| Native Name: | Greek, Ancient (to 1453);: Κιβυρραιῶται, θέμα Κιβυρραιωτῶν |
| Conventional Long Name: | Theme of the Cibyrrhaeots |
| Common Name: | Cibyrrhaeots |
| Subdivision: | Theme |
| Nation: | the Byzantine Empire |
| Era: | Middle Ages |
| Capital: | Attaleia |
| Image Map Caption: | The Asian themes of the Byzantine Empire circa 842. The Cibyrrhaeots encompassed the southern shore of Asia Minor. |
| Life Span: | ca. 720/727–after 1150 |
| Year Start: | ca. 720/727 |
| Year End: | after 1150 |
| Event End: | Abolition by Manuel I |
| Today: | Greece Turkey |
The Cibyrrhaeot Theme, more properly the Theme of the Cibyrrhaeots (θέμα Κιβυρραιωτῶν|thema Kibyrrhaiōtōn), was a Byzantine theme encompassing the southern coast of Asia Minor from the early 8th to the late 12th centuries. As the Byzantine Empire's first and most important naval theme (θέμα ναυτικόν,), it served chiefly to provide ships and troops for the Byzantine navy.
The Cibyrrhaeots (Greek, Ancient (to 1453);: Κιβυρραιῶται|Kibyrrhaiōtai|men of Cibyrrha) derive their name from the city of Cibyrrha (it is unclear whether this is Cibyrrha the Great in Caria or Cibyrrha the Lesser in Pamphylia). The command first appears in the expedition against Carthage in 698, when a " of the Cibyrrhaeots" is attested as commanding the men from Korykos: Apsimar, who at the head of a fleet revolt became emperor as Tiberios III . At the time, the Cibyrrhaeots were subordinate to the great naval corps of the .[1]
After the were disbanded (the exact date is disputed between and), the Cibyrrhaeots were constituted as a regular theme, with its governing first attested in 731/732. Until the 9th century, when the themes of the Aegean Sea and Samos were elevated from -level commands, the Cibyrrhaeot Theme was the only dedicated naval theme of the Empire.
The theme encompassed the southern coast of Asia Minor (modern Turkey), from south of Miletus (which belonged to the Thracesian Theme) to the confines of the Arab borderlands in Cilicia, including the old Roman provinces of Caria, Lycia, Pamphylia and parts of Isauria, as well as the modern Dodecanese.[1] Its geographical position made it the "front-line" theme facing the attacks of the Muslim fleets of the Levant and Egypt, and consequently the Cibyrrhaeots played a major role in the naval aspect of the Byzantine–Arab Wars. The land, which was known for its fertility, suffered from the frequent and devastating Arab raids, which largely depopulated the countryside except for the fortified cities and naval bases.[1]
The seat of the was most probably Attaleia. He drew an annual salary of 10 pounds of gold, and his overall rank in the imperial hierarchy was relatively low, but still senior to any other naval commander: twenty-fifth in the Taktikon Uspensky of 842/843, dropping to fifty-fifth in the Escorial Taktikon of 971–975.[1] Like its other counterparts, the Cibyrrhaeot Theme was divided into and, and possessed the full array of typical thematic administrative positions. Among the most important subordinates of the were the imperial at Syllaion, the of Attaleia and Kos and the who commanded the theme's Mardaites.[1] These were the descendants of several thousand people transplanted from the area of Lebanon and settled there by Emperor Justinian II in the 680s to provide crews and marines for the fleet. In the early 9th century, the thematic fleet of the Cibyrrhaeots comprised 70 ships; and in the Cretan expedition of 911, the Cibyrrhaeot theme sent 31 warships – 15 large dromons and 16 middle-sized – with 6,000 oarsmen and 760 marines.
Around the mid-11th century, as the Muslim naval threat subsided, the Byzantine provincial fleets began a precipitate decline: the fleet of the Cibyrrhaeots is last mentioned in the repulsion of a Rus' raid in 1043, and the theme became a purely civil province, headed by a and later by a .[1] Most of its territory was lost to the Seljuk Turks after the 1071 Battle of Manzikert, but recovered under Alexios I Komnenos . The rump theme was finally abolished by Manuel I Komnenos, and the territory in Caria subordinated to the theme Mylasa and Melanoudion.[1]