| Blood Meridian; or, The Evening Redness in the West | |
| Author: | Cormac McCarthy |
| Country: | United States |
| Language: | English, Spanish |
| Genre: | Western, historical novel |
| Publisher: | Random House |
| Release Date: | April 1985 |
| Media Type: | Print (hard and paperback) |
| Pages: | 337 (first edition), 351 (25th anniversary edition) |
| Isbn: | 0-394-54482-X |
| Isbn Note: | (first edition, hardback) |
| Dewey: | 813/.54 19 |
| Congress: | PS3563.C337 B4 1985 |
| Oclc: | 234287599 |
Blood Meridian; or, The Evening Redness in the West is a 1985 epic historical novel by American author Cormac McCarthy, classified under the Western, or sometimes the anti-Western, genre.[1] [2] McCarthy's fifth book, it was published by Random House.
Set in the American frontier with a loose historical context, the narrative follows a fictional teenager from Tennessee referred to as "the kid", with the bulk of the text devoted to his experiences with the Glanton gang, a historical group of scalp hunters who massacred American Indians and others in the United States–Mexico borderlands from 1849 to 1850 for bounty, sadistic pleasure, and eventually out of nihilistic habit. The role of antagonist is gradually filled by Judge Holden, a physically massive, highly educated, preternaturally skilled member of the gang with pale and hairless skin who takes extreme sadistic pleasure in the destruction and domination of whatever he encounters, including children and docile animals.
Although the novel initially received lukewarm critical and commercial reception, it has since become highly acclaimed and is widely recognized as McCarthy's magnum opus and one of the greatest American novels of all time.[3] Some have labelled it the Great American Novel.[4] After multiple unsuccessful attempts to adapt the novel into a film, New Regency is currently set to produce a feature film based on the novel.
The novel tells the story of a teenaged runaway referred to only as "the kid", who was born in Tennessee during the famously active Leonids meteor shower of 1833. He first meets the enormous, pale, hairless Judge Holden at a religious revival in a tent in Nacogdoches, Texas, at which Holden falsely accuses the preacher of raping children and goats, inciting the audience to attack him.
After a violent encounter with a bartender that establishes the kid as a formidable fighter, he joins a party of ill-equipped U.S. Army irregulars on a filibustering mission led by a Captain White. White's group is overwhelmed by a Comanche raiding party, and few of them survive. Arrested as a filibuster in Chihuahua, the kid is set free when his acquaintance Toadvine tells the authorities they will make useful Indian hunters. They join John Joel Glanton and his gang, among them Holden, and the bulk of the novel is devoted to detailing their activities and conversations. Though originally tasked with protecting locals from marauding Apaches, the gang devolves into the outright murder of unthreatening Indians, unprotected Mexican villages, and eventually even Mexican soldiers and anyone else who crosses their path, collecting the scalps of Indians to turn in for money whilst looting and massacring the Mexican forces.
According to the kid's new companion Ben Tobin, an "ex-priest", the Glanton gang first met Judge Holden while fleeing for their lives from a much larger Apache group. In the middle of a blasted desert, they found Holden sitting on an enormous boulder, where he seemingly was waiting for and expecting the gang. They agreed to follow his leadership, and he took them to an extinct volcano where he instructed them on how to manufacture gunpowder with the available resources, enough to give them the advantage against the Apaches. When the kid remembers seeing Holden in Nacogdoches, Tobin tells the kid that each man in the gang claims to have met the judge at some point before joining the Glanton gang.
After months of marauding and scalp hunting, the gang crosses into the Mexican Cession, where they eventually set up a systematic and brutal robbing operation at a ferry on the Colorado River at Yuma, Arizona. Local Yuma (Quechan) Indians are at first approached to help the gang wrest control of the ferry from its original owners, but Glanton's gang betrays and slaughters them and the passengers so they can plunder the ferry and frame the Indians for the attack. After a while, the Yumas vengefully attack and kill most of the gang in a second wave. The kid, Toadvine, and Tobin are among the survivors who flee into the desert, though the kid takes an arrow in the leg. The kid and Tobin head west, and come across Holden, who first negotiates, then threatens them for their gun and possessions. Holden shoots Tobin in the neck, and the wounded pair hide among bones by a desert creek. Tobin repeatedly urges the kid to fire upon Holden. The kid does so, but misses his mark.
The survivors continue their travels, ending up in San Diego, California. The kid is separated from Tobin and is subsequently imprisoned. Holden visits the kid in jail, and tells him that he has told the jailers "the truth": that the kid alone was responsible for the end of the Glanton gang. The kid is released on recognizance and seeks a doctor to treat his wound. While recovering from the effects of anesthesia, he hallucinates a visit from Holden along with a curious man who forges coins, and learns what Holden is judge of, and that "the night does not end". The kid recovers and seeks out Tobin, with no luck. He makes his way to Los Angeles, where Toadvine and another member of the Glanton gang, David Brown, were hanged for their crimes.
In 1878, the kid, now in his mid-40s and referred to as "the man", makes his way to Fort Griffin, Texas. At a saloon he meets Holden, who seems not to have aged in the intervening years. Holden calls the man "the last of the true", and the pair talk. Holden declares that the man has arrived at the saloon for "the dance" – the dance of violence, war, and bloodshed that the judge had so often praised. The man disputes Holden's ideas and, noting the performing bear at the saloon, states that "even a dumb animal can dance". When the man goes to an outhouse under another meteor shower shortly afterwards, he runs into the naked Holden, who holds him to his chest and shuts the door. Later, two men open the door to the outhouse and gaze in awe and horror at what they see. The last paragraph finds the judge back in the saloon, dancing and playing the fiddle, saying that he never sleeps and will never die.
In the epilogue, a man is augering lines of holes across the prairie, perhaps for fence posts. The man sparks a fire in each of the holes, and an assortment of wanderers trails behind him.
A major theme is the warlike nature of man. Critic Harold Bloom[6] praised Blood Meridian as one of the best 20th century American novels, "worthy of Herman Melville's Moby-Dick,"[7] but admitted that his "first two attempts to read through Blood Meridian failed, because [he] flinched from the overwhelming carnage".[8]
Caryn James of The New York Times argued that the novel's violence was a "slap in the face" to modern readers cut off from brutality. Terrence Morgan thought the effect of the violence initially shocking but then waned until the reader was desensitized. Billy J. Stratton of Arizona Quarterly contends that the brutality is the primary mechanism through which McCarthy challenges the "oppositional structure" of the conventional narrative of the Old West; "[R]eaders encounter characters that are often depicted as more animal than human in their behaviors, participating in a ruthless struggle for fortune and power. It is the absence of a recognizable heroic character along with the negation of the Eurocentric oppositions that McCarthy's deployment of animal imagery is meant to illuminate."[9]
James D. Lilley argues that many critics struggle with the fact that McCarthy does not use violence for "jury-rigged, symbolic plot resolutions ... In McCarthy's work, violence tends to be just that; it is not a sign or symbol of something else." In her aforementioned review, Caryn James noted that McCarthy depicts characters of all backgrounds as evil, in contrast to contemporary "revisionist theories that make white men the villains and Indians the victims."[10]
Three epigraphs open the book: quotations from French writer Paul Valéry, from German Christian mystic Jakob Böhme, and a 1982 news clipping from the Yuma Sun reporting the claim of members of an Ethiopian archeological excavation that a fossilized skull three hundred millennia old seemed to have been scalped. Regarding the meaning of the epigraphs, David H. Evans writes that
The narrative closes with ambiguity pertaining to the final state of the kid, or the man. Since the book portrays violence in explicit detail, this allusive portrayal has caused comment. Given Judge Holden's history and other details in the text, he presumably rapes the man before killing him. Alternatively, perhaps the point is that readers can never know.[11]
David Vann argues that the setting of the American southwest which the Gang traverses is representative of hell. Vann claims that the Judge's kicking of a head is an allusion to Dante's similar action in the Inferno.[12]
The second of the three epigraphs which introduce the novel, taken from the Christian theosophist Jakob Böhme, has incited varied discussion. The quote from Boehme is:
No specific conclusions have been reached about its interpretation nor relevance to the novel. Critics agree that there are Gnostic elements in Blood Meridian, but they disagree on the precise meaning and implication of those elements.
Leo Daugherty argues that "Gnostic thought is central to Cormac McCarthy's Blood Meridian", (Daugherty, 122) specifically the Persian-Zoroastrian-Manichean branch of Gnosticism. He describes the novel as a "rare coupling of Gnostic 'ideology' with the 'affect' of Hellenic tragedy by means of depicting how power works in the making and erasing of culture, and of what the human condition amounts to when a person opposes that power and thence gets introduced to fate." Daugherty sees Holden as an archon and the kid as a "failed pneuma." He says that the kid feels a "spark of the alien divine."[13]
Daugherty further contends that the violence of the novel can best be understood through a Gnostic lens. "Evil" as defined by the Gnostics was a far larger, more pervasive presence in human life than the rather tame and "domesticated" Satan of Christianity. As Daugherty writes, "For [Gnostics], evil was simply everything that is, with the exception of bits of spirit imprisoned here. And what they saw is what we see in the world of Blood Meridian."
However, Barcley Owens argues that while there are undoubtedly Gnostic qualities to the novel, Daugherty's arguments are "ultimately unsuccessful," because Daugherty fails to adequately address the pervasive violence and because he overstates the kid's goodness.
Douglas Canfield asserts that theodicy is the central theme of Blood Meridian. James Wood took a similar position, recognizing as a recurrent theme in the novel the issue of the general justification of metaphysical goodness in the presence of evil.[14] Chris Dacus expressed his preference for discussing the theme of theodicy in its eschatological terms in comparison to the theological scene of the last judgment. This preference for reading theodicy as an eschatological theme was further affirmed by Harold Bloom in his recurrent phrase of referring to the novel as "The Authentic Apocalyptic Novel."[15]
McCarthy began writing Blood Meridian in the mid-1970s.[16] In a letter sent around 1979 he said that he had not touched Blood Meridian in six months out of frustration.[5] Nonetheless, significant parts of the final book were written in one go, "including the astonishing 'legion of horribles' passage".[5]
McCarthy worked on the novel while living on the money from his 1981 MacArthur Fellows grant. It was his first attempt at a western and his first novel set in the Southwestern United States, a change from the Appalachian settings of his earlier work.[5]
In 1974, McCarthy moved from his native Tennessee to El Paso, Texas, to immerse himself in the culture and geography of the American Southwest. He taught himself Spanish, which many of the characters of Blood Meridian speak.[5] McCarthy conducted considerable research to write the book. Critics have repeatedly demonstrated that even brief and seemingly inconsequential passages of Blood Meridian rely on historical evidence. The book has been described as "as close to history as novels generally get".[17]
The Glanton gang segments are based on Samuel Chamberlain's account of the group in his memoir My Confession: The Recollections of a Rogue. Chamberlain rode with John Joel Glanton and his company between 1849 and 1850. Judge Holden is described in Chamberlain's account but is otherwise unknown. Chamberlain writes:
McCarthy's judge was added to his manuscript in the late 1970s, a "grotesque patchwork of up-river Kurtz and Milton's Satan" and Chamberlain's account.
McCarthy physically retraced the Glanton Gang's path through Mexico multiple times, and noted topography and fauna. He studied such topics as homemade gunpowder to accurately depict the judge's creation from volcanic rock.
McCarthy's writing style involves many unusual or archaic words, dialogue in Spanish, no quotation marks for dialogue, and no apostrophes to signal most contractions. McCarthy told Oprah Winfrey in an interview that he preferred "simple declarative sentences" and that he used capital letters, periods, an occasional comma, a colon for setting off a list, but never semicolons.[18] He believed there was no reason to "blot the page up with weird little marks".[19] The New York Times described McCarthy's prose in Blood Meridian as "Faulknerian".[20] Describing events of extreme violence, McCarthy's prose is sparse yet expansive, with an often biblical quality and frequent religious references.
Blood Meridian initially received little recognition, but has since been recognized as a masterpiece and one of the greatest works of American literature. Some have called it the Great American Novel.[4] American literary critic Harold Bloom praised Blood Meridian as one of the 20th century's finest novels.[21] Aleksandar Hemon has called it "possibly the greatest American novel of the past 25 years".[22] David Foster Wallace named it one of the five most underappreciated American novels since 1960[23] and "[p]robably the most horrifying book of this [20th] century, at least [in] fiction."[24]
Time magazine included Blood Meridian in its "Time 100 Best English-language Novels from 1923 to 2005".[25] In 2010 The New York Times conducted a poll of writers and critics regarding the most important works in American fiction from the previous 25 years, and Blood Meridian was a runner-up.[26]
There has been no consensus in the interpretation of the novel. Americanist Dana Phillips said that the work "seems designed to elude interpretation". One scholar has described Blood Meridian as: Nonetheless, academics and critics have suggested that Blood Meridian is nihilistic or strongly moral, a satire of the western genre or a savage indictment of Manifest Destiny. Harold Bloom called it "the ultimate western". J. Douglas Canfield described it as "a grotesque Bildungsroman in which we are denied access to the protagonist's consciousness almost entirely". Richard Selzer declared that McCarthy "is a geniusalso probably somewhat insane." Critic Steven Shaviro wrote:
Since the novel's release many have noted its cinematic potential. The New York Times 1985 review noted that the novel depicted "scenes that might have come off a movie screen".[20] There have been attempts to create a motion picture adaptation of Blood Meridian, but all have failed during the development or pre-production stages. A common perception is that the story is "unfilmable" due to its unrelenting violence and dark tone.[27] In an interview with The Wall Street Journal in 2009 McCarthy denied this notion, with his perspective being that it would be "very difficult to do and would require someone with a bountiful imagination and a lot of balls. But the payoff could be extraordinary."[28]
Screenwriter Steve Tesich first adapted Blood Meridian into a screenplay in 1995. In the late 1990s, Tommy Lee Jones acquired the film adaptation rights to the story and subsequently rewrote Tesich's screenplay with the idea of directing and playing a role in it.[29] The production could not move forward due to film studios avoiding the project's overall violence.[30]
Following the end of production for Kingdom of Heaven in 2004, screenwriter William Monahan and director Ridley Scott entered discussions with producer Scott Rudin for adapting Blood Meridian with Paramount Pictures financing.[31] In a 2008 interview with Eclipse Magazine Scott confirmed that the screenplay had been written, but that the extensive violence was proving to be a challenge for film standards.[32] This later led to Scott and Monahan leaving the project, resulting in another abandoned adaptation.[33]
By early 2011, James Franco was considering adapting Blood Meridian, along with a number of other William Faulkner and Cormac McCarthy novels. After being persuaded by Andrew Dominik to adapt the novel, Franco shot 25 minutes of test footage starring Scott Glenn, Mark Pellegrino, Luke Perry, and Dave Franco. For undisclosed reasons, Rudin denied further production of the film.[30] On May 5, 2016, Variety revealed that Franco was negotiating with Rudin to write and direct an adaptation to be brought to the Marché du Film, starring Russell Crowe, Tye Sheridan, and Vincent D'Onofrio. However, it was reported later that day that the project dissolved due to issues with the film rights.[34]
In 2023, Deadline reported that New Regency is adapting Blood Meridian as a feature film. John Hillcoat, who previously directed an adaptation of McCarthy's novel The Road, is set to direct. Alongside his son John Francis, McCarthy was set to serve as executive producer of the film[35] before his death on June 13, 2023.[36] John Logan was later announced to be adapting the story.[37]
In Kevin Costner's film (2024) there is a subplot that is based upon the Glanton gang which even includes a young boy reminiscent of 'the kid' in Blood Meridian.
. Harold Bloom. How to Read and Why. Simon and Schuster. New York City. 2001. 254. 978-0684859071.
. Harold Bloom. Dumbing down American readers. The Boston Globe. September 24, 2003.