| Brian Krock | |
| Birth Date: | 10 February 1989 |
| Birth Place: | Milwaukee, Wisconsin, U.S. |
| Genre: | Jazz, big band, experimental, new music |
| Occupations: | Composer, arranger, musician |
| Instruments: | Alto saxophone, soprano saxophone, tenor saxophone, baritone saxophone, clarinet, bass clarinet, flute, alto flute, piccolo, oboe, English horn, piano, guitar, recorders |
| Associated Acts: | Big Heart Machine |
Brian Krock is an American multi-instrumentalist, composer, arranger and bandleader based in New York City. Krock leads the ensembles Big Heart Machine and liddle.[1] He is also active in Broadway theatre, performing in orchestras on a multitude of woodwinds.
Krock was born in Milwaukee. From 2007 to 2011, he attended the University of Illinois at Urbana-Champaign, majoring in jazz studies with a business minor. He studied jazz saxophone with Chip McNeill, who fostered his interest in composition and arranging.[2] In 2011, the University of Illinois Concert Jazz Band recorded Freeplay on which Krock received an ASCAP Young Jazz Composer Award for his composition “Yes, It's True.”[3]
In 2011, Krock moved to New York City to obtain his Master's in Music from the Manhattan School of Music, where he studied composition with Jim McNeely.[4] While attending MSM his composition "String Quartet No. 1" received the Manhattan Prize. He co-founded the band Life Size, who released the studio album Bright Size Life.[5]
From 2013 to 2015, Krock toured internationally with Broadway shows while composing the book of music that would constitute his big band album Big Heart Machine.[6] He attended the Metropole Orkest Arrangers Workshop, studying with Vince Mendoza, in 2013.[7]
In 2018, Krock released Big Heart Machine (Outside In Music), the self-titled debut album of his big band Big Heart Machine, to critical acclaim. In the New York Times, Giovanni Russonello said, “The suspenseful, layered music can sound like migration in motion or a wisp of twisting smoke. And if you’re looking for musical-historical references, there are plenty — from progressive metal to Carnatic music to late-20th-century Western classical.”[8] Jazz critics Nate Chinen and Giovanni Russonello profiled Big Heart Machine in articles focusing on a resurgence in big band music.”[9] The album was featured on the Best Jazz on Bandcamp.[10] Krock was also profiled in Downbeat Magazine,[11] Stereogum,[12] and the Chicago Reader.[13]
In 2019, Big Heart Machine’s performance at NYC Winter Jazz Fest prompted good reviews in The Atlantic[14] and the New York Times. Shortly thereafter, Krock toured for seven weeks with Ethan Iverson and The Mark Morris Dance Group, playing clarinet and soprano saxophone in Pepperland.[15]
His 2019 follow-up recording liddle featured Big Heart Machine alumni along with pianist Matt Mitchell and bass guitarist Simon Jermyn. The album was a Downbeat Editor’s Pick[16] and one of All Music’s Best Jazz Albums of 2019.[17] The band liddle toured the U.S. culminating in a live recording at Firehouse 12 in New Haven, CT.
In 2020, the coronavirus pandemic halted performances so Krock created a YouTube channel called Score Study, devoted to his favorite composers.[18] The series quickly grew in popularity, allowing him to feature guest artists like Steve Swallow, Ethan Iverson, Pino Palladino, Blake Mills, and Adam Guettel. Krock also self-released two live recordings in 2020, Big Heart Machine’s Live at The Jazz Gallery,[19] and liddle’s Viscera. Krock attended the Bang on a Can Summer Workshop in 2020, receiving a commission to write a new piece of chamber music. He wrote a piece for bass clarinet, flute, and ensemble called “anti-jazz,” dedicated to and culling musical materials from Eric Dolphy.
From 2021 to 2022, Krock toured the U.S. as the onstage clarinetist with the Tony Award-winning musical The Band's Visit.[6]
| Year | Award |
|---|---|
| 2020 | ISJAC Relief Commission[20] |
| 2019 | Best Jazz Albums of 2019 (All Music)[21] |
| Best Newcomer Musician (El Intruso)[22] | |
| Best New Artist (Jazz Times Critics Poll)[23] | |
| Keio Light Music Society Commission | |
| ASCAP Young Jazz Composers Award[24] | |
| 2018 | Aaron Copland Recording Grant[25] |
| 2012-13 | EtM Con Ed Composer Residency[26] |
| 2011 | Manhattan Prize in Composition |
| ASCAP Young Jazz Composers Award[27] |
| Year | Title | Artist | Label | |
|---|---|---|---|---|
| 2020 | Viscera | Brian Krock's liddle | toof music | |
| Live at The Jazz Gallery | Big Heart Machine | toof music | ||
| 2019 | liddle | Brian Krock | Outside In | |
| 2018 | Big Heart Machine | Big Heart Machine | Outside In |
| Year | Title | Artist | Label | |
|---|---|---|---|---|
| 2014 | Bright! | Life Size | self-released | |
| 2007 | Fishwim | Lorna Sue | self-released |
| Year | Title | Artist | Role | |
|---|---|---|---|---|
| 2022 | Two Takes Vol. 2 | Jared Schonig | arranger | |
| 2021 | Bombardment | Sound Struggle | saxophonist | |
| 2021 | Perihelion | Sungazer | bass clarinet | |
| 2020 | Truth | Seth Weaver Big Band | producer | |
| 2019 | Outside in Music (Live at Pinch Recording), Vol. 3 | Various Artists | saxophonist, composer | |
| 2011 | Freeplay | University of Illinois Concert Jazz Band | saxophonist, composer |