Bruno Fonseca Explained

Bruno Fonseca
Birth Date:1958
Birth Place:New York City, US
Death Place:East Hampton, New York, US
Field:Painting, Sculpture
Movement:Abstract, figurative
Works:The War Murals
Father:Gonzalo Fonseca
Relatives:Caio Fonseca (brother)
Isabel Fonseca (sister)

Bruno Fonseca (1958  - May 31, 1994) was an American artist who shifted between abstract and figurative styles and worked in both painting and sculpture.[1]

Biography

Early life

Fonseca was born in New York to a family of artists. His father, Gonzalo Fonseca, was an Uruguayan sculptor. His younger brother Caio Fonseca is a well known contemporary painter. His sister Isabel Fonseca is a writer. Fonseca had dyslexia and a stutter, conditions so severe as a child he was treated by a psychiatrist.[2] [3] Fonseca was able to compensate for his verbal difficulties with a tremendous visual fluency, reproducing paintings by Michelangelo and other Great Masters at an early age.[2] Raised in a house on West Eleventh Street in Greenwich Village, Fonseca studied at the Dalton School in Manhattan and St. Ann's School in Brooklyn Heights. Fonseca failed to graduate from high school[4] and at age 18, he moved to Barcelona, where he studied with Augusto Torres. Fonseca lived in Barcelona until 1993, when he returned to New York a few months before his death.

Fonseca had what his sister called "a slightly perverse anti-taste for exquisite goods and 'luxuries' of all kinds."[2] He preferred old objects, old clothes and junk that he collected from the streets of Barcelona. He chose to live in Barcelona's red-light district, among the city's poor, cripples, addicts, street girls, and bohemians.[5]

Career

Late in his life, Fonseca painted four large paintings known as "The War Murals" depicting scenes of warfare. The individual works are titled Tank (oil on canvas, 208.2 x 269.2 cm) Fire (oil on canvas, 207 x 284.5 cm), Bucharest (oil on canvas, 208.2 x 279.4 cm), and Timișoara[6] (oil on canvas, 210.8 x 271.7 cm). One writer described the anti-war theme in "The War Murals", begun in 1989 and finished in 1993, as "the most powerful statement of their kind since Picasso's great Guernica."[7] The murals were inspired by images of boy soldiers torn from the newspaper and by images of violence in Eastern Europe, including the public execution of Nicolae Ceauşescu.[2] [8] His sister recalled watching scenes of the upheavals in Eastern Europe on CNN with Bruno and wrote: "The War Murals - Bruno's four larger narrative paintings inspired by the anti-communist upheavals - represent his greatest synthesis of abstract and representational painting, something he had struggled for throughout his working life."[2] Fonseca worked on the murals for several years, finishing them while he was suffering from the effects of AIDS.[2] A public showing of "The War Murals" was the opening exhibition for the John McEnroe Gallery in SoHo in January 1994. Fonseca also had a solo show at New York's Salander-O'Reilly in 1993.[9] [10]

After contracting AIDS, Fonseca returned to New York. He married his pupil, German painter Anke Blaue, shortly before his death. He died of AIDS in 1994 at age 36.[1]

Notes and References

  1. News: Bruno Fonseca, 36, Painter and Sculptor. The New York Times. 1994-06-03.
  2. News: Isabel Fonseca. Dear Brother. The Guardian. 2000-11-04.
  3. Web site: A Remembrance of Bruno Fonseca. The Charlie Rose Show. 2000-11-23. dead. https://web.archive.org/web/20080514191137/http://www.charlierose.com/shows/2000/11/23/2/a-remembrance-of-bruno-fonseca. 2008-05-14.
  4. Bruno Fonseca: The Secret Life of Painting, p. 21
  5. Book: Alan Jenkins . Karen Wilkin . Isabel Fonseca . Bruno Fonseca: The Secret Life of Painting, pp. 7-9. Abbeville Press. 2000. 0-7892-0626-9.
  6. [Timișoara]
  7. Bruno Fonseca: The Secret Life of Painting, p. 198 "Together they constitute a remarkable work, the more remarkable (given the larger scale) in that the painter was, as he worked on them, already suffering from the illness that would kill him. ... I think them the most powerful statement of their kind since Picasso's great Guernica."
  8. Bruno Fonseca: The Secret Life of Painting, pp. 191-204
  9. News: Robert G. Edelman. Review of exhibitions: Bruno Fonseca. Art in America. February 1994.
  10. News: Gerrit Henry. Reviews: Bruno Fonseca. ARTnews. December 1993.