| Church of Our Lady | |
| Native Name: | Danish: Vor Frue Kirke |
| Location: | Copenhagen |
| Country: | Denmark |
| Denomination: | Church of Denmark |
| Previous Denomination: | Catholic Church |
| Religious Order: | --> |
| Former Names: | --> |
| Status: | Cathedral & Parish church |
| Founded Date: | 1187 |
| Founder: | Absalon |
| Dedication: | Virgin Mary |
| Consecrated Date: | 7 June 1829 |
| Functional Status: | Active |
| Architect: | Christian Frederik Hansen |
| Style: | Neo-Classicism |
| Years Built: | 1817–1829 |
| Groundbreaking: | 1 November 1817 |
| Capacity: | 1184 seats |
| Length: | 86m (282feet) |
| Width: | 33m (108feet) |
| Width Nave: | 16m (52feet) |
| Tower Quantity: | 1 |
| Tower Height: | 58m (190feet) |
| Bells: | 4 |
| Parish: | Vor Frue |
| Diocese: | Copenhagen |
| Bishop: | Peter Skov-Jakobsen |
| Provost: | Johannes Gregers Jensen |
| Priest: | Steffen Ringgaard Andresen Eva-Maria Schwarz Stine Munch Signe Malene Berg Christian Monrad |
| Organist: | Hanne Kuhlmann |
The Church of Our Lady (Danish: Vor Frue Kirke) is the Lutheran cathedral of Copenhagen. It is situated on the Frue Plads public square in central Copenhagen, next to the historic main building of the University of Copenhagen.[1]
The present-day version of the church was designed by the architect Christian Frederik Hansen (1756–1845) in the Neoclassical style and was completed in 1829.[2]
Construction of the original Collegiate Church of St. Mary (den hellige Marias kirke) began no later than 1187 under archbishop Absalon (c. 1128–1201). The church was located on the highest point near the new town of Havn, later Copenhagen. Absalon was the bishop of Roskilde (Zealand), Denmark's capital of that era, and spent most of his life securing Denmark from foreign attacks. He built many churches and monasteries, while also founding Copenhagen as Denmark's Baltic port city. Named archbishop of Lund in 1178, Absalon accepted only under threat of excommunication. St. Mary's construction continued sporadically until 1209, when it was consecrated by Absalon's successor, bishop (c. 1161–1214) on Annunciation Sunday in March, which became the church's traditional feast day. The church was built in Romanesque style with its half-rounded arches inside and out.[3] [4]
In 1314, a fire destroyed the limestone church so completely that it was rebuilt in the popular new building material of the day, oversized red brick. The style of building was Gothic, with its typical pointed arches. The rebuilding of the simple church with a long nave and choir continued until 1388. Due to a lack of money, the great tower was not built until the reign of king Christian II. It was as high as the church was long, and from artwork of the day, out of proportion to the size of the church.[5]
A school was established early on. In 1479, parts of the church school received a charter and become the University of Copenhagen. Professors were brought from Cologne, Germany. The international faculty widened Denmark's exposure to the great ideas and philosophies of the day. The university challenged the growth of the Protestant movement, but was eventually closed. By 1537 it reopened as a centre for Lutheran studies.
The Protestant Reformation was hard on St. Mary's. Citizens of Copenhagen had elected to follow Luther, but Roman Catholic officials at St Mary's tried to maintain the church as a centre of Catholic resistance to change in Copenhagen. By royal decree both Roman Catholic and Lutheran priests were commanded to use the church jointly, which incensed the majority of Copenhagen's population. On 27 December 1530 hundreds of citizens stormed St. Mary's, destroying every statue and dismantling the choir stalls. The 17 richly gilt altars were stripped of jewels and gold and smashed, as were reliquaries, vestments and altar equipment. Even the name "St. Mary's" became Our Lady's Church (Vor Frue Kirke), keeping the historic reference to the Virgin Mary without the use of the un-Lutheran "Saint" appellation.
Just a year later Our Lady Church celebrated the acceptance of the Lutheran order of worship presided over by Johannes Bugenhagen (1485–1558), an associate of Martin Luther. 1539 saw the installation of the first Lutheran superintendents, later bishops, of Denmark. In 1568 the dean of Our Lady Church was charged with defining accepted practice for Lutheran church services in Denmark under the direction of the Bishop of Zealand. Ever since, the dean (and later bishop) of Our Lady Church has carried out that role in the Danish National Church.
Lightning strikes damaged the church in 1573 and 1585, and some of the vaulting, tower, and roof collapsed after the resulting fires. The tower was eventually demolished, but rebuilt by 1609. It had an extremely tall pyramidal central spire with four shorter spires at each corner.[6]
The medieval proto-cathedral was completely destroyed by a four-day-long conflagration in October 1728 which destroyed a third of the city. All the many chapels and eighty epitaphs commemorating some of Denmark's most prominent nobles and wealthy parishioners vanished. A decade later, the church was reconstructed, essentially on the same plan as the medieval church, in red brick with a simple long nave and rounded choir added at the end and ornate sandstone doorways beneath the spire. The interior combined Gothic and with the ornate Baroque style of the time. Ranks of tall half-round windows let in natural light, and ribbed brick vaulting arched high overhead from two long rows of squared pillars supporting the roof. A row of side chapels ringed the nave and choir giving the appearance of a five-aisled church which impressed all who entered, including King Christian VI who oversaw the building's progress with impatience. Friederich Ehbisch (1672–1748) carved a magnificent new altarpiece and pulpit in the finest Baroque tradition. The best-preserved ancient gravestones from the floor of the old church were replaced in the floor, although not in the same locations.[7]
After the 1728 fire, the new tower rose, higher than the previous one tapering to a tall spire modeled after the spire of St. Martin in the Fields in London. The bells from the former St. Nikolai Church (Sankt Nikolaj Kirke) were moved to the new spire in 1743 and a set of four new bells were cast and added. The largest bell, "The King's Bell", weighed just over 6000 kg. Eventually, the tower held 42 bells. It was popular at the time to pay for extra ringing after weddings and funerals, which was a source of complaint by university students who were trying to study. A smaller tower in the same style was added to the roofline above the choir.
In September 1807, the cathedral was destroyed during the bombardment of Copenhagen by the British Royal Navy under Admiral James Gambier during the Napoleonic Wars. The British demanded the surrender of the Dano-Norwegian fleet and the city. The Danes refused, but with most of the army on the Schleswig-Holstein border, the city was nearly defenseless. For three days the fleet bombarded the city and coastal forts. Royal Navy gunners used the tower of church for range practice, setting it ablaze, which in turn burned the church to the ground, along with nearby sections of Copenhagen. Copenhagen surrendered and the fleet was turned over to the British.[8]
Denmark's finest architect, Christian Frederik Hansen, and the city magistrate redesigned the cathedral in the Neo-Classical style. Due to a lack of resources they incorporated elements of the surviving walls. The old surviving vaulting was blown up to make way for a church built in the new style. A pillared portico and a flat interior ceiling and simple classical lines are very different from the medieval church. The cornerstone was laid in 1817 and the work completed by Whitsun Day 1829. Bertel Thorvaldsen (1770–1844) was commissioned to decorate the interior with statues of Jesus Christ and the apostles; Judas Iscariot replaced by St. Paul. Other artists also contributed sculptures and paintings. Thorvaldsen carved and donated the modern font as a personal gift.[9]
The tower, based on the older medieval tower, became a controversial afterthought. The Neo-Classical style did not include towers, but citizens demanded and got a tower modeled on the older medieval tower. The tower is 60 meters high and contains four bells. "Stormklokken", cast in 1828 by Soren Hornhaver, is the heaviest bell in Denmark at 4 tons. The oldest bell in Denmark also hangs there cast in 1490 by Olug Kegge. It was transferred to Our Lady Church from Antvorskov Kloster. A third bell was cast in 1699 by Friderich Holtzmann. The fourth cast by Anker Heegaard in 1876.[10]
Our Lady Church was designated Denmark's National Cathedral in 1924. Its relatively recent cathedral status stems from the splitting of Zealand (Sjaelland) into two Lutheran dioceses in 1922.
Major renovation organized by Professor Vilhelm Wohlert (1920–2007) in 1977–79 removed various additions that had accrued in the interior of the church over the years. Marcussen & Søn built a new large central organ in 1995, with a choir organ added in 2002. The crypt has been converted into a museum which contains models of the various iterations of the building.[11]
The building measures 83 m in length and 33 m in width. The interior of the nave is 60 m long and over 25 m from floor to ceiling. With all galleries open, the church can seat more than 1100 people. The tower is 60 m high and houses the four church bells. Stormklokken weighs 4 tons and is the largest bell in Denmark. The smallest bell in the tower is used at morning service among other occasions. It is the oldest bell in the country, dating from 1490 and taken from the former Antvorskov Kloster in Slagelse.[12]
The pediment is decorated with bronzes of Jesus Christ and the Apostles. The interior is likewise decorated with the twelve apostles (one in front of each of the piers of the central nave), the Risen Christ displaying the wounds in his body (in a niche above the altar) and in front of the altar the baptismal font in the form of an angel holding a large scallop shell, all in Italian carrara marble. All of these sculptures were completed in Rome by the famous Danish sculptor Bertel Thorvaldsen.In the aisles, a bronze bust of Bertel Thorvaldsen, modeled by Herman Wilhelm Bissen (1798–1868) is on display along with many portraits of bishops and deans.[13]
Burials in the church or former churchyard include:
Each morning (except Sundays), between 8.05 and 8.25 local time, Danish public radio (DR) transmits a live act of worship from the cathedral, recordings of which can also be heard via the internet.[15]