| Cerebral Caustic | |
| Type: | Album |
| Artist: | The Fall |
| Cover: | cerebralcaustic.jpg |
| Released: | 27 February 1995 |
| Genre: | Post-punk |
| Length: | 42:15 |
| Label: | Permanent Records |
| Producer: | |
| Prev Title: | Middle Class Revolt |
| Prev Year: | 1994 |
| Next Title: | The Twenty-Seven Points |
| Next Year: | 1995 |
Cerebral Caustic is the seventeenth full-length studio album by English post-punk group The Fall, released in 1995 on Permanent Records. It spent one week on the UK Albums Chart at number 67, 19 places lower than its predecessor Middle Class Revolt, marking the end of one of the group's relatively more successful periods.
Guitarist and former Fall member Brix Smith returned to the lineup, having rejoined the group for live shows in 1994 after quitting in 1989. She and ex-husband Mark E. Smith had come to an agreement that she would stay in Los Angeles and fly to the UK whenever needed for live performances and recording.[1] Her impact was immediate, and she co-wrote five of this album's 12 tracks.[2] Other tracks included a Frank Zappa cover ("I'm Not Satisfied") and a re-recording of a 1990 B-side, "Life Just Bounces". Nevertheless, sales were lower than with other recent albums, and the group, always a busy touring act, performed just 16 times during the year.[3] Cerebral Caustic turned out to be the beginning of a period of considerable turbulence for the group; having not dismissed anyone since 1990, Smith sacked keyboardist Dave Bush by letter shortly after the album's completion. Guitarist Craig Scanlon, who had been with the band for 16 years and co-authored over 120 songs, would be sacked during the sessions for the epic single "The Chiselers" at the end of the year. Smith later admitted to MOJO magazine that he had developed a drink problem during this period and he accepted that this had impacted upon the group. Scanlon's dismissal is the only sacking that Smith publicly regretted.
The album's title is taken from a review in The Boston Globe by Jim Sullivan of the band's 1994 album Middle Class Revolt.
There were long-standing rumours that an alternative, superior mix of this album existed, partly fuelled by Smith's statement in an interview released to the press on a promotional cassette that he and Karl Burns had re-recorded the guitars after the rest of the group had been ejected from the studio. This claim was later clarified by Smith in an interview included on the Castle Music reissue's bonus disc as referring only to opening track "The Joke". In Simon Ford's Hip Priest, Dave Bush was quoted as claiming to have been virtually erased from the album during the mixing process. The original "rough" mixes were included on the 2006 double-CD reissue by Castle Music and showed no major differences from the released version; the sound is harsher (possibly the result of being mastered from a copy of the cassette), but Bush is no more prominent.
The album again featured sleeve art by Pascal Le Gras. Brix Smith said of the artwork in her 2017 book The Rise, The Fall & the Rise:
"If that LP isn't the worst Fall album, it definitely has the worst cover art. When I see it now, the skull clown is Mark. It's prophetic. He looks like a fucking skull and he acts like a fucking clown. It's him. It's life imitating art and art imitating life".
Critical reception for Cerebral Caustic was mixed. Ned Raggett, reviewing it for AllMusic, gave it three stars, stating "Generally the band sounds like they're having a great time...Smith himself sounds a touch disconnected around the edges, but makes up for it with some interesting vocal treatments and sudden interjections to leaven things up." Jim Sullivan, reviewing the album for The Boston Globe, called it "another jagged pill from this long-churning engine of gleeful bile 'n' vitriol". John Harris, in the NME, gave it 4/10, saying the album "can't help but flip into moments that are worryingly generic" and that "the band sound unremarkable". Trouser Press viewed it as a "prime-slice Fall in all its caustic, cerebral glory. Rich with barbed hooklines and canny catch-phrases from a band that continues to refine its deliciously jagged edge, Cerebral Caustic is the best Fall album in years and a good omen for its future." The New Rolling Stone Album Guide describes Cerebral Caustic as "a furious return to noisy, reckless rant form".[4]
A web page about the launch of Cerebral Caustic from Invisiblegirl.co.uk