Chamalières tablet explained

Chamalières tablet
Material:Lead
Size:40mm60mm
Writing:Roman cursive
Created:between 50 BC and 50 AD
Discovered Date:1971
Discovered Place:Chamalières, Puy-de-Dôme, France
Location:Bargoin Museum

The Chamalières tablet (French: Plomb de Chamalières) is a lead tablet, six by four centimeters, that was discovered in 1971 in Chamalières, France, at the Source des Roches excavation. The tablet is dated somewhere between 50 BC and 50 AD.[1] The text is written in the Gaulish language, with cursive Latin letters. With 396 letters grouped in 47 words, it is the third-longest extant text in Gaulish (the curse tablet from L'Hospitalet-du-Larzac and the Coligny calendar being longer), giving it great importance in the study of this language.

The magical subject matter of the text suggests it should be considered a defixiones (curse) tablet. However, given that it was found at a spa, and that it was accompanied by carvings of bodies and body parts, Meid considers the text to be a prayer by old men for healing their various ailments.[2]

Text

andedion uediiumi dijiuion ri sunartiu mapon aruerriiatinlopites snieððdic sos brixtia anderonclucion floron nigrinon adgarion aemilion paterin claudion legitumon caelionpelign claudío pelign marcion uictorin asiatIcon aððedilli etic secoui toncnamantoncsiiontío meion ponc sesit buetid ollon reguccambion exsopspissiiumi tsoccaanti rissu ison sonbissiet lugedessummiiis lugedessumíis lugedessumiis luxe

It seems to begin:

"I beseach (uediIumi) before the power (ri sunartiu) of the infernal gods (andedion...diIiuion) [the Celtic deity] Maponos (mapon probably with the epithet Arverriiatin perhaps "of the Averni [tribe]").

Then probably:

"Hurry (lopites) and bind (snI-eððdic?) those men [listed] below (sos ... anderon) with magic (brixtia)."[3]

But Colera interprets the sequence ri sun/artiu as an instrumental noun phrase: "by means of a magic script"; and brixtia anderon as "by the magic of the subterraneans." These interpretations would connect anderon with Latin inferus and Sanskrit adhara- “nether”, from Proto-Indo-European *ndheros.[4] But another hypothesis is that anderon is related to Irish ainder "(young) woman," so "the magic of women," recalling the passage in the Old Irish Lorica asking for protection “againstthe spells of women, smiths and druids”: fri brichta ban ocus gobann ocus druad.[5]

The following three lines seem to comprise the list of names of those to be cursed (or healed). It concludes with the thrice repeated incantation luge-dessumíis "serving (the god) Lug", which is paralleled in an Old Irish inscription written in Ogam script, LUGU-DECCAS.[6] [7] Mees, however, interprets these as meaning, "I prepare them for being possessed (or committed)."[8]

Pierre-Yves Lambert, in his book La langue gauloise, offers an analysis.

Notes

The form uediiumi in the first line is probably "I pray, beseech" from Proto-Celtic *gwed-iū- < Proto-Indo-European *gwhedh-iō-.[9]

In line 4, ad-garion may refer to a "speaker" for the men listed, if related to Old Irish gairid "he calls," perhaps a calque here of Latin ad-vōcātus.[10]

In line 8, toncsiiontío may refer to a group, "(those) who will swear," if related to Old Irish tongid "he swears" (< PIE: *teh2g- ‘touch’ > Lat. tango, Gr. te-tag-on ‘having seized’, Go. tekan ‘touch’, ToB cesam ‘touch’. [11] [12]

This seems to be followed by a triple set of oppositions:

meion, ponc sesit, buetid ollon

“Small, when sowed, shall become big”[13]

regu ccambion

“I make straight (what is) crooked”

exops pissíiumi

“(though) deprived of eye-sight, I shall see”[14]

In the tenth line, pissiiumi is probably from Proto-Celtic *kwis-o- "see", here perhaps a future "I will see." This from PIE *kweys- "perceive." Cognates in Celtic include Gaulish ap-pisetu (Thiaucourt) and Old Irish ad-cí "see"; and further afield: Av. cinahmi "determine", Lat. cura "anxiety, care."[15]

Hollifield takes the sequence ison son bissiet to possibly mean "him who might violate it," connecting bissiet with Old Irish bidbu "culprit." He also takes the form bue/tid in lines 7-8 to mean "whatever may be."[16]

In popular culture

The Swiss folk metal band Eluveitie used the text for their song Dessumiis Luge, and the first two verses for Spirit.

See also

Bibliography

External links

Notes and References

  1. Mulder . David . The Chamalières tablet: interpretations of a Gaulish religious inscription . Ba Thesis . January 2020 . Feb 6, 2021.
  2. Meid, W. Gaulish Inscriptions Budapest: 2014, p. 43
  3. Mees, B. "Chamalières sníeððic and ‘binding’ in Celtic" Journal of Indo-European Studies Volume 35, Number 1 & 2, Spring/Summer 2007. pp 9-30
  4. Cólera, Carlos Jordán (2007) "Celtiberian," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 6, Article 17. p. 773 Available at: https://dc.uwm.edu/ekeltoi/vol6/iss1/17
  5. Meid, W. Gaulish Inscriptions Budapest: 2014, p. 46
  6. Matasovic, Ranko (2006) Etymological Dictionary of Proto-Celtic. Brill: Leiden, p. 248
  7. Addenda et corrigenda to Ranko Matasović’s Etymological Dictionary of Proto-Celtic (Brill, Leiden 2009)Zagreb, December 2011, page 7
  8. Mees, B. "Chamalières sníeððic and ‘binding’ in Celtic" Journal of Indo-European Studies Volume 35, Number 1 & 2, Spring/Summer 2007. pp 9-30
  9. nCólera, Carlos Jordán (2007) "Celtiberian," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 6, Article 17. p. 760 Available at: https://dc.uwm.edu/ekeltoi/vol6/iss1/17 retrieved June 18, 2023
  10. Meid, W. Gaulish Inscriptions Budapest: 2014, p. 46: http://files.archaeolingua.hu/ARCHAEOLINGUA/Ebooks/SM0001_e.pdf
  11. Matasovic, R. Etymological Dictionary of Proto-Celtic Brill: Leiden, 2009. p. 383
  12. Meid, W. Gaulish Inscriptions Budapest: 2014, p. 46
  13. Mees, B. "The Women of Larzac" in Keltische Forschungen 3 (2008): 169-188
  14. Meid, W. Gaulish Inscriptions Budapest: 2014, p. 47
  15. Matasovic, R. Etymological Dictionary of Proto-Celtic Brill, 2009, p. 180
  16. Hollifield, H. "A note on Gaulish bissiet and buetid " Études celtiques, Paris: 1983, volumes 20-1 pp. 95-99