eega [2012] to the Baahubali series, and now with RRR. The entire concept of pan-Indian films came from him when he succeeded with Eega across many Indian languages. This opened up this concept. Thanks to his vision, today, a lot of films are able to be made on a bigger budget targeted at a pan-Indian audience. Rajamouli stands tall among all Indian filmmakers for his vision, innovation, and expansion of the regional language market at a global level.”.

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