| Birth Date: | 1950 |
| Birth Place: | Pampa, Texas |
| Nationality: | American |
| Education: | San José State University |
| Known For: | Painting, Sculpting, Printmaking |
Catherine Lee (born 1950 in Pampa, Texas) is an American painter, sculptor and printmaker. Her works, featuring repetitive forms in various materials (including canvas, bronze, iron, glass, and ceramics)[1] have been described as minimalist and structuralist.[2]
Lee grew up in Pampa, Texas. She studied at San Jose State University in San Jose, California, where she earned a bachelor's degree in studio art in 1974.[3] Lee was married to abstract artist Sean Scully from 1978 to 1998. She lived in New York City for 32 years and returned to Texas in late 1990s, settling in the Hill Country near Austin.[4] Some of her work is currently held and can be seen in the collections of New York's Museum of Modern Art, the Carnegie Museum in Pittsburgh, and the Houston Museum of Fine Arts.[5] Some of her sculptures are also available for purchase on Artnet.
Catherine Lee's sculptures (as small as a fist or as large as a sedan standing on end) are faceted polyhedra or polygons made from cast metal or clay. Hung on the wall, freestanding, or situated on plain steel pedestals or shelves — "some are singular works, others are grids of dozens of nearly identical, handmade components".[1] She would personally describe herself as an abstract artist because she has such a strong personal attachment to abstraction, explaining how her work "refers to things in the world tangentially, but it’s not at all representational."[6] She creates both paintings and sculptures, but doesn't have a preference for one over the other. She thinks of painting as more emotionally engaging, whereas she thinks of sculpture-making as problem-solving.
Lee held her first solo exhibition in 1977 at the Duffy-Gibbs Gallery in New York City, and her work has been subsequently displayed in several public and private collections. A Los Angeles Times review of her 1988 solo exhibition at Michael Maloney Gallery describes her work as small, quirky wall pieces consisting of oddly shaped, individually colored or bronze elements that nestle closely together, often in a jigsaw fashion.[7] She often utilizes black and monochrome colors in her works because she appreciates the hostility these colors can bring to each piece.
In 2012, she was the featured artist of the West Texas Triangle, group of five art museums in western Texas.[8] [9] Her work Unica 39 (1987), an "abstract monotype in color", is a part of the permanent exhibition in the Tate Gallery.[10] Lee's favored method of making ceramic artwork is Raku due to the original and how it is highly impossible to reproduce the same result again.[11]
Lee has taught at Princeton University (1980), Rochester Institute of Technology (1982), the University of Texas at San Antonio (1983) and (2000), and Columbia University (1986–1987).[12]
A list of Catherine Lee's exhibitions taken from the book Catherine Lee, the Alphabet Series and Other Works by the Pamela Auchincloss Gallery.
| Year | City | Gallery | |
|---|---|---|---|
| 1980 | Queens, New York | MoMA PS1 | |
| 1983 | San Antonio | The University of Texas | |
| 1984 | Akron | John Davis Gallery | |
| 1985 | New York | Gallery Bellman | |
| 1985 | Akron | John Davis Gallery | |
| 1986 | New York | John Davis Gallery | |
| 1987 | New York | John Davis Gallery | |
| 1988 | Santa Monica | Michael Maloney Gallery | |
| 1989 | London | Annely Juda Fine Art | |
| 1989 | Boston | Thomas Segal Gallery | |
| 1990 | New York | Marisa del Re Gallery | |
| 1990 | Paris | Galerie Karsten Greve | |
| 1990 | Osaka | Gallery Kasahara | |
| 1990 | San Francisco | Stephen Wirtz Gallery | |
| 1991 | Zürich | Galerie Jamileh Weber | |
| 1991 | Cologne | Galerie Karsten Greve | |
| 1991 | Nagoya | Kohji Ogura Gallery | |
| 1992 | Munich | Städtische Galerie im Lenbachhaus | |
| 1992 | Linz | Neue Galerie der Stadt Linz | |
| 1992 | Copenhagen | Galleri Weinberger | |
| 1993 | New York City | Galerie Lelong | |
| 1994 | Birmingham, Michigan | Hill Gallery | |
| 1995 | Paris | Galerie Karsten Greve | |
| 1995 | Copenhagen | Galleri Weinberger | |
| 1995 | New York City | Galerie Lelong | |
| 1995 | Köln | Galerie Karsten Greve | |
| 1995 | Tokyo | Mizuma Art Gallery | |
| 1996 | Salzburg | Galerie Academia | |
| 1997 | Paris | Galerie Karsten Greve | |
| 1998 | Köln | Galerie Karsten Greve | |
| 1999 | New York City | Galerie Lelong |
Growing up, Lee had her first experience with art in the third grade when she was living in Germany at an army base. She attended a local art museum in Kaiserslautern, and explains how she was "stunned by the sense of quiet, of reverence."[16] She spent the majority of her career living and working in New York, NY.