Carl Philipp Emanuel Bach: The Complete Works is a new critical edition of the music and keyboard treatise by C.P.E. Bach. The project was begun in 1998–99 in the wake of the aborted Carl Philipp Emanuel Bach Edition, and many of the same eminent music scholars associated with the earlier incomplete edition have become involved with the new one. From 1999–2014, the new edition was chaired by Christopher Hogwood. After his death in 2014, Robert D. Levin was appointed chair. The general editors are Darrell Berg (series I), Peter Wollny (series II, III, VII), and Ulrich Leisinger (series IV, V, VI). The edition is published by the Packard Humanities Institute. The current Editorial Guidelines (January 2015) are available in PDF format on the edition’s website: http://www.cpebach.org.
The edition is organized in the following eight series:
The original plan called for approximately 70 volumes to be completed by 2014, the 300th anniversary of C.P.E. Bach’s birth.1 But in 1999 the lost archives of the Berlin Singakademie were recovered in Kyiv and eventually returned to the Staatsbibliothek zu Berlin.[1] 2 This collection includes many unique sources for the late Hamburg vocal music, and thus gives us access to nearly the complete output of the composer, which subsequently has increased the number of volumes in the edition to 115. The first volumes were published in 2005, and more than 80 volumes have been published as of May 2018. Details on the contents of all volumes, including a search function by Wotquenne and Helm numbers, are available on the edition’s website. Published volumes may be ordered through the website, and performing material for chamber, orchestral, and choral music is available to download free of charge.