| Breaking the News | |
| Director: | W. J. Lincoln[1] |
| Producer: | William Gibson Millard Johnson John Tait Nevin Tait |
| Based On: | the painting by Sir John Longstaff |
| Starring: | Harrie Ireland Arthur Styan |
| Cinematography: | Orrie Perry |
| Studio: | Amalgamated Pictures |
| Released: | [2] |
| Runtime: | 4,000 feet[3] |
| Language: | Silent film English intertitles |
| Country: | Australia |
Breaking the News is a 1912 Australian melodrama film directed by W. J. Lincoln based on John Longstaff's 1887 painting of the same name.[4]
It is considered a lost film.
According to Table Talk "The story deals with life in a mining centre in Australia, the play opening with the rescue of Roberts by a party of prospectors after he has been deserted by his mate, who clears offwith the gold. The treacherous mate through threats and scheming eventually weds the daughter of the mine manager at whose mine lie is employed as foreman. Roberts also turns up at the mine and is employed; he is at times irresponsible and is ever threatening. The false mate decides to do away with him, and knocks him on the head when below, and in seeking a'place to bury him strikes water and floods the mine. They are both rescued, but the foreman dies, and the father breaks the news to his daughter, who is nursing her young infant. The story ends happily, for the true lovers are re-united and the mine strikes rich."[5] [6]
According to another listing the main scenes were:[2]
The film was shot at Diamond Creek, near Melbourne.[8] [2]
The movie was a popular success with critics drawing particular attention to a scene of an underground mine being flooded.[9]
The Melbourne Herald said it "was attracting large crowds" and was of "absorbing interest".[10]
According to advertising "It is typically Australian, and, judging by the tremendous enthusiasm that it evokes nightly, .it appeals to Australians as no other picture-drama has ever done."[11]
In March 1912 The Bulletin wrote "three cheers for the big black and white item, Breaking the News. The yarn is excellently acted and photographed, but the plot is not too conspicuous for common-sense."[12]
Punch said "as a biographic achievement, is regarded as a work of art."[13]
The Age said "The tupping of an underground train and the finding of a mine are scenes of realism. The audience was enthusiastic."[14]
The Launceston Examiner said the film was "of great length, but never lacking in interest, is a remarkably realistic Australian mining story, embodying some of the most thrilling situations conceived in dramatic form. The acting is of a high standard, the setting true to life, and the whole atmosphere of the picture realistic and impressive. A power ful plot, abounding in exciting incidents, deals with life in the mining fields, whichare clearly depicted as the environnient in which the film has been enacted."[15]