| Italic Title: | no |
| Books: | The Adventures of Maya the Bee |
| Creator: | Waldemar Bonsels |
| Origin: | Books |
Maya the Bee is the main character in The Adventures of Maya the Bee, a German book written by Waldemar Bonsels and published in 1912. The book has been published in many other languages and adapted into different media. The first American edition was published in 1922 by Thomas Seltzer and illustrated by Homer Boss. The latter's wife Adele Szold-Seltzer (1876-1940), the daughter of Benjamin Szold and younger sister of Henrietta Szold, was the translator.[1]
The stories revolve around a little bee named Maya and her friends among bees, other insects and other creatures. The book depicts Maya's development from an adventurous youngster to a responsible adult member of bee society.
Bonsels' original book contains fewer than 200 pages. The storyline is centered on the relation of Maya and her many adventures.
Maya is a bee born in a bee hive during internal unrest: the hive is dividing itself into two new colonies. Maya is raised by her teacher, Miss Cassandra. Despite Miss Cassandra's warnings, Maya wants to explore the wide world and commits the unforgivable crime of leaving the hive. During her adventures, Maya, now in exile, befriends other insects and braves dangers with them. In the climax of the book, Maya is taken prisoner by hornets, the bees' sworn enemies.
Prisoner of the hornets, Maya learns of a hornet plan to attack her native hive. Maya is faced with the decision to either return to hive and suffer her due punishment, saving the hive, or leaving the plan unannounced, saving herself but destroying the hive. After severe pondering, she makes the decision to return. In the hive, she announces the coming attack and is unexpectedly pardoned. The forewarned bees triumph over the hornet attack force. Maya, now a heroine of the hive, becomes a teacher like Miss Cassandra and shares her experiences and wisdom with the future generation.
Sulevi Riukulehto suggested that the book may have carried a political message. This view depicts the beehive as a well-organised militarist society and Maya as an ideal citizen. Elements of nationalism also appear when Maya gets angry at a grasshopper for failing to distinguish between bees and wasps (whom she calls "a useless gang of bandits" [''Räubergeschlecht''] that have no "home or faith" [''Heimat und Glauben'']) and at a insulting fly, whom Maya threatens to teach "respect for bees" and with her stinger. Riukulehto interprets this to mean that respect is based on the threat of violence. Collectivism versus individualism is also a theme. Maya's independence and departure from the beehive is seen as reproachable, but it is atoned by her warning of the hornets' attack. This show of loyalty restores her position in the society. In the hornet attack part of the story, the bees' will to defend the hive and the heroic deaths of bee officers are glorified, often in overtly militarist tones.[2]
After World War II, adaptations toned down the militarist element considerably, reduced the hornets' role. The 1975 anime added the character of Willy, a lazy and quite un-warlike drone bee. In the cartoon series, the briskly marching, but ridiculously incompetent ant armies provide a parody of militarism.
The following characters only appear in the animated series and films:
| Crew | Television series | Feature films | ||||
|---|---|---|---|---|---|---|
| Maya the Honey Bee | Maya the Bee | Maya the Bee Movie | Maya the Bee: The Honey Games | |||
| 1975–1980 | 2012–2017 | 2014 | 2018 | 2021 | ||
| Director(s) | Seiji Endô and Hiroshi Saitô | Daniel Duda and Jérôme Muschadet | Alexs Stadermann | Noel Cleary and Sergio Delfino | Noel Cleary | |
| Producer(s) | colspan=2 | Barbara Stephen and Thorsten Wegener | Tracy Lennon, Brian Rosen and Thorsten Wegener | Tracy Lenon and Benjamin Ey | ||
| Executive Producer(s) | Katell France | Jim Ballantine and Patrick Elemendorff | Barbara Stephen and Hans-Ulrich Stoef | Martin Krieger, Barbara Stephen and Thorsten Wegener | ||
| Writer(s) | Various | Fin Edquist and Marcus Sauermann | Noel Cleary, Fin Edquist and Alexs Stadermann | Adrian Bickenbach and Fin Edquist | ||
| Composer | Fabrice Aboulker | Ute Engelhardt | ||||
| Editor | Marty Murphy | Johanna Goldschmidt | Adam Rainford | |||
| Production company | Studio 100 Animation | |||||
| U.S. Distribution | Sprout | Shout! Factory | ||||
| Released | – | – | ||||
German director Wolfram Junghans made a 1926 silent version ("starring" real insects). The film was lost for a decade until the only original copy of the film was found in Finland.[3] The material was restored in 2005 with a new musical score and released on DVD in 2012, in collaboration with the KAVI and the Bundesarchiv-Filmarchiv, and the film was screened in both Hamburg and Helsinki.[4] [3]
Perhaps the most popular and widely known adaptation of the story is the Japanese anime . Originally aired on Japanese TV in 1975, the anime has been dubbed into 42 languages[5] and screened on television in various territories. The Japanese TV series was preceded by Tokyo Kodomo Club's musical play based on the short story, presented as Mitsubachi Māya ("Maya the Honeybee"), distributed on an LP album.
The original theme was composed by Karel Svoboda and sung by Karel Gott in the German, Czech and Slovak versions; Zbigniew Wodecki in the Polish version.[6] [7]
In 2012 Studio 100 Animation produced a 78-episode, 13-minute TV series.[8] The series was rendered in CGI animation.[9] A second 52 episode season aired in 2017.
A 2014 film adaptation based upon the 2012 series was released.[10] In 2018, a sequel to the 2014 film, titled , released on March 1, 2018, in Germany and May 1, 2018, in United States.
In 2021, third film, titled was released on January 7, 2021, in Australia. It was delayed from its original 2020 release date due to the COVID-19 pandemic.
Maya the Bee also served as the basis for a children's opera written by the Croatian composer Bruno Bjelinski in 1963. In 2008 it was staged in Villach, Austria, as part of their Carinthian Summer Music Festival.[11] This performance was distinguished by having the "bees" played by children and not professional opera singers as it is usually the case.[12]
Singer-songwriter Nancy Harrow created a jazz-musical version of the story, called The Adventures of Maya the Bee, that featured puppets by Zofia Czechlewska. Harrow's adaptation was produced in New York City by The Culture Project in 2000,[13] and was revived in 2012.[14]
On October 10, 2016, Belgian company Studio 100 (the current owners of the series) created a Flemish stage musical called "Maya en de Pollenbollen" based on the 2012 series that has the people dressed in costumes for the characters from the show. The show contains songs made by Studio 100 with a few news songs created exclusively for the show. The musical centers around Maya alongside Flip and Beatrice celebrating Willy's birthday. The musical later returned in the Spring of 2017.
Since 2016, live actors from the original stage show make numerous appearances at numerous stage shows and special events held by Studio 100. Notably Studio 100's annual "De Grote Sinterklaasshow" held from late November till early December featuring Sinterklaas and Zwarte Pieten watching various Studio 100 Characters such as Kabouter Plop, and Piet Piraat (including Maya and friends) perform musical numbers on stage. The same actress that portrayed Maya in the musical is also the official Flemish voice of the character and reprised her role for Studio 100's "De Liedjestuin" where Maya is singing various Dutch children's songs and nursery rhymes. In The French and Walloon version "Le Jardin des Refrains", Maya is played by a different actress.
After Studio 100's acquisition of the franchise, Plopsa began expanding the franchise to its own theme parks. Plopsaland De Panne opened an indoor children's area called "Mayaland" on July 3, 2011, before the CGI incarnation's begun airing on numerous television stations across Europe. Maya alongside Flip, and Willy would also appear at other Plopsa owned parks such as Plopsa Coo and Plopsa Indoor Hasselt. In Poland, Plopsa opened an indoor theme park called "Majaland Kownaty" which opened to the public on September 28, 2018, which is mostly themed to Maya the Bee but features other Studio 100's IPs (such as Bumba and Piet Piraat).
A year after Mayaland opened in Plopsaland, Holiday Park, Germany, opened a similar Maya the Bee children's area called "Majaland" which opened March 31, 2012.
The origins of the Maya the Bee video games originated from a South Park video game for the Game Boy Color developed by Crawfish Interactive in development in 1998.[15] But was eventually cancelled due to South Park creators Matt Stone and Trey Parker stating that the game would not be fitting on the Game Boy Color as that console was marketed towards children. A year later in 1999, the unreleased game's engine and assets were reused for two additional Game Boy Color titles from Crawfish and Acclaim - Maya the Bee & Her Friends, based on the Maya the Bee franchise which was released in Europe, and The New Adventures of Mary-Kate and Ashley, based on Mary-Kate and Ashley Olsen and was released in North America,[16] being the first of the various video games based on the duo.
Developed by Crawfish, published by Acclaim.
Developed by Neon Studios and Kiloo, published by Acclaim and Plan-B Media.
Developed by Junior Interactive, published by Tivola.
Developed by Shin'en Multimedia, published by Acclaim.
Developed by The Web Production, published by Tivola.
Developed by Shin'en Multimedia, published by Midway.
Developed by Kiloo and co-published by Plan-B Media.
The Bee Game is an adventure video game released for Nintendo DS and Game Boy Advance, developed by German studio Independent Arts Software. The game lets players experience the adventures of Maya the Bee and her friend Willie as they search for their friends, lost from a strong storm that has blown through Corn Poppy Meadow.[24]
Developed by Studio 100 and Engine Software, published by Bandai Namco Games Europe.
Mobile racing game. Developed by Midnight Pigeon in cooperation with Studio 100.
Many companies contributed worldwide to the success of the character by producing and selling merchandising. Most of them were drawn between 1976 and 1986 by the French licensed characters specialist André Roche.[25] His works have included motifs for textiles, porcelain, books, comics and games, including a campaign for Kinder Surprise Eggs.