| Christopher Lasch | |
| Birth Name: | Robert Christopher Lasch |
| Birth Date: | 1 June 1932 |
| Birth Place: | Omaha, Nebraska, US |
| Death Place: | Pittsford, New York, US |
| Thesis Title: | Revolution and Democracy[1] |
| Thesis Year: | 1961 |
| Doctoral Advisor: | William Leuchtenburg[2] [3] |
| Discipline: | History |
| Notable Works: | The Culture of Narcissism (1979) |
Robert Christopher Lasch (June 1, 1932 – February 14, 1994) was an American historian, moralist and social critic who was a history professor at the University of Rochester. He sought to use history to demonstrate what he saw as the pervasiveness with which major institutions, public and private, were eroding the competence and independence of families and communities. Lasch strove to create a historically informed social criticism that could teach Americans how to deal with rampant consumerism, proletarianization, and what he famously labeled "the culture of narcissism".
His books, including The New Radicalism in America (1965), Haven in a Heartless World (1977), The Culture of Narcissism (1979), The True and Only Heaven (1991), and The Revolt of the Elites and the Betrayal of Democracy (published posthumously in 1996) were widely discussed and reviewed. The Culture of Narcissism became a surprise best-seller and won the National Book Award in the category Current Interest (paperback).[4] [5]
Lasch was always a critic of modern liberalism and a historian of liberalism's discontents, but over time, his political perspective evolved dramatically. In the 1960s, he was a neo-Marxist and acerbic critic of Cold War liberalism. During the 1970s, he combined certain aspects of cultural conservatism with a left-leaning critique of capitalism, and drew on Freud-influenced critical theory to diagnose the ongoing deterioration that he perceived in American culture and politics. His writings are sometimes denounced by feminists[6] and hailed by conservatives[7] for his apparent defense of a traditional conception of family life.
He eventually concluded that an often unspoken, but pervasive, faith in "Progress" tended to make Americans resistant to many of his arguments. In his last major works he explored this theme in depth, suggesting that Americans had much to learn from the suppressed and misunderstood populist and artisan movements of the nineteenth and early twentieth centuries.[8]
Born on June 1, 1932, in Omaha, Nebraska, Christopher Lasch came from a secular, highly political family rooted in the left.[9] [10] His father, Robert Lasch, was a Rhodes Scholar and journalist who won a Pulitzer prize for editorials criticizing the Vietnam War while he was in St. Louis.[11] His mother, Zora Lasch, who held a philosophy doctorate, worked as a social worker and teacher.[12] [13] [14]
Lasch was active in the arts and letters early, publishing a neighborhood newspaper while in grade school and writing the fully orchestrated "Rumpelstiltskin, Opera in D Major" at the age of thirteen. Around this time, Robert Lasch moved the family to the Chicago suburbs after he was offered an editorial position at the Chicago Sun. Lasch graduated from Barrington High School.[10]
Lasch earned a bachelor's degree in history from Harvard University, where he roomed with John Updike.[9] He then received a master's degree in history and doctorate from Columbia University, where he worked with William Leuchtenburg.[15] [16] Richard Hofstadter was also a significant influence. He contributed a Foreword to later editions of Hofstadter's The American Political Tradition and an article on Hofstadter in the New York Review of Books in 1973. He taught at the University of Iowa and then was a professor of history at the University of Rochester from 1970 until his death from cancer in 1994. Lasch also took a conspicuous public role. Russell Jacoby acknowledged this in writing that "I do not think any other historian of his generation moved as forcefully into the public arena". In 1986, he appeared on Channel 4 television in discussion with Michael Ignatieff and Cornelius Castoriadis.[17]
During the 1960s, Lasch identified as a socialist, but one who found influence not just in the writers of the time, such as C. Wright Mills, but also in earlier independent voices, such as Dwight Macdonald.[18] Lasch became further influenced by writers of the Frankfurt School and the early New Left Review and felt that "Marxism seemed indispensable to me".[19] During the 1970s, however, he became disenchanted with the Left's belief in progress—a theme treated later by his student David Noble—and increasingly identified this belief as the factor that explained the Left's failure to thrive despite the widespread discontent and conflict of the times. He was a professor of history at Northwestern University from 1966 to 1970.[15]
At this point Lasch began to formulate what would become his signature style of social critique: a syncretic synthesis of Sigmund Freud and the strand of socially conservative thinking that remained deeply suspicious of capitalism and its effects on traditional institutions.
Besides Leuchtenburg, Hofstadter, and Freud, Lasch was especially influenced by Orestes Brownson, Henry George, Lewis Mumford, Jacques Ellul, Reinhold Niebuhr, and Philip Rieff.[20] A notable group of graduate students worked with Lasch at the University of Rochester, Eugene Genovese, and, for a time, Herbert Gutman, including Leon Fink, Russell Jacoby, Bruce Levine, David Noble, Maurice Isserman, William Leach, Rochelle Gurstein, Kevin Mattson, and Catherine Tumber.[21]
Lasch married Nellie Commager, daughter of historian Henry Steele Commager, in 1956.[22] They had four children: Robert, Elisabeth, Catherine, and Christopher.[15]
After seemingly successful cancer surgery in 1992, Lasch was diagnosed with metastatic cancer in 1993. Upon learning that it was unlikely to significantly prolong his life, he refused chemotherapy, observing that it would rob him of the energy he needed to continue writing and teaching. To one persistent specialist, he wrote: "I despise the cowardly clinging to life, purely for the sake of life, that seems so deeply ingrained in the American temperament." He died at his home in Pittsford, New York on February 14, 1994, at age 61.[23]
Lasch's earliest argument, anticipated partly by Hofstadter's concern with the cycles of fragmentation among radical movements in the United States, was that American radicalism had at some point in the past become socially untenable. Members of "the Left" had abandoned their former commitments to economic justice and suspicion of power, to assume professionalized roles and to support commoditized lifestyles which hollowed out communities' self-sustaining ethics. His first major book, The New Radicalism in America: The Intellectual as a Social Type, published in 1965 (with a promotional blurb from Hofstadter), expressed those ideas in the form of a bracing critique of twentieth-century liberalism's efforts to accrue power and restructure society, while failing to follow up on the promise of the New Deal.[24] Most of his books, even the more strictly historical ones, include such sharp criticism of the priorities of alleged "radicals" who represented merely extreme formations of a rapacious capitalist ethos.
His basic thesis about the family, which he first expressed in 1965 and explored for the rest of his career, was:
Lasch's most famous work, The Culture of Narcissism: American Life in an Age of Diminishing Expectations (1979), sought to relate the hegemony of modern-day capitalism to an encroachment of a "therapeutic" mindset into social and family life similar to that already theorized by Philip Rieff. Lasch posited that social developments in the 20th century (e.g., World War II and the rise of consumer culture in the years following) gave rise to a narcissistic personality structure, in which individuals' fragile self-concepts had led, among other things, to a fear of commitment and lasting relationships (including religion), a dread of aging (i.e., the 1960s and 1970s "youth culture") and a boundless admiration for fame and celebrity (nurtured initially by the motion picture industry and furthered principally by television). He claimed, further, that this personality type conformed to structural changes in the world of work (e.g., the decline of agriculture and manufacturing in the US and the emergence of the "information age"). With those developments, he charged, inevitably there arose a certain therapeutic sensibility (and thus dependence) that, inadvertently or not, undermined older notions of self-help and individual initiative. By the 1970s, even pleas for "individualism" were desperate and essentially ineffectual cries that expressed a deeper lack of meaningful individuality.
The Culture of Narcissism won a National Book Award in 1980, but Lasch was not comfortable with the honor, saying that publishing awards reflected "the worst tendencies" of the industry.[9]
Most explicitly in The True and Only Heaven, Lasch developed a critique of social change amidst the middle classes in the US, explaining and seeking to counteract the fall of "populism". He sought to rehabilitate this populist or producerist alternative tradition: "The tradition I am talking about ... tends to be skeptical of programs for the wholesale redemption of society ... It is very radically democratic and in that sense it clearly belongs on the Left. But on the other hand it has a good deal more respect for tradition than is common on the Left, and for religion too."[25] And said that: "...any movement that offers any real hope for the future will have to find much of its moral inspiration in the plebeian radicalism of the past and more generally in the indictment of progress, large-scale production and bureaucracy that was drawn up by a long line of moralists whose perceptions were shaped by the producers' view of the world."[26]
By the 1980s, Lasch had poured scorn on the whole spectrum of contemporary mainstream American political thought, angering liberals with attacks on progressivism and feminism. He wrote thatJournalist Susan Faludi dubbed him explicitly anti-feminist for his criticism of the abortion rights movement and opposition to divorce.[27] But Lasch viewed Ronald Reagan's conservatism as the antithesis of tradition and moral responsibility. Lasch was not generally sympathetic to the cause of what was then known as the New Right, particularly those elements of libertarianism most evident in its platform; he detested the encroachment of the capitalist marketplace into all aspects of American life.
Lasch rejected the dominant political constellation that emerged in the wake of the New Deal in which economic centralization and social tolerance formed the foundations of American liberal ideals, while also rebuking the diametrically opposed synthetic conservative ideology fashioned by William F. Buckley Jr. and Russell Kirk. Lasch was also critical and at times dismissive toward his closest contemporary kin in social philosophy, communitarianism as elaborated by Amitai Etzioni. Only populism satisfied Lasch's criteria of economic justice (not necessarily equality, but minimizing class-based difference), participatory democracy, strong social cohesion and moral rigor; yet populism had made major mistakes during the New Deal and increasingly been co-opted by its enemies and ignored by its friends. For instance, he praised the early work and thought of Martin Luther King Jr. as exemplary of American populism; yet in Lasch's view, King fell short of this radical vision by embracing in the last few years of his life an essentially bureaucratic solution to ongoing racial stratification.
He explained in one of his books The Minimal Self,[28] "it goes without saying that sexual equality in itself remains an eminently desirable objective ...". In Women and the Common Life,[29] Lasch clarified that urging women to abandon the household and forcing them into a position of economic dependence in the workplace, pointing out the importance of professional careers does not entail liberation, so long as these careers are governed by the requirements of corporate economy.