| Dr. Carmen Tafolla | |
| Birth Date: | 29 July 1951 |
| Birth Place: | San Antonio, Texas |
| Genre: | children's literature |
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Carmen Tafolla (born 29 July 1951)[1] is an internationally acclaimed[2] Chicana writer from San Antonio, Texas, and a professor emerita of bicultural bilingual studies at the University of Texas at San Antonio. Tafolla served as the poet laureate of San Antonio from 2012 to 2014, and was named the Poet Laureate of Texas for 2015–16.[3] Tafolla has written more than thirty books, and won multiple literary awards. She is one of the most highly anthologized Chicana authors in the United States, with her work appearing in more than 300 anthologies.[1] [2] [3]
Tafolla was born in San Antonio, Texas, on 29 July 1951. She graduated from Austin College with a bachelor's degree in Spanish and French in 1972, and earned a master's degree in education from Austin College the following year. She pursued further graduate work at the University of Texas at Austin, earning a PhD in bilingual and foreign education in 1981.[1] Tafolla has three children, and was married to Ernesto M. Bernal[4] for 38 years until his death in 2017
Tafolla served as the Director of the Mexican-American Studies Center at Texas Lutheran College, Seguin from 1973 to 1976, and from 1978 to 1979. She has served as Associate Professor of Women’s Studies at California State University, Fresno, as Special Assistant to the President for Cultural Diversity Programming at Northern Arizona University, has taught at numerous universities throughout the Southwest, and is currently Professor Emerita of Bicultural Bilingual Studies at the University of Texas at San Antonio.
Tafolla first drew the attention of the literary world as a poet, when she read some of her poetry at the Floricanto Festival in Austin, Texas in 1975. She published her first collection of poetry, Get Your Tortillas Together, with Reyes Cardenas and Cecilio Garcia-Camarillo the following year.[5] Tafolla's poetry is heavily influenced by her ethnic background, and often focuses on Chicana characters, or on themes and images which are important to Chicano culture.[6] Critics such as Yolanda Broyles-Gonzales have noted that Tafolla's female characters often display great inner strength, exhibiting what Broyles-Gonzales refers to as "an indomitable will to endure and survive" even in the most adverse situations.[6] Tafolla’s poetry began as one of the early feminist voices in the Chicano Movement, and often focuses on themes. Characters, and images richly imbedded in a Chicanx cultural setting. In addition, her works have touched on national and international issues with a pronounced emphasis on the affirmation and celebration of individual and cultural diversity and human value. Her works have been translated to numerous languages and have been published in English, Spanish, German, French, and Bengali. Her themes in both poetry and prose have ranged from cultural to socio-educational issues; have deepened feminist, ecological, and multicultural perspectives; have emphasized the indigenous roots of the Americas; and have challenged sexist, racist, classist, Eurocentric, and homophobic stereotypes. Often called one of the madrinas of Chicana literature, her early poetry gained her renown as a master of code-switching and featured the introduction of numerous “voice poems” which monologues later developed into a dramatic medley in her one-woman show. Her recent work has also included topics of immigration, age, death, grieving, environmental activism, and political resistance.
Tafolla has received multiple literary awards: