Boogie-Doodle Explained

Boogie-Doodle
Director:Norman McLaren
Producer:Norman McLaren
Music:Albert Ammons
Distributor:National Film Board of Canada (NFB)
Runtime:4 minutes
Country:Canada
Language:none

Boogie-Doodle is a 1940 drawn-on-film visual music short by Norman McLaren, set to the boogie-woogie music of African-American jazz pianist Albert Ammons.[1] [2]

Though released by the National Film Board of Canada (NFB) in 1941, Boogie-Doodle was actually made by McLaren in New York City in 1940, a year before he was invited by John Grierson to Canada to found the NFB's animation unit.[3] McLaren, who had been influenced by the hand-painted films of Len Lye, was in New York exploring the technique on a grant from the Solomon Guggenheim Foundation, creating Boogie-Doodle along with three other cameraless films: Dots, Loops and Stars and Stripes.[4]

The animation in Boogie-Doodle coincides exactly with Ammon's musical piece, with McLaren's animation beginning at the very first bar and concluding at the final note.[5]

Notes and References

  1. Book: The Oxford Companion to Jazz. Oxford University Press. 978-0-19-518359-7. Bill Kirchner . 771 . May 2005.
  2. Book: Film's Musical Moments. Edinburgh University Press. 978-0-7486-2345-7. Ian Conrich . Estella Ticknell. 22. July 1, 2007.
  3. Web site: Ortega . Marcos . Norman McLaren: The Master's Edition. Experimental Cinema. April 1, 2011. July 16, 2006.
  4. Book: Beckerman, Howard. Animation: The Whole Story. Allworth Press. 978-1-58115-301-9. 51–52 . February 2004.
  5. Book: The Undercut Reader: Critical Writing on Artists' Film and Video. 2003. Wallflower Press. 978-1-903364-47-5.