| Blighty | |
| Director: | Adrian Brunel |
| Producer: | Michael Balcon Carlyle Blackwell |
| Starring: | Ellaline Terriss Lillian Hall-Davis Jameson Thomas |
| Cinematography: | Jack E. Cox |
| Studio: | Gainsborough Pictures |
| Distributor: | Woolf & Freedman Film Service |
| Runtime: | 8397 feet |
| Country: | United Kingdom |
Blighty is a 1927 British World War I silent drama film directed by Adrian Brunel and starring Ellaline Terriss, Lillian Hall-Davis and Jameson Thomas. The film was a Gainsborough Pictures production with screenplay by Eliot Stannard from a story by Ivor Montagu.
With the outbreak of World War I, Sir Francis and Lady Villiers and daughter Ann watch son of the household Robin and family chauffeur David Marshall go off to fight. David does well in the army and is quickly promoted through the ranks, while Robin falls in love with and marries a local girl. Robin is killed in action on the Western Front, leaving his bride a young widow with a baby.
When David returns periodically to England on leave, he and Ann fall in love. Meanwhile Robin's wife finds her way as a refugee to England to seek out the Villiers and introduce them to their grandchild. Following the declaration of the Armistice with Germany, the romance between David and Ann has to conquer entrenched class-based attitudes, while Robin's wife at first feels overwhelmed and out-of-place in the Villiers household. Problems are eventually overcome, and the Villiers' welcome David and their daughter-in-law and grandchild into the family.
Blighty was Brunel's second feature-length directorial assignment, four years after The Man Without Desire. He had spent the intervening years making a series of satirical burlesque short films, the first few of which had impressed Michael Balcon who offered him the opportunity to produce and distribute further examples through Gainsborough. In 1926 Balcon gave Brunel the chance to direct a full-length feature for Gainsborough and Blighty was the result. Although Brunel was initially said to be in two minds about directing a "war film" as he did not care for the genre on moral or aesthetic grounds, he agreed to go ahead with the proviso that there would be no material directly depicting the conflict, nor any appeal to jingoistic sentiment.[1]