Bricks Are Heavy Explained

Bricks Are Heavy
Type:studio
Artist:L7
Cover:L7 bricks are heavy.jpg
Recorded:November 1991[1]
Label:Slash
Prev Title:Smell the Magic
Prev Year:1990
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Bricks Are Heavy is the third studio album by American rock band L7, released on April 14, 1992, by Slash Records. The album peaked at number 160 on the US Billboard 200 and number one on the Heatseekers Albums chart. As of June 2000, Bricks Are Heavy has sold 327,000 copies in the United States, according to Nielsen Soundscan.[2]

Production

Produced by the band and Butch Vig, musically the album is heavier and dirtier than the band's previous recordings and described as "catchy tunes and mean vocals on top of ugly guitars and a quick-but-thick bottom of cast-iron grunge" by Entertainment Weeklys Gina Arnold.

Critical reception

In a contemporary review for Playboy, Robert Christgau regarded Bricks Are Heavy as an "object lesson in how to advance your music by meeting the marketplace halfway", although he believed it would not sell as much as it deserved. He said Vig helped L7 produce grunge-metal featuring "intense admixtures of ditty and power chord" that "never quite gathers Nirvana's momentum, but it's just as catchy and a touch nastier."[3] NME critic Angela Lewis called Bricks Are Heavy a "polished, virile white heat rock" record that "verifies their hard rock credentials completely" and demonstrates that L7 ought not to be pigeonholed as a grunge act in the vein of "Hole–BabesJane". Kerrang!s Steffan Chirazi was most impressed by the album's "relentlessness" in "driving the frustrations of everyday life home", and Gina Arnold said in Entertainment Weekly that L7 distinguish themselves from the musically similar Nirvana through the "clarity" of their lyrics. "Although the band's positive-plus stances on liberal issues may not instantly endear it to fuzzy-minded teen America," Arnold wrote, "L7 does manage to be simultaneously fun and furious, an intensely appealing combination."

Los Angeles Times writer Jonathan Gold, while finding Bricks Are Heavy "a very good, sometimes brilliant hard-rock album", expressed reservations about Vig's polished production, saying that although it suited "a pop band at heart" like Nirvana, "L7 is a rock band, less like the Byrds than like the MC5, less about pop craft than about sheer aggression." Arion Berger of Rolling Stone felt that the production's "neatly modulated dynamics" rendered the album "merely raucous where it might have been apocalyptic." In the Chicago Tribune, Greg Kot opined that there were not many good songs such as "Slide" and "the performances—while certainly ferocious—aren't sufficiently varied enough to make up the difference."

NME listed Bricks Are Heavy as the 39th best album of 1992.[4] It placed at number 32 in The Village Voices Pazz & Jop critics' poll,[5] with the poll's creator Robert Christgau ranking the album fourth on his ballot.[6]

Legacy

Reviewing Bricks Are Heavy for AllMusic, Eduardo Rivadavia said that Vig helped L7 "obtain a tight, compact sound" and sharpen their songwriting on what would be their "crowning achievement" and "an impossible act to follow".

Bricks Are Heavy is now regarded as one of grunge music's best albums. Trebles Brian Roesler credited L7 with helping to define "the very best of early grunge" through the album's fusion of pop and metal musical elements.

In 2015, Spin placed Bricks Are Heavy at number 249 on its list of the "300 Best Albums of the Past 30 Years".[7]

Accolades

TrebleUnited States All-timeThe 30 Best Grunge Albums201615[8]
Rolling Stone50 Greatest Grunge Albums2019[9]
Far OutUnited KingdomThe 10 best grunge albums of all time20214[10]
LoudwireUnited States The 30 Best Grunge Albums of All Time202316[11]

Personnel

Credits adapted from liner notes.

L7
Additional musician
Production

Charts

Album

Chart (1992)Peak
position
UK Albums (OCC)[12] 24
US Billboard 200[13] 160
US Heatseekers Albums (Billboard)[14] 1

Singles

YearTitlePeak Chart positions
width=25px
Mod
width=25px [15] width=25px [16]
1992"Pretend We're Dead"8 50 21
"Everglade"85 27
"Monster"33
"—" denotes singles that were released but did not chart.

Notes and References

  1. Web site: L7 Time Line . dead . https://web.archive.org/web/19980123192505/http://www.repriserec.com/L7/TimeLine/time.html . 1998-01-23 . 2024-08-02 . repriserec.com.
  2. Book: Inc, Nielsen Business Media . Billboard . 2000-06-24 . Nielsen Business Media, Inc. . en.
  3. Christgau. Robert. Robert Christgau. June 1992. L7, Roches, Yo Yo, Rosie Flores. Playboy. February 5, 2017.
  4. 1992 – The Loved Albums. NME. December 19–26, 1992. January 15, 2018. 56–57.
  5. News: The 1992 Pazz & Jop Critics Poll. The Village Voice. March 2, 1993. January 15, 2018.
  6. News: Christgau. Robert. Robert Christgau. March 2, 1993. Pazz & Jop 1992: Dean's List. The Village Voice. January 15, 2018.
  7. Web site: The 300 Best Albums of the Past 30 Years (1985–2014). Spin. May 11, 2015. January 15, 2018. 1.
  8. Web site: The 30 Best Grunge Albums Treble. Treble staff. October 6, 2016. Treble. May 20, 2023.
  9. Web site: Nirvana, Pearl Jam, Soundgarden: 50 Best Grunge Albums. April 1, 2019. Rolling Stone. May 20, 2023.
  10. Web site: From Pearl Jam to Nirvana: The 10 best grunge albums of all time. Starker. Arun. May 12, 2021. Far Out. May 20, 2023.
  11. Web site: The 30 Best Grunge Albums of All Time - Loudwire. Loudwire staff. January 10, 2023. Loudwire. May 20, 2023.
  12. Web site: L7. Official Charts Company. January 15, 2018.
  13. L7 - Billboard 200. Billboard. January 15, 2018.
  14. L7 - Heatseekers Albums. Billboard. January 15, 2018.
  15. Web site: L7 Discography . 2009-12-02 . australian-charts.com.
    • "Everglade": 159.
  16. Web site: L7. 2009-01-31 . .