Bikhre Moti should not be confused with Bikhray Moti.
| Bikhre Moti | |
| Screenplay: | Vishwamittar Adil |
| Story: | V. C. Guhanathan |
| Director: | Tapi Chanakya |
| Producer: | Omi Arora |
| Starring: | Jeetendra Babita |
| Music: | Laxmikant–Pyarelal |
| Cinematography: | V. Durga Prasad |
| Editing: | Ram Rao |
| Studio: | Gita Shree Films |
| Runtime: | 135 minutes |
| Country: | India |
| Language: | Hindi |
Bikhre Moti is a 1971 Indian Hindi-language drama film, produced by Omi Arora under the Gita Shree Films banner and directed by Tapi Chanakya. It stars Jeetendra and Babita, and the music was composed by Laxmikant–Pyarelal.
Jeevan is destitute and steals medicines for his mother's survival, and Inspector Ram Prakash apprehends him. As a result, his mother dies, and Jeevan rages against Ram Prakash. Due to misapprehension, his wife Sulochana forced widowhood and walked away with the two sons, Gopi & Anand. On the way, the siblings are detached from the mother. Accordingly, Sulochana rescues a baby girl, Leela, the daughter of a millionaire who shelters her. Later, he passes away, entrusting Leela's responsibility to her. Years roll by, and Inspector Ram Prakash raises Anand and becomes a police officer, whereas Gopi turns into a criminal. Anand falls for Leela even though Gopi aspires for her. Further, he approaches his mother with a marriage proposal when intimacy develops between them. After that, Sulochana learns about the love affair of Anand & Leela and fixes up their alliance, which begrudges Gopi.
Meanwhile, Jeevan is released and seeks to kill Ram Prakash when Anand lays hold, but Ram Prasad forgives him out of sympathy. Being conscious of it, Gopi enrolls Jeevan, who kills Ram Prakash. Hearing it, Leela goes into a state of shock. After some time, Sulochana requests Anand to knit Leela, which he refuses since he has pledged to catch the homicide of his father when she rebukes and decides to splice Leela with Gopi. Here, Anand detects Gopi as the convict, and while absconding, he reaches Leela's residence. Then, Sulochana realizes Gopi is her son by his birthmark. Now, she pleads with Anand to quit him, but he is compelled. Gopi conspires to slay Anand and loses Jeevan, but he backs, recognizing him with his wound mark. Therefore, Jeevan squeals to Anand about Gopi's whereabouts, and he moves to seize him. Knowing it, Gopi stands to challenge him. At last, the entire family lands on the spot, identifying each other and uniting. Finally, the movie ends with Anand taking Jeevan & Gopi into custody.
| Song | Singer | |
|---|---|---|
| 1 | "Jalti Rahe Teri Mamta Ki Jyoti" | Mahendra Kapoor |
| 2 | "O Zara Dekh Ke Chalna Gori" | Mohammed Rafi |
| 3 | "Yeh Jo Ladki Hai, Yeh Jo Ladka Hai" | Mohammed Rafi, Lata Mangeshkar |
| 4 | "Yeh To Mr. Bechain, Haseenon Ke Fan" | Asha Bhosle |
| 5 | "Ek Nazar Chahoon Main Halki Halki" | Asha Bhosle |