Bhavai | |
Origin: | Rajasthan, India |
Genre: | Folk dance |
Performers: | Male and female |
Movements: | Nimble dance, pirouetting, swaying |
Notable Performer: | Mrs. Krishna Vyas Chhangani |
Birthplace: | Jodhpur, Rajasthan, India |
Pitcher Count: | Up to 22 brass/metal pitchers, lit the fire up to 9 pitchers |
Accompaniment: | Male performers singing, musical instruments (pakhawaj, dholak, jhanjhar, sarangi, harmonium) |
History: | Evolved from the balancing skills of Jat, Bhil, Raigar, Meena, Kumhar, and Kalbelia communities |
Categories: | Folk dances of Rajasthan, Indian dance stubs |
Bhavai is a genre of folk dance popular in Rajasthan state in northern India. The male or female performers balance a number of earthen pots or brass/metal pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass bottles, on the edge of the sword, on the rim of a brass/metal thali (plate) and on the broken glass during the performance.
The first Bhavai Dancer of India was Mrs. Krishna Vyas Chhangani, who was born in Jodhpur (Rajasthan).
The Dance form consists of veiled women dancers balancing up to 22 brass/metal pitchers on their head with lit the fire up to 9 pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass or on the edge of the sword.[1] There is a sense of cutting-edge suspense and nail-biting acts in the dance.[2]
The accompaniment to the dance is provided by the male performers singing melodious songs and playing a number of musical instruments, which include pakhawaj, dholak, jhanjhar, sarangi, and harmonium.
Traditionally, this genre of dance was performed by the female performers belonging to the Jat, Bhil, Raigar, Meena, Kumhar, and Kalbelia communities of Rajasthan.[3] It is assumed that this genre of dance was evolved from the exceptional balancing skills of the females of these communities developed to carry a number of pots of water on head over a long distance in the desert.