By the North Gate explained

By the North Gate
Author:Joyce Carol Oates
Country:United States
Language:English
Publisher:Vanguard Press
Release Date:1963
Media Type:Print (hardcover)
Pages:253 pp. (first edition)
Followed By:With Shuddering Fall

By the North Gate is a collection of short stories by Joyce Carol Oates.[1] It was the author's first book, first published by Vanguard Press in 1963.

It was last published in 1971 by Fawcett. Two stories in the collection, "Edge of the World" and "The Fine White Mist of Winter", were later collected in her book Where are you Going, Where have you Been?: Selected Early Stories (1993).

Stories

Those stories first appearing in literary journals are indicated.[2]

Critical Assessment

Oates, who was born in 1938, grew up in the post-Depression years in rural upstate New York. The stories in this collection, set in a fictitious "Eden County," depict the “dispossessed characters" who occupy its social and economic landscape. Literary critic Greg Johnson writes that the stories “provide a carefully detailed portrait post-Depression rural poor; they investigate women’s experience in a patriarchal mid-twentieth century culture that conformed to long-standing social, religious and family models…”[3] Johnson adds that “By the North Gate investigates virtually all the important themes that characterize her dozens of subsequent books [and] contains several of her finest stories.[4] “...set in the ironically named ‘Eden County’...”[5]

Most of the tales are set in a fictitious "Eden County" and depict rather rural scenes and characters, contrary to her later volumes, which are mostly set in an urban environment.[6] [7] Margaret Groppi Rozga sums up the characteristics of this volume as follows:

The initial stories in By the North Gate portray a series of losses that define the condition of the contemporary world as Oates sees it. The Eden County in which several of them are set is hardly an echo of the paradise it might once have been. It is a world which values only material goods and whose characters set store not by their own consciences but by what they perceive to be the opinion of their fellows. Any deeper consciousness, and any sense of perspective on the present, is fractured, if it continues to exist at all. Consequently the quality of love, friendship, community, any unifying element, is also diminished. And it is such erosion and its alienating effects on the characters that the other stories in this volume show.[8]

Theme

Literary critic Greg Johnson provides this concise statement on the collection’s thematic elements: “One of Oates’s major themes is that writers, intellectuals, record-keepers—all those who attempt to describe and calibrate the contours of experience—are themselves summarily defeated by the swirling chaos of natural and social forces in Eden County.”[9]

Sources

Notes and References

  1. Book: McConkey, James . Critical Essays on Joyce Carol Oates . Linda Wagner-Martin . 1979 . G. K. Hall . 978-0-8161-8224-4 . 3–5 .
  2. See Short Stories and Tales, pp. 7-47
  3. Johnson, 1994 p. 15
  4. Johnson, 1994 p. 15
  5. Johnson, 1987 p. 4
  6. Johnson, 1987 p. 4:“...set in the ironically named ‘Eden County’”...
  7. Book: Severin, Hermann . The Image of the Intellectual in the Short Stories of Joyce Carol Oates . Frankfurt am Main, Bern, New York: Peter Lang . 1986 . 3-8204-9623-8 . 23.
  8. Book: Rozga, Margaret Groppi . Development in the Short Stories of Joyce Carol Oates . Diss., University of Wisconsin . 1977 . 6–7.
  9. Johnson, 1994 p. 23