Brian Harnetty Explained

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Brian Harnetty (born May 10, 1973) is an American interdisciplinary artist, composer, and musician who uses sound and listening to foster social change.[1] His work brings together sound archives, performance, ecology, and place, and is focused on local and regional issues of Appalachia and the Midwest.[2] Harnetty's music is released on Karl, Dust-to-Digital, Atavistic, Winesap, and Scioto Records. His 2009 release, Silent City, featured singer Will Oldham on three tracks.[3] His 2019 release, Shawnee, Ohio, received five out of five stars from Mojo Magazine, and both Shawnee, Ohio and his 2013 release, The Star-Faced One: from the Sun Ra/El Saturn Archives were named Mojo's "Underground Album of the Year."[4]

As an author, Harnetty has written for New Music Box,[5] Experimental Music Yearbook,[6] Sound Effects, and Cultural Studies.

Education

Harnetty received his undergraduate degree from The Ohio State University. He then received his Masters of Music from the Royal Academy of Music, where he studied music composition with Michael Finnissy.[7] In 2014, he received a Doctor of Philosophy from Ohio University in interdisciplinary arts. Currently a Lecturer in Music Composition and Musicology at Ohio State University, Harnetty has taught music and interdisciplinary arts at Kenyon College, Goddard College, and Ohio University.

Music

Harnetty is known for working with sound archives as compositional source material. He uses field recordings alongside ambient, folk, and experimental soundscapes as a way to evoke both memory and history.[8] His process has been compared to "working like a novelist...to create a new text, breathing new life into old chunks of sound by radically recontextualising them."

Many of his pieces transform archival material––including field recordings, transcriptions, and historic recordings––into newly re-imagined sound collages. Harnetty works closely with archivists, historians, and communities connected to sound archives.[9] He uses the practice of "sonic ethnography," referred to as "the study of people, place, and culture through sound" and "the practice of listening and experiencing." Harnetty has done recording projects with the Berea College Appalachian Sound Archives in Kentucky;[10] [11] the Sun Ra/El Saturn Creative Audio Archive in Chicago;[12] and the Little Cities of Black Diamonds Archives in Shawnee, Ohio, and the Anne Grimes Collection in the Library of Congress.

Interdisciplinary Art and Social Practice

Since 2010, Harnetty has worked in Appalachian Ohio, producing sound and listening projects across the disciplines of sound art, installation, performance, music composition, video, and writing, all with a focus on social practice.[13] These projects reflect the history, landscape, and people of the region, and offer listening methods as a means to enact social change. The work’s themes include energy extraction, inequitable economies, environmental degradation and recovery, land use, and divisions between rural and urban people. In each project, Harnetty’s uses “contemplative listening” as his primary method, which brings together the environment, attentive listening, and mindfulness. He uses contemplative listening to move between the tensions of reflection and social action.[14]

Honors and awards

Discography

External links

Notes and References

  1. Sember, Robert. 2019. "Stay, Listen, Organize: Bridging Appalachia's Past and Present Through Sound." A Blade of Grass Magazine. Issue 2, Spring, pp. 24-29. https://abladeofgrass.org/articles/stay-listen-organize-bridging-appalachias-past-present-sound/
  2. News: Brian Harnetty's Shawnee, Ohio Premieres at the Wexner Center on October 27–28. 2016-10-26. ColumbusUnderground.com. 2016-11-14.
  3. News: Artist of the Week: Brian Harnetty. pastemagazine.com. 2016-11-14.
  4. Male, Andrew. 2020. Mojo Magazine, January issue. Male, Andrew. 2019. Mojo Magazine, September issue.Male, Andrew. 2016. Mojo Magazine, March issue.Male, Andrew. 2014. Mojo Magazine, January issue, p. 67.Male, Andrew. 2013. Mojo Magazine, September issue, p. 91.
  5. Web site: Brian Harnetty NewMusicBox. www.newmusicbox.org. 2016-11-14.
  6. Web site: The Experimental Music Yearbook. www.experimentalmusicyearbook.com. 2016-11-14.
  7. Bell, Clive. The Wire, November issue, pg. 51, 2009
  8. Web site: Grella, George. 2019. "Imaginary Places: The Ambient Influence on Contemporary Music." VAN Magazine, July Issue. 2020-06-15.
  9. News: Concert preview: Brian Harnetty mines southeast Ohio's past for 'Shawnee, Ohio'. Columbus Alive. 2016-11-14.
  10. Web site: Sheridan . Molly . 2010-01-20 . New Songs in Old Voices: Into the Archives with Brian Harnetty . 2023-05-09 . New Music USA . en-US.
  11. Web site: Columbus Sound Artist Brian Harnetty Premieres New Work at the Wex . 2023-05-09 . Columbus Monthly . en-US.
  12. Coley, Byron. 2013. The Wire, June issue, pp. 49-51.
  13. Sember, Robert. 2019. "Stay, Listen, Organize: Bridging Appalachia's Past and Present Through Sound." A Blade of Grass Magazine. Issue 2, Spring, pp. 24-29.
  14. Woodruff, Jeremy. “Composing Sociality: Toward an Aesthetics of Transition Design.” The Bloomsbury Handbook of Sound Art. Bloomsbury, 2020: 41-70.
  15. Web site: The MAP Fund Announces 2020 Grantees. Brennan, Moira.. 2020-06-17.
  16. Web site: "Ohio Arts Council Individual Excellence Awards Announced". 2020-02-15.
  17. Web site: Loghaven Artist Residency Announces Inaugural Artists and Competition of 90-Acre Campus. 2020-07-11.
  18. Web site: Brian Harnetty -- Marble House Project. 2020-07-11.
  19. Web site: Brian Harnetty - ABOG Fellow for Contemplative Practice. www.abladeofgrass.org. 2018-11-21.
  20. Web site: Creative Capital - Investing in Artists who Shape the Future. creative-capital.org. 2016-11-14.
  21. Web site: Brian Harnetty: Shawnee, Ohio - Contemporary Arts Center. www.contemporaryartscenter.org. 2016-11-14.
  22. Web site: News 75 Ohio Artists Receive Individual Excellence Awards. www.oac.ohio.gov. 2016-11-14.
  23. News: Brian Harnetty - Headlands Center for the Arts. Headlands Center for the Arts. en-US. 2016-11-14.

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