César Aira Explained

César Aira
Birth Date:1949 2, df=yes
Birth Place:Coronel Pringles, Buenos Aires Province, Argentina

César Aira (Argentine Spanish: pronounced as /es/;[1] born 23 February 1949 in Coronel Pringles, Buenos Aires Province) is an Argentinian writer and translator, and an exponent of contemporary Argentinian literature. Aira has published over a hundred short books of stories, novels and essays. In fact, at least since 1993, a hallmark of his work is a truly frenetic level of writing and publication—two to five novella-length books each year.[2] He has lectured at the University of Buenos Aires, on Copi and Arthur Rimbaud, and at the University of Rosario on Constructivism and Stéphane Mallarmé, and has translated and edited books from France, England, Italy, Brazil, Spain, Mexico, and Venezuela.[3]

His work

Besides his fiction, and the translation work he does for a living, Aira also writes literary criticism, including monographic studies of Copi, the poet Alejandra Pizarnik, and the nineteenth-century British limerick and nonsense writer Edward Lear. He wrote a short book, Las tres fechas (The Three Dates), arguing for the central importance, when approaching some minor eccentric writers, of examining the moment of their lives about which they are writing, the date of completion of the work, and the date of publication of the work. Aira also was the literary executor of the complete works of his friend the poet and novelist Osvaldo Lamborghini (1940–1985).

Style

Aira has often spoken in interviews of elaborating an avant-garde aesthetic in which, rather than editing what he has written, he engages in a "flight forward" (fuga hacia adelante) to improvise a way out of the corners he writes himself into. Aira also seeks in his own work, and praises in the work of others (such as the Argentine-Parisian cartoonist and comic novelist Copi), the "continuum" (el continuo) of a constant momentum in the fictional narrative. As a result, his fictions can jump radically from one genre to another, and often deploy narrative strategies from popular culture and "subliterary" genres like pulp science fiction and television soap operas. He frequently refuses to conform to generic expectations for how a novel ought to end, leaving many of his fictions quite open-ended.

While his subject matter ranges from Surrealist or Dadaist quasi-nonsense to fantastic tales set in his Buenos Aires neighborhood of Flores, Aira also returns frequently to Argentina's nineteenth century (two books translated into English, The Hare and An Episode in the Life of a Landscape Painter, are examples of this; so is the best-known novel of his early years, Ema la cautiva (Emma, the Captive)). He also returns regularly to play with stereotypes of an exotic East, such as in Una novela china, (A Chinese Novel); El volante (The Flyer), and El pequeño monje budista (The Little Buddhist Monk). Aira also enjoys mocking himself and his childhood home town, Coronel Pringles, in fictions such as Cómo me hice monja (How I Became a Nun), Cómo me reí (How I Laughed), El cerebro musical (The Musical Brain) and Las curas milagrosas del doctor Aira (The Miraculous Cures of Dr. Aira). His novella La prueba (1992) served as the basis—or point of departure, as only the first half-hour follows the novella—of Diego Lerman's film Tan de repente (Suddenly) (2002). His novel Cómo me hice monja (How I Became a Nun) was selected as one of the ten best publications in Spain in the year 1998.

Awards and honours

Bibliography

A partial bibliography:

Pamphlets and standalone short stories

Stories originally published in magazines

Short story collections

Essays and non-fiction

Works in English translation

Studies of Aira's work

Personal life

Aira lives in Flores, Buenos Aires. His wife, Liliana Ponce, is a poet and a scholar of Japanese literature. They have two children.[13]

References

Further reading

External links

Notes and References

  1. Approximately pronounced like "SAY-sar EYE-ra".
  2. Book: Santos, Lidia . Tropical kitsch: mass media in Latin American art and literature . 2006 . Markus Wiener Publishers . 978-1-55876-353-1 . 162 .
  3. http://ndbooks.com/author/cesar-aira http://ndbooks.com/author/cesar-aira
  4. Web site: César Aira. Konex Foundation. 28 April 2017.
  5. Web site: Prix Roger Caillois 2014. Maison de l'Amérique Latine. 28 April 2017.
  6. Web site: Neustadt Laureates 2014 – Mia Couto. 26 August 2014 . The Neustadt Prizes. 2 May 2017.
  7. Web site: The Man Booker International Prize 2015. The Man Booker Prize. 28 April 2017.
  8. Web site: America Awards. 28 April 2017. dead. https://web.archive.org/web/20131129013735/http://www.greeninteger.com/america.cfm. 29 November 2013.
  9. Web site: Manuel Rojas Award. Fundación Manuel Rojas. 28 April 2017.
  10. Web site: Esposito. Scott. Eight Questions for Chris Andrews on The Musical Brain. Conversational Reading. 9 February 2015. 9 March 2016. https://web.archive.org/web/20160310015300/http://conversationalreading.com/eight-questions-for-chris-andrews-on-the-musical-brain/. 10 March 2016. dead.
  11. Book: Aira, César. 2013. Relatos reunidos. Provenencia de algunos de los relatos. Literatura Random House. 9788439727330.
  12. The title is spelled Nouvelles Impressions du Petit-Maroc on the publisher's page : it refers to the Petit-Maroc ("Little Morocco") district in the city of Saint-Nazaire, France.
  13. News: Chacoff . Alejandro . César Aira’s unreal magic: how the eccentric author took over Latin American literature . The Guardian . 9 June 2023 . https://web.archive.org/web/20240529045752/https://www.theguardian.com/news/article/2024/may/07/cesar-airas-unreal-magic-how-the-eccentric-author-took-over-latin-american-literature . May 29, 2024. 7 May 2024.

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