| Buk | |
| Image Capt: | A traditional buk drum on its side |
| Background: | percussion |
| Classification: | Drum |
| Sound Sample: | thumb|center|Imsil Pilbong nongak played on the buk (whee-mori) |
| Caption: | Buk |
| Hangul: | 북 |
| Hanja: | none |
| Rr: | buk |
| Mr: | puk |
The buk is a traditional Korean drum. While the term buk is a native Korean word used as a generic term meaning "drum" (the Sino-Korean word being go), it is most often used to refer to a shallow barrel-shaped drum, with a round wooden body that is covered on both ends with animal skin. Buk are categorized as hyeokbu (혁부,) which are instruments made with leather, and has been used for jeongak (Korean court music) and folk music.[1]
The buk used for court music are usually fixed with nails on the rims, while ones used for folk music are usually tied up with leather straps to form the shape. Performers in the court music usually beat their with bukchae (북채, a drum stick) on one hand or two hands together, while drummers in the folk music commonly beat their with it on their right hand as hitting the other side of the buk with their bare left hand.[2] A while ago, even jong (종, bell) was referred to as "soebuk" (쇠북, metal drum) and included in the buk category.
Buk have been used for Korean music since the period of the Three Kingdoms of Korea (57 BC – 668 AD) in light of mural paintings in Anak Tomb of Goguryeo (37 BC – 668 AD) and records of Book of Sui on the kingdoms, Goguryeo and Baekje (18 BC – 660 AD). In the 3rd of Anak Tomb, two types of buk are depicted in the paintings titled Juakdo (주악도,, "painting of playing music") and Haengryeoldo (행렬도,, "painting of marching") such as ipgo (입고,) and damgo (담고,) respectively. The ipgo is a buk that performers beat as standing, while the damgo is a buk that drummers strike as carrying it on their shoulder.
During the Unified Silla period (668–935), (대고,) or, meaning "a big drum", was used along with a percussion instrument named (박,) in a music played by Samhyeon samjuk (삼현삼죽, 三絃三竹) which comprises samhyeon, three string instruments such as geomungo, gayageum, and hyangbipa and samjuk such as, and .[3] In the Goryeo period (918–1392), as and were introduced to Korea from China, a lot of such as,, began to be used for the court music.
In the Joseon period, scores of were used for the royal court music including and others. Among them was also used for folk music, and later became the most commonly used instrument.
While there are twenty types of buk used in the present Korean traditional music, most commonly used buk are to perform (삼현육각, 三絃六角), for marching music, for (북춤, drum dance), for Buddhist ritual ceremonies, sogo used by Namsadang, and street musicians, or called for, (or called) used for, and used by farmers as working.
There are two forms of undecorated used in Korean folk music: the used to accompany ', which has tacked heads, is called a (소리북), while the buk used to accompany pungmul music, which has laced heads, is called pungmul-buk (풍물북).photo The is played with both an open left hand and a stick made of birch that is held in the right hand, with the stick striking both the right drumhead and the wood of the drum's body. The pungmul-buk is one of the four instruments used in samul nori, a modern performance version of pungmul.https://web.archive.org/web/20071213122029/http://www.culturebase.net/artist.php?1208 It is played by striking a single stick (usually with the right hand) on only one of its heads.
Due to its similarity in shape and construction, the (hangul: 용고; hanja: 龍鼓; literally "dragon drum"), which is a barrel drum with tacked heads decorated with painted dragon designs and used in the military wind-and-percussion music called daechwita, is sometimes also classified as a form of buk. It is struck with two padded sticks.
A modern set of buk (usually four) is called modeum buk (모듬북).photo They are typically placed horizontally on wooden stands and played with sticks.photo
