Blue Period (album) explained

Blue Period
Type:studio
Artist:Miles Davis
Cover:Blue period.jpg
Border:yes
Released:1953
Recorded:January 17 and October 5, 1951
Studio:Apex Studio, New York City
Genre:Jazz
Length:18:53
Label:Prestige
Producer:Bob Weinstock
Prev Title:Young Man with a Horn
Prev Year:1953
Next Title:The Compositions of Al Cohn
Next Year:1953

Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.[1] [2] [3]

Background

"Bluing" and "Out of the Blue", two Davis compositions, were recorded on October 5, 1951, at the same session as the material for his first album The New Sounds (PRLP 124).[4] "Blue Room", composed by Rodgers and Hart, was recorded earlier that year, at the same January 17 recording session as the three tracks used on the various artists LP Modern Jazz Trumpets (PRLP 113). This earlier session was Davis' first for Prestige.[5]

The tracks on Blue Period were split when Prestige reconfigured its recordings for 12-inch LP. "Bluing" and "Out of the Blue" are featured on Dig (PRLP 7012), and two versions of "Blue Room" (including an alternate take) are on the CD of Miles Davis and Horns (originally PRLP 7025).

Personnel

On "Blue Room"

Notes and References

  1. http://www.jazzdisco.org/prestige-records/catalog-100-200-series/#prlp-140 Blue Period entry
  2. http://www.plosin.com/MilesAhead/Disco.aspx?id=BluePeriod Blue Period entry
  3. http://www.discogs.com/Miles-Davis-Blue-Period/release/4019573 Blue Period
  4. http://www.plosin.com/MilesAhead/Sessions.aspx?s=511005 October 5, 1951 Session Details
  5. http://www.plosin.com/MilesAhead/Sessions.aspx?s=510117b January 17, 1951 Session Details