Cinémonde Explained

Previous Editor:Suzanne Chantal
Frequency:Weekly
Category:Film magazine
Founded:1928
Finaldate:1971
Country:France
Based:Paris
Language:French
Issn:1153-690X

Cinémonde was a weekly popular film magazine which existed between 1928 and 1971 with six-year interruption due to its ban during the Nazi occupation of France. It was one of the best-selling magazines in its category particularly in the 1950s.

History and profile

Cinémonde was launched in 1928.[1] It came out weekly.[1] In 1940 the magazine was closed by the Nazi forces after the occupation of France.[1] Cinémonde was restarted in March 1946 and published until 1971.[1] In the 1930s one of its editors-in-chief was Suzanne Chantal who was a women's right activist. Its target audience was women[2] who were from the lower-middle and middle classes.

Being part of the second generation film magazines in France Cinémonde did not regard the cinema and movies as an art.[3] Instead, it focused on news about movie stars and news from film studies.[3] From 1956 the magazine frequently featured articles about the French actress Brigitte Bardot.[4] In addition, its main content was the translation and adaptations of the articles published in American film magazines.[5]

In the 1950s Cinémonde enjoyed the highest level of circulation selling nearly 250,000 copies.[1]

Notes and References

  1. Book: Geneviève Sellier. Tamar Jeffers McDonald. Lies Lanckman. Star Attractions: Twentieth-Century Movie Magazines and Global Fandom. 2019. University of Iowa Press. 83. Iowa City, IA. 9781609386740. https://muse.jhu.edu/book/71365. Movie Magazines, Popular Films, and Popular Spectatorship in Postwar France.
  2. Leila Wimmer. Modernity, femininity and Hollywood fashions: Women's cinephilia in 1930s French fan magazines. Film, Fashion & Consumption. 10.1386/ffc.3.1.61_1. March 2014. 3. 1. 62,64.
  3. Book: Myriam Juan. Daniel Biltereyst. Lies Van de Vijver. Mapping Movie Magazines. Global Cinema. 2020 . Palgrave Macmillan. Cham. 978-3-030-33277-8. 203. https://doi.org/10.1007/978-3-030-33277-8_10. Looking at Movie Fans: On Pictures Published in French Film Magazines of the Interwar Years. Global Cinema . 10.1007/978-3-030-33277-8_10 . 216419888 .
  4. Ginette Vincendeau. A star is torn (to pieces): Brigitte Bardot seen through readers' letters in Cinémonde. 2015. 19. Contemporary French and Francophone Studies. 1. 91–92. 10.1080/17409292.2015.982435. 191469694.
  5. Anne Ja¨Ckel. Dual Nationality Film Productions in Europe after 1945. Historical Journal of Film, Radio and Television. 2003. 23. 3. 241. 10.1080/0143968032000095569. 194060292.