Birth Place: | New York, US |
use both this parameter and |birth_date to display the person's date of birth, date of death, and age at death) -->| death_place = | monuments = | nationality = | other_names = | siglum = | citizenship = | education = Hunter College High School| alma_mater = Columbia University| occupation = Publisher
Editor| years_active = | era = | employer = Random House| organization = | known_for = | notable_works = | style = | title = | term = | predecessor = | successor = | party = | movement = | opponents = | boards = | spouse = | partner = | children = | parents = | mother = | father = | relatives = | family = | callsign = | awards = | website = | module = | module2 = | module3 = | module4 = | module5 = | module6 = | signature = | signature_size = | signature_alt = | footnotes = }}
Chris Jackson (born 1971)[1] is an American publisher and editor-in-chief of the One World imprint of Random House.
Jackson grew up in Harlem, New York, and attended Hunter College High School and Columbia University.[2]
In the mid-1990s, Jackson's early career in publishing began as an editorial assistant at John Wiley & Sons, which was followed by a job at Crown Publishing.
From 2006 to 2016, he was executive editor of Spiegel and Grau[3] before becoming head of One World, a division of Penguin Random House.
The New York Times described Jackson as a "rare public star in the world of book publishing."[4] Calling Jackson "someone you need to know", Ebony cited his work with Ta-Nehisi Coates, Jay-Z and Beyoncé, as well as Jackson's "background and understanding of how to take Black stories and turn them into something that the entire market should--and could--appreciate."[5] Critic Vinson Cunningham, writing for The New York Times Magazine, said: "To the extent that 21st-century literary audiences have been introduced to the realities and absurdities born of the phenomenon of race in America, Jackson has done a disproportionate amount of that introducing."[6] Speaking of his experience working with Jackson, who published Eddie Huang's memoir Fresh Off the Boat, Huang noted Jackson also developed work addressed to readers the publishing industry had not been reaching. "I remember him saying, 'It's not even about the numbers. You're introducing an audience. You're going to get people that don't read books to read this book.[7]