Christine Kinsey Explained

Christine Kinsey (born October 1942) is a Welsh painter, now based in Pembrokeshire.[1] [2] She was the Co-Founder and Artistic Director of Chapter Workshops and Centre of the Arts, Cardiff, now called the Chapter Arts Centre.[3]

Biography

Kinsey was born in Pontypool, and has developed a group of female characters who emerge repeatedly in her paintings. These characters enact roles within the themes that she explores in her work[4] including what it was like to grow up female in the industrial valleys of south east Wales;[5] and Cymreictod (a sense of feeling, being Welsh). Her touring solo show, Cymreictod – Women of Wales (1989–91), was reviewed in the magazine Spare Rib.[6] Kinsey also examines the depiction of women within a western Christian culture.[7]

Words and poetry have always been an important influence in Kinsey’s work. In 2014, she curated the exhibition Correspondences – contemporary painting in response to the life and writing of R. S. Thomas at Plas Glyn-y-Weddw, Pwllheli. The exhibition included work by 14 contemporary artists based in Wales including Kinsey, Osi Rhys Osmond, Iwan Bala, Ivor Davies and Mary Lloyd Jones. The catalogue for the exhibition included poetry by Menna Elfyn and Myrddin ap Dafydd.[8] Later the same year, the exhibition was amalgamated by the curator Lynne Crompton with work from artists responding to Dylan Thomas at Oriel Q Gallery in Narberth.[9] At an event to mark R. S. Thomas’ centenary in 2013, Kinsey was invited by the event organisers, the University of Wales Press and Swansea University professor M Wynn Thomas (R. S. Thomas’ biographer and executor of his literary estate), to talk about the ways in which the poetry of R. S. Thomas has influenced her art.[10]

Her work is represented in the Victoria and Albert Museum in London, the National Library of Wales in Aberystwyth, Glynn Vivian Art Gallery in Swansea, Contemporary Art Society of Wales in Cardiff and Newport Museum in Newport.[1]

Notes and References

  1. Book: Peter W. . Jones. Isabel . Hitchman. Post-War to Post-Modern: A Dictionary of Artists in Wales. 2015. Gomer Press. Llandysul. 9781848518766. 446–447.
  2. Osmond. Osi Rhys. Narrow Skies and Tilting Perspectives. Planet: the Welsh Internationalist. Summer 2010. 199. 35.
  3. Osmond. Osi Rhys. Chapter: Forty Years of Radical Cultural Activism. Planet: the Welsh Internationalist. Spring 2009. 194. 28–37.
    - Book: Hutchison. Robert. Three Arts Centres: A Study of South Hill Park, the Gardner Centre and Chapter. 1977. Arts Council of Great Britain. London. 0728701383. 73–95.
    - Web site: Heywood Thomas. Nicola. A New Chapter. BBC. BBC. 12 December 2016.
  4. Clarkson. Jonathan. Mind the Gap. Planet: the Welsh Internationalist. 2006. 179. 119–121.
  5. Price-Owen. Anne. Valley Girls. Planet: the Welsh Internationalist. November 1994. 107. 16–22.
    - Book: Hourahane, Shelagh. Maps, Myths and the Politics of Art in Certain Welsh Artists. 1999. Seren. Bridgend. 1854112511. 75–76.
  6. Simpson. Penny. Cymreictod - Welsh women; paintings and drawings by Chris Kinsey. Spare Rib. January 1990. 211. 31.
  7. Book: Martin O’Kane, John Morgan-Guy. Biblical Art from Wales. 2010. Sheffield Phoenix Press. Sheffield. 9781906055745. 314–316.
  8. Web site: Price. Karen. R S Thomas is celebrated in a major new exhibition in North Wales. Wales Online . 12 December 2016.
  9. Web site: Correspondences. Queens Hall Gallery. 12 December 2016.
    - Web site: Croxford. Rebecca . Correspondences . South Wales Evening Post . 12 December 2016.
  10. Web site: March. Polly. Academics, poets and musicians unite in evening to mark RS Thomas' centenary. BBC. 12 December 2016.