| Bhairavi | |
| Thaat: | Bhairavi |
| Type: | Sampurna |
| Time: | Morning; Conclusion of a concert |
| Arohana: | Sa Ma Pa Sa' |
| Avarohana: | Sa' Pa Ma Sa |
| Vadi: | Ma |
| Samavadi: | Sa |
| Pakad: | Sa Ma Pa Ma Sa |
Bhairavi (Hindi: भैरवी, Urdu: {{Nastaliq|بَھیرَوی , Sindhi: راڳ ڀيروي, Bengali: ভৈরবী) is a Hindustani Classical heptatonic (Sampurna) raga of Bhairavi thaat.[1] In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode, one of the traditional European church modes.
Raga Bhairavi is often referred to as the queen of morning Ragas. It produces a rich, devotional atmosphere especially suitable for the genres of Bhajan and the light classical form of Thumri. The Rishabh and Dhaivat used here are oscillating which is strongly recommended in this Raga and it makes the Raag mood intense.[2]
Rishabh and Pancham are occasionally skipped in Aaroh, like: S G m d P or G m d N S'. But in Avroh, Rishabh and Pancham are Deergh, like S' N d P or P m G m r r S. In Avroh, Gandhar is skipped, like: G m r S. Madhyam is an important note.[3]
The rich culture of Bhairavi being the closing Raga for any formal performance has produced, also, many newly explored shades of the Raga:
Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74 Hindustani Ragas. Zenith Media, London: 1999.