| Beyond Sanctorum | |
| Type: | Studio |
| Artist: | Therion |
| Cover: | Beyond Sanctorum.jpg |
| Released: | January 1992 |
| Recorded: | 1991 The Montezuma Studio, Stockholm, Sweden |
| Genre: | Death-doom |
| Length: | 49:56 69:43 (re-edition) |
| Label: | Active Records Nuclear Blast (re-edition) |
| Producer: | Rex Gisslén, Christofer Johnsson, Peter Hansson |
| Prev Title: | Of Darkness... |
| Prev Year: | 1991 |
| Next Year: | 1993 |
Beyond Sanctorum is the second studio album by Swedish symphonic metal band Therion, released in January 1992. It was re-released on 27 November 2000 under the Nuclear Blast label as a part of The Early Chapters of Revelation boxset. It contains remastered songs, as well as four bonus tracks.
The band signed a contract with Active Records after the deal with previous label Deaf Records was signed only for one album and relations between band and label [Deaf] weren't positive. Therion began to record a second full-length album in The Montezuma Studio in 1991. Before the recordings started bass guitar player Erik Gustafsson decided to leave the band in order to return home to the U.S., but Therion continued as a trio with Peter Hansson, Oskar Forss and Christofer Johnsson filling in on bass guitar.[1]
According to Christofer Johnsson, Beyond Sanctorum saw the band exploring "different elements", like Persian traditional music, and the inclusion of clean singing—female as well as male—to accompany increased keyboard experimentations.[2]
Deathmetal.org notes allusions to Celtic Frost and Obituary and a technique similar to that of Godflesh in layering of melodies, an approach that would be material to future black metal and death metal bands. With Beyond Sanctorum, Therion also added vibrant yet unsentimental solos and creative bass harmony to the metal music lexicon.
The lyrics of the album diverge into the occult and introduce a Lovecraftian influence with the track "Cthulhu".[3]
After recording album, Therion started to play their first live shows in central Europe, mainly in the Netherlands and Belgium, although simultaneously band ran into a few personnel problems. Forss decided to leave the band, Hansson quit the band after health problems. The shows were played using a new lineup. Piotr Wawrzeniuk, from the band Carbonized in which Johnsson also played, took up drumming duties. The guitar was taken up by Magnus Barthelsson, an old school friend of Johnsson's, while Andreas Wahl took up the bass.
Deathmetal.org considers Beyond Sanctorum a classic of early 1990s Swedish death metal, dubbing it an "endlessly inventive" album that "stimulate[s] fantasy and thought".[4]