| Blonder Tongue Audio Baton | |
| Type: | studio |
| Artist: | Swirlies |
| Cover: | Swirlies-BlonderTongueAudioBaton.jpg |
| Released: | March 26, 1993 |
| Recorded: | June 1992 – November 1992 |
| Studio: | Q Division Studios, Boston |
| Length: | 42:36 |
| Label: | Taang! |
| Producer: | Rich Costey |
| Prev Title: | What to Do About Them |
| Prev Year: | 1992 |
| Next Title: | They Spent Their Wild Youthful Days in the Glittering World of the Salons |
| Next Year: | 1996 |
Blonder Tongue Audio Baton (sometimes spelled Blondertongueaudiobaton) is the debut full-length studio album by Swirlies, released in 1993.[1] The band recorded the majority of the album in the summer of 1992 at Q Division Studios, Boston with engineer/co-producer Rich Costey. It is possibly their best-known and most critically praised work, with many critics citing it as a "lo-fi" answer to My Bloody Valentine's Loveless. AllMusic would later call it "a mainstay of early-'90s indie music," and in 2016 Pitchfork ranked the album at number 11 on its list of the 50 best shoegaze albums of all time.[2]
Swirlies began work on Blonder Tongue Audio Baton after signing to Taang! Records in the summer of 1992 and compiling the EP, What To Do Abut Them. The band booked time at Q Division Studios with engineer/co-producer Rich Costey to record a dozen songs that the group had been playing live for the past two years. At Q Division Swirlies made use of the studio's collection of vintage keyboards, including Mellotron and Moog synthesizers, to widen the palette of sounds they'd previously created as a guitar-bass-drums indie rock group. Drummers Kevin March and Mark Rivers from Boston bands Dambuilders and Cavedogs were brought on for most of the album's tracks as Swirlies founding drummer Ben Drucker only played on two songs during the Q Division recording session. A different arrangement of the band's 1992 single, "Park the Car (by the Side of the Road)" (named for a song lyric by the Smiths) was recorded but scrapped in favor of the earlier version. Singer/guitarists Damon Tutunjian and Seana Carmody also recorded the songs "His Life of Academic Freedom" and "Wait Forever" at home on 4-track cassette, and artist Ron Regé, Jr. contributed between-song soundbites as he had on the group's prior EP.[3]
A spoken word interlude appears as a hidden track at the end of the album (or at the end of side one of its vinyl edition) featuring a conversation about the defensive capabilities of moths to war off predators. The speaker relates about a science documentary he had watched and marvels as to how scientists were adapting the defensive secretions of moths to be used in antiviral medicines for humans, much as those that would be developed for vaccines against coronavirus three decades later.[4] The recording is accompanied by a backmasked track by Boston noise rock band Madbox and Lou Barlow's solo project Sentridoh.
The album takes its name from an obscure and expensive audio graphic equalizer, made by Blonder Tongue Labs from 1959–61, which was used extensively while tracking the album.[5] Taang! Records released the album in February 1993 and the band toured to support it.[6]
Blonder Tongue Audio Baton was co-lead singer Seana Carmody's last full album with the group before she formed the Farfisa-driven and somewhat more pop-oriented Syrup USA. In 2015 most of Swirlies' original line up reunited to perform the entirety of Blonder Tongue Audio Baton as a live set in Brooklyn on the 4th of July as part of the band's 25th anniversary tour.[7] Taang! Records reissued the album on LP in 2016.[8]
All tracks by Swirlies
An untitled spoken word track appears on the album's vinyl edition following a locked groove after "Pancake," the last song listed on side one. On digital versions of the album, the dialogue comprises the last 90 seconds of the track listed as "Wait Forever" after a minute of silence.
The five-song Brokedick Car EP was released later in 1993 on vinyl, CD, and cassette tape as a follow-up to Blonder Tongue Audio Baton, and featured different mixes of "Wrong Tube" and "Pancake" from the album. The EP's final track was "House of Pancake", an electronica remix of "Pancake" by Rich Costey and NYC electronic musician Gomi. The track comprised Swirlies' first foray into electronic music. Two more experimental tracks, the atonal instrumental "Labrea Tarpit" and the Pavementesque art punk song "You're Just Jealous", rounded out Brokedick Car. These were the last songs recorded by the band's original lineup, as Drucker and Carmody soon left the group.[9]
