| Honorific Prefix: | Acharya |
| Chinmoy Lahiri | |
| Birth Date: | 1920 3, df=y |
| Birth Place: | Tantibandh, Pabna, Undivided India under British rule |
| Death Place: | Calcutta, West Bengal, India |
| Years Active: | 1935–1984 |
| Occupation: | Singer |
Acharya Chinmoy Lahiri (Bengali: আচার্য চিন্ময় লাহিড়ী) (20 March 1920 – 17 August 1984) was an Indian vocalist from Bengal in the Hindustani classical tradition. He is known for the Khayal form of singing, as well as for his popular renditions of Dhrupad, Thumri and Tappa, along with Bengali Raga-pradhan songs.[1]
Archrya Chinmoy Lahiri was born in a Zamindar family of Tantibandh, Pabna district, in the undivided India under British rule. His father Jeeb Chandra Lahiri was a civil engineer, at an alumnus of Bengal Engineering College, Shibpur, and his mother's name was Sarajubala Debi. He was brought up in Lucknow in his early years, where his father was working.[2] His first teacher in music was Rabin Chattopadhyay. His passion for music brought Chinmoy to Marris College of Music, Lucknow, where he took music lessons from Pandit Srikrishna Narayan Ratanjhankar, principal of the college. There he was accompanied with some young and talented students who all became great masters afterwards, such as V.G. Jog, S. C. R. Bhat and Dhruvtara Joshi etc.[3] Subsequently, he took talim, lessons in music, from Dilip Chandra Vedi, Khalifa Khurshid Ali Khan, and Chhotey Khan. Chinmoy was a Gāndā-bāndh śāgīrd (disciple) of Pandit Ratanjhankar, who was a disciple of Pandit Bhatkhande and Ustad Faiaz Khan. From this lineage an inclination of Acharya Chinmoy towards Senia Gharana of Lucknow may be arrived at.
In 1936 Acharya Lahiri started his career in music as an approved artist in the All India Radio Lucknow station. He then joined Dhaka Radio. His first record was published in 1944 by HMV with two music tracks of Bengali Khyal, ‘Nā māne mānā’ and ‘Duwāre elo ke’ written by Gopal Dasgupta with his own music composition. During partition of India in 1947 Acharya Lahiri shifted to 'Calcutta' (Kolkata). His fame as a good music teacher spread wide and in 1967 he joined Rabindra Bharati University as a Professor in Music to continue till he breathed his last.
Archrya Chinmoy Lahiri represented an era of enlightenment in Bengal in the early 20th century, when, among other fields, Indian Classical Music too were being experimented with in the light of regional variations. Among the doyens of Indian Classical Music of Bengal of that time, Vishmadev Chattopadhyay, Tarapada Chakraborty, Jnanendra Prashad Goswami and Chinmoy Lahiri deserve special mention. Apart from pure Indian classical music, Acharya Chinmoy Lahiri was proficient and was an exponent of Khyal, Thumri, Geet, Gazal and Raga-pradhan songs. He created many Ragas too and wrote Bandish for many of the Ragas.
Kajri and Chaiti: Forms of Indian Classical Music (semi-classical) practiced in Doab region based on folk tradition. Following is a Bandhish written by Chinmoy Lahiri in Kajri :
Acharya Lahiri's legacy is being carried forward by his disciples. Though he did not belong to any Gharana, he created his own style or Gharana. Names of a few of his disciples are Parveen Sultana, Mandira Lahiri, Shyamlal Lahiri etc.[5]