| Impact Records | |
| Parent: | Anthony Music |
| Status: | defunct |
| Genre: | Surf music |
| Country: | United States |
| Location: | Los Angeles, California |
Impact Records was a California based record label run by CT Records creator,[1] Tony Hilder in the 1960s. This label released some surf records by The Crestwoods, Dave Myers and The Surftones,[2] The Ramblers and The New Breed[3] and The Revels.[2] The Revels were known for the hits "Comanche" and "Intoxica".[4]
Formed in the 1960s, this Los Angeles-based record label was managed by Tony Hilder.[5] Among other things, Impact Records served as an outlet for masters that Hilder couldn't get released on other labels. A good deal of the material released was from local aspiring artists and bands of the Los Angeles area.[6] [7] Dean Zook handled the radio promotion for the Midwest, working from his base in Denver.[8]
The first release on the label was "Church Key" by The Revels. The song was the first release for the label and credited to The Revels with Barbara Adkins.[9] The single was distributed nationally by Liberty Records but was issued under the banner of Impact to keep the identity of the label.[10] The Revels, a local Californian band who had been around since 1957[11] had 4 singles released on the label from 1960 to 1962 which included the single they were best known for "Church Key".[2] [12]
One album that was produced by Hilder and released on the Impact label was called Shake! Shout! & Soul. The recording for the album was done live at Santa Monica's 2nd Annual Surf Fair. It featured Lil Ray, The Original Surfaris, Dave Myers and the Surftones, The New Dimensions, Steve Korey and The Virtue Four.[13] [14] [15]
In April, 1962, Billboard reported that the Shorty Bacon band was backing Beverly Mae Wilson on a record she was to cut a record for Impact.[16] Shorty Bacon's own release on the label was in 1961 with "Ten Times The World" / "What's Wrong With You". The B side was co-written by him.[17] Later, he had another single on the label with "Daniel Boone" bw Walls Of Yuma". He had a recording history that went back to the 1950s and prior to his releases on Impact, he had records out on the Kelley, Mohawk and Ozark labels.[18] A few years later he was playing with Rose Maddox.[19] One of his later records "Stand Up Fool" did quite well and gained a degree of popularity in the early 1970s.[20]
In 1962, Rue Barclay had a release with "I've Lost The Road" bw "Please Dear Won't You Stay" on the label. His history in recording went back to the late 1940s.[21] His release was "I've Lost The Road" bw "Please Dear Won't You Stay".[3] The following year Barclay appeared in a low budget film, The Skydivers.[22]
The Cupons were a group who had their single released on Impact. One of the members was the sister-in-law of Anthony J. Hilder. His wife's sister.[23] Robert Hafner co-wrote the song "Turn Him Down" with K.C. Reeth.[24] It was previously recorded by Emmett Lord,[25] and Rochell & the Candles[26] Girl group, The Cupons released their version backed with "Be Your Love Tonight", credited to Materlyn And The Cupons.[27] [28] "Turn Her Down" would be included on the VA comp, Girls in the Garage, Vol. 6 which was released on vinyl in 2018.[29] The Cupons' version of the song would later inspire a cover by The Pussywillows, included on their 1988 Spring Fever! album[30] [31] A Japanese punk / garage girl group, MELLViNS recorded it for the B side of their 2015 single, "One Fine Day".[32]
Little Ray Jimenez had a single on the label in 1962 with "Shake! Shout! & Soul!" bw "Soul And Stomp!".[33]
San Luis Obispo group, The Revels started out in high school in the mid-1950s as Gil Serna and the Rockets. Their name was changed to The Revels after Norman Knowles took over as the band leader.[34] [35] Two songs that they are most known for are "Church Key" and "Comanche".[36] "Church Key" was a hit for them in 1960.[37] [38] One of their following singles was "Intoxica" backed with "Tequila" which was released in 1961.[39] Their 1961 song "Comanche", a Robert Hafner composition was first released on Impact 7 in 1961. It has been featured in two film soundtracks.[40] [41] It first appeared as the "Detoured Theme" in The Exiles.[42] [43] [44] In later years, it was included along with several other surf music hits on the soundtrack of the 1994 film, Pulp Fiction.[45]
In 1964, Dr. W.S. McBirnie presented "The Great Debate of 1964" with topics titled The Rumford Act, Convergence, and Coexistence.[46] A 7" 45 RPM single of this speech was released on Impact AU-4X / AU-4.[47]
| Act | Title | Catalogue | Year | Notes |
|---|---|---|---|---|
| "Church Key" / "Vesuvius" | Impact 1-IM / 1-IMX | 1960 | ||
| Phil Campos | "Street Fight" / "Rebel Rider" | Impact 2-IM / 2-IMX | [48] | |
| The Revels | "Intoxica" / "Tequila" | Impact 3-IM / 3-IMX | 1961 | |
| Sandra Teen | "Angel Baby" / "Stranger In Love" | Impact 4-IM / 4-IMX | 1961 | |
| The Spektrums | "The Santa Maria" / "Sundown" | Impact 5-IM / 5-IMX | 1961 | [49] |
| The Crestwoods | "Angel Of Love" / "Lucky Star" | Impact 6-IM / 6-IMX | 1961 | |
| The Revels | "Rampage" / "Comanche" | Impact 7-IM / 7-IMX | 1961 | |
| Bob Kuhn | "Rendezvous" / "A Serenade To Julie" | Impact 8-IM / 8-IMX | 1961 | |
| Eddie Snell | "I Feel Like Crying" / "Unless Things Go Your Way" | Impact 9-IM / 9-IMX | 1961 | [50] |
| The Ramblers | "Yaba Daba Ah Doo" / "Funny Papers" | Impact 10-IM / 10-IMX | 1961 | |
| Beverly Mae Wilson | "Lonesome Girl" / "Till I Met You" | Impact 11-IM / 11-IMX | 1961 | |
| Guiseppi Apollo | "Bright Star" / "All Because Of You" | Impact 12-IM / 12-IMX | 1961 | |
| The Revels | "It's Party Time" / "Soft Top" | Impact 13-IM / 13-IMX | 1963 | |
| "Surfin' Tragedy" / "Surf Bird" | Impact 14-IM / 14-IMX | 1961 | ||
| "I Can't Get Over The Blues" / "Now You're Gone" | Impact 15-IM / 15-IMX | 1961 | ||
| Dannie Toliver | "Little Boy Blue" / "Take A Chance" | Impact 16-IM / 16-IMX | 1961 | |
| "Ten Times The World" / "What's Wrong With You" | Impact 17-IM / 17-IMX | 1961 | ||
| The Hollywood Rebels | "Thrillers" / "Rebel Stomp" | Impact 18-IM / 18-IMX | 1962 | |
| "I've Lost The Road" / "Please Dear Won't You Stay" | Impact 19-IM / 19-IMX | 1962 | ||
| "Moment Of Truth" / "Frogwalk" | Impact 20-IM / 20-IMX | 1962 | ||
| Bonnie Wagner | "No Other Love" / "Luau" | Impact 21-IM / 21-IMX | 1962 | |
| The Revels | "Conga Twist" / "Revellion | Impact 22-IM / 22-IMX | 1962 | |
| The Revels | "The Monkey Bird" / "Revellion" | Impact 22-IM / 22-IMX | 1962 | Note "Conga Twist" / "Revellion" &<br>"The Monkey Bird" / "Revellion" share the same cat no.[51] [52] |
| "Tonight My Love" / "Looking For Love" | Impact 23-IM / 23-IMX | 1962 | ||
| Bob Vaught and The Renegaids | "Bo-Gator" / "Church Key Twist | Impact 24-IM / 24-IMX | 1962 | |
| Evan and The Emperors | "La Freeze" / "Emperor's Twist" | Impact 25-IM / 25-IMX | 1962 | |
| "Shake, Shout And Soul" / "Soul And Stomp" | Impact 26-IM / 26-IMX | 1962 | ||
| Dave Myers and The Surftones | "Church Key" / "Passion" | Impact 27-IM / 26-IMX | 1962 | |
| Materlyn and The Cupons | "I'll Be Your Love Tonight" / "Turn Her Down" | Impact 28-IM / 28-IMX | 1962 | |
| The New Breed | "John Birch American" / "Lexington Green" | Impact 29-IM / 29-IMX | 1962 | |
| Lil' Ray and The Midnighters | "Loretta" / "My Girl" | Impact 30-IM / 30-IMX | 1962 | |
| The Alley Kats | "Barbie" / "Lollipops" | Impact 31-IM / 31-IMX | ||
| "Christina" / "Sophia" | Impact 32-IM / 32-IMX | [53] | ||
| Bob Preston | "The Letter" / "Voice Of Liberty" | Impact 33-IM / 33-IMX | ||
| "Endless Love" / "Luau" | Impact 34-IM / 34-IMX | |||
| Act | Title | Catalogue | Year | Notes | ||
|---|---|---|---|---|---|---|
| The Revels | On a Rampage | Impact 1LP-IM / 1LP-IMX | 1964 | [54] | ||
| Various Artists | Shake! Shout | & Soul! Recorded at the Second Annual Surf Fair / Santa Monica, California | Impact LP #2 | 1964 | [55] |
