| Christian Lattier | |
| Birth Date: | December 25, 1925 |
| Birth Place: | Grand Lahou, Côte d'Ivoire |
| Death Place: | Abidjan, Côte d'Ivoire |
| Nationality: | Ivorian |
| Field: | Sculpture |
| Training: | Écoles des Beaux-Arts, Saint-Etienne, École des Beaux-Arts de Paris |
Christian Lattier (1925–1978) was an Ivorian sculptor born in Grand Lahou, Côte d'Ivoire (Ivory Coast).
Christian Lattier is one of the most renowned artists from Côte d'Ivoire, and was an elite sculptor of the mid-twentieth century. During his younger years, Lattier studied at the Catholic Mission in Abidjan in the Côte d'Ivoire. The "bare-handed sculptor", as some called him, emigrated from the Ivory Coast to France in 1935 for education purposes. At the age of 10 he attended the Marist Brotherhood of Saint-Chamond on the Loire, a Catholic school founded by Marcellin Champagnat.
In 1945 He began his studies in the Écoles des Beaux-Arts (School of Fine Arts), Saint-Étienne, at twenty-one years old. During his time in Saint-Étienne he was apprenticed under Henri Barthelemy, a master sculptor, and Joachim Durand, a modeler.
In 1947 he transferred to the École des Beaux-Arts de Paris where he studied sculpture and architecture under several notable masters of sculpture, architecture and wood carving. He emerged with an unprecedented dedication to modern sculpture, experimenting with new forms and unusual materials. He was soon acknowledged for his artistic ability and the distinct style of his works. He left the École des Beaux-Arts de Paris in 1956 and spent several years exhibiting before his return to Côte d'Ivoire following its independence from France in 1960.
He returned to the Côte d'Ivoire around 1961-62 to teach as a professor for sculptural art at the École Nationale des Beaux-Arts in Abidjan. He spent the rest of his years there until his unexpected death in 1978.
Christian Lattier's innovative style was a key factor in the development of modernism in sculpture in Côte d'Ivoire and France. With the Côte d'Ivoire being colonised by France from 1893-1960, he was influenced by centuries-old traditions in European and West African cultures. He was inspired by African masks and used string, wire and reddish colours in his sculptures. Throughout his lifetime he created over 3,000 designs, keeping his best pieces and destroying the rest. Lattier was very particular when it came to his sculptures; he would destroy his work and start again a multitude of times until it reached his desired quality. Lattier spent all his time working and researching to further better his craft. His hardworking nature was known and made an impression on those around him.
Nineteen pieces of Christian Lattier's sculptures are currently in the collection of Musée National de Côte d'Ivoire in Abidjan.
Christian Lattier’s style was to use the traditional West African technique of weaving a mask around a centre of wire or tie it up with ideas derived mainly from European art and cultural history. Lattier worked with stone, wire, wood, and strong hemp fibre.
Lattier was a pioneer in modern sculpture in the Côte d'Ivoire and France. His never-before-seen style reinvented sculpture, which ultimately brought him many awards and success.
He was a part of “The Short Century” which was an exhibition on independence and liberation movements in Africa between 1945-1994 that travelled to Munich, Berlin, Chicago, and New York from May 18, 2001 to July 29, 2001.