| Billy Bennett | |||||||||
| Birth Date: | 21 November 1887 | ||||||||
| Birth Place: | Glasgow, Scotland | ||||||||
| Death Place: | Blackpool, England | ||||||||
| Nationality: | British | ||||||||
| Years Active: | 1919 - 1942 | ||||||||
| Parents: | John Bennett (father) | ||||||||
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William Robertson Russell Bennett (21 November 1887 – 30 June 1942) was a British comedian who specialised in parodies of dramatic monologues and was billed as "Almost a Gentleman".[1]
Bennett's father, John Bennett, and his performing partner, Robert Martell, formed a music hall slapstick comedy duo. Billy Bennett trained as an acrobat but was initially reluctant to follow his father on the stage, instead enlisting in the army. Bennett briefly left the army to become a comedian but soon re-enlisted at the start of World War I, where he enjoyed a distinguished career in the 16th Lancers and was awarded the Distinguished Conduct Medal, the Military Medal and the Belgian Croix de Guerre.[1] [2]
In 1919, he began his stage career, appearing with Mark Lupino and in Fred Karno's army. Bennett's favourite act was to mock and parody the dramatic monologues of the turn of the century. Perhaps best known is The Green Tie on the Little Yellow Dog, his take on The Green Eye of the Yellow God. He wrote many of his own monologues, and performed others written for him by T. W. Connor. He also performed songs, many written for him by Bert Lee and R. P. Weston, such as "She Was Poor, But She Was Honest".[2] In 1928, he appeared in a short film Almost a Gentleman, filmed in the DeForest Phonofilm sound-on-film system.
According to Roger Wilmut, Bennett was "one of the most entertaining comics of the period..... [his] style bridged the gap between old-fashioned monologues and the later patter style..".[3] He would end his jokes by saying "boom boom!" – a trick used by later comics and adopted by the puppet Basil Brush.[3] James Agate wrote of Bennett: Off-stage, Agate noted that his manner was quiet almost to shyness, in keeping with his gentle and wholly nice mind.[4]
He appeared at four Royal Variety Performances - in 1926, 1931, 1933 and 1934. In three of those, he gave his usual repertoire, but in 1931 he appeared in blackface. In 1930, when his contracts prevented him from broadcasting under his own name,[5] he adapted his act to radio, appearing with, first, James Carew, and later Albert Whelan, as "two simple coons", the cross-talkers Alexander and Mose.[2] They performed onstage as blackface minstrels in the early 1930s.[6]
Bennett also had a role in Will Hay's 1934 comedy film Radio Parade of 1935. He gave his final performance in Blackpool, a few weeks before his death there in 1942 at the age of 54.[1]
Bennett was an important influence on comedians George Formby, Tommy Cooper, Ron Moody, Eric Morecambe, Ken Dodd[1] and Spike Milligan.