| Church of St Peter | |
| Pushpin Map: | Somerset |
| Map Caption: | Location within Somerset |
| Coordinates: | 51.2582°N -2.7521°W |
| Location: | Draycott, Somerset |
| Country: | England |
| Denomination: | Anglican |
| Website: | http://www.rodneystokewithdraycott.org.uk/Draycott/DraycottHome.htm |
| Status: | Parish church |
| Functional Status: | Active |
| Heritage Designation: | Grade II listed |
| Designated Date: | 29 January 1987 |
| Architect: | Charles Edmund Giles |
| Architectural Type: | Gothic Revival |
| Years Built: | 1861 |
St Peter's Church is a Anglican parish church in Draycott, Somerset, England. It dates from 1861. Designed by Charles Edmund Giles, the church is a Grade II listed building. It holds a notable font by the celebrated Victorian art-architect William Burges, which the church controversially attempted to sell in 2006.
The church was designed by Charles Edmund Giles and consecrated in 1861. The building stone is rubble, known locally as 'Draycott Marble', a dolomitic conglomerate quarried nearby. The church is in a simple Early English revival style. Historic England's listing record describes it as "competent", while Pevsner considers it "modest". The interior contains a rood screen fashioned in wrought iron. It is later in date than the church and Historic England suggests that the designer may have been George Fellowes Prynne.
The church is an active parish church in the benefice of Cheddar, Draycott and Rodney Stoke.[1]
The church's most notable feature is its font by William Burges.[2] In his study, Anti-Ugly, the architectural historian Gavin Stamp described it as "the one object that makes [St. Peter's] interesting". It is uncertain how the font came to St Peter's. Recent research confirms that it was made for the Rev. John Augustus Yatman, a patron for whom Burges undertook a number of West Country-based commissions. The font's size suggests that it was not originally designed for St Peter's. It is possible that the original intended site was the Church of St James, Winscombe,[3] where Burges reconstructed the chancel in 1863–4. It is attributed to Burges on stylistic grounds, and on the basis of a sketch in his notebooks. The style is Romanesque. It was likely sculpted by Thomas Nicholls. The faces of the font depict the Four Ages of Man, a design Burges subsequently reused at St Mary's, Studley Royal in Yorkshire, and at his own London home, The Tower House.
Controversially, in 2006, the church attempted to sell the font for £110,000.[4] The church had been approached by a private collector who offered to buy it and to fund a replacement. The vicar, the Rev. Stanley Price, contended that the sale was essential to meet a repair and restoration bill of an estimated £170,000.[5] The sale was initially approved by the Chancellor of the Diocese of Bath and Wells, Timothy J Briden,[6] [7] but permission was subsequently refused in April 2009, when the Victorian Society appealed to the Court of Arches, one of the Church of England's highest courts.[5] The court found "no compelling need to dispose of the font had been demonstrated" and concluded that, if allowed, "much of which adorns and adds interest, both historically and architecturally, to our churches would be lost to future generations."[8] [9]
. J. Mordaunt Crook . 2013 . William Burges and the High Victorian Dream . Frances Lincoln . London . 978-0-711-23349-2 .