Changed the Locks | |
Cover: | File:Changed_the_Locks_single_cover.jpg |
Type: | single |
Artist: | Lucinda Williams |
Album: | Lucinda Williams |
B-Side: | Goin' Back Home |
Released: | 1989 |
Genre: | |
Length: | 3:39 |
Label: | Rough Trade |
Prev Title: | Happy Woman Blues/I Lost It |
Prev Year: | 1981 |
Next Title: | The Night's Too Long |
Next Year: | 1989 |
"Changed the Locks" is a song written and performed by American singer-songwriter Lucinda Williams. It was released in 1989 as the first single from her third album, Lucinda Williams (1988).
Tom Petty and the Heartbreakers covered the song for the soundtrack album to the 1996 film She's The One, and it reached No. 20 on the Mainstream Rock chart.[1]
Country music website Holler listed "Changed the Locks" as No. 3 of the best Lucinda Williams songs; "Over the course of this slow burner from her self-titled release, Lucinda rises from the depths of debilitation of abuse to finally face her offender. With surmounting strength, the artist reclaims her power with every boot-stomping verse. Contagious rock tones spur solidarity for listeners who have struggled to take the steps detailed throughout the anthem."[2] LA Weekly ranked it at No. 11 on their list of Williams' best 11 songs, calling it "one of her most hard hitting numbers", writing "Her sneering vocal performance fits the song's ill-tempered mood."[3] NPR described it as a "barn burner",[4] while music website Return of Rock ranked it No. 1 on their list of Williams' 12 songs.[5]
Change the Locks | |
Cover: | File:Change_the_Locks_promo_single_cover.png |
Type: | single |
Artist: | Tom Petty and the Heartbreakers |
Album: | Songs and Music from "She's the One" |
Released: | 1996 |
Genre: | Rock |
Length: | 4:56 |
Label: | Warner Bros. |
Prev Title: | Walls (Circus) |
Prev Year: | 1996 |
Next Title: | Free Girl Now |
Next Year: | 1999 |
Tom Petty and the Heartbreakers released their cover of the song as a single from the soundtrack album Songs and Music from "She's the One" (1996). AllMusic's Stephen Thomas Erlewine called it an "excellent cover, performed with affection and vigor."[8]