| Castle Rackrent | |
| Author: | Maria Edgeworth |
| Country: | Ireland |
| Language: | English |
| Genre: | Historical novel |
| Publisher: | J. Johnson |
| Release Date: | 1800 |
| Media Type: | Print (hardback and paperback) |
| Pages: | 90 |
| External Url: | https://standardebooks.org/ebooks/maria-edgeworth/castle-rackrent |
Castle Rackrent is a short novel by Maria Edgeworth published in 1800. Unlike many of her other novels, which were heavily "edited" by her father, Richard Lovell Edgeworth, before their publication, the published version is close to her original intention.
Shortly before its publication, an introduction, glossary and footnotes, written in the voice of an English narrator, were added to the original text to blunt the negative impact the Edgeworths feared the book might have on English enthusiasm for the Act of Union 1800.[1] One of the main sources of inspiration for the novel was a chronicle of her own family history called The Black Book of Edgeworthstown, which contain legal struggles of the Edgeworth's similar to those portrayed in the novel.[2] [3]
The novel is set prior to the Constitution of 1782. It tells the story of four generations of Rackrent heirs through their steward, Thady Quirk. The heirs are: the dissipated spendthrift Sir Patrick O'Shaughlin, the litigious Sir Murtagh Rackrent, the cruel husband and gambling absentee Sir Kit Rackrent, and the generous but improvident Sir Condy Rackrent. Their sequential mismanagement of the estate is resolved through the machinations—and to the benefit—of the narrator's astute son, Jason Quirk.
Kathryn Kirkpatrick suggests that the novel "both borrows from and originates a variety of literary genres and subgenres without neatly fitting into any one of them". It satirises Anglo-Irish landlords and their overall mismanagement of the estates they owned at a time when the British and Irish parliaments were working towards formalising their union through the Acts of Union. Through this and other works, Edgeworth is credited with serving the political, national interests of Ireland and the United Kingdom the way Sir Walter Scott did for Scotland.[5]
Castle Rackrent is a dialogic novel, comprising a preface and conclusion by an editor bookending a first person narrative proper. It is widely regarded as the first Irish novel to use the device of a narrator who is both unreliable and an observer of, rather than a player in, the actions he chronicles. It also has a glossary (which was a last-minute addition).
Castle Rackrent is sometimes regarded as the first historical novel, the first regional novel in English, the first Anglo-Irish novel, the first Big House novel, and the first saga novel.[6] William Butler Yeats pronounced Castle Rackrent "one of the most inspired chronicles written in English".[7] [8] Sir Walter Scott, who met and carried on a correspondence with Edgeworth,[9] [10] credited her novel for inspiring him to write his Waverley series of novels:
Without being so presumptuous as to hope to emulate the rich humour, pathetic tenderness, and admirable tact, which pervade the works of my accomplished friend, I felt that something might be attempted for my own country, of the same kind with that which Miss Edgeworth so fortunately achieved for Ireland—something which might introduce her natives to those of the sister kingdom in a more favourable light than they have been placed hitherto.[11] [12]The novel is alluded to in The Great Gatsby by F. Scott Fitzgerald, ‘’A Mother in History’’ by Jean Stafford and Milkman by Anna Burns.