| Better Oblivion Community Center | |
| Type: | album |
| Artist: | Better Oblivion Community Center |
| Cover: | Better Oblivion Community Center – Better Oblivion Community Center.png |
| Released: | January 24, 2019 |
| Recorded: | 2018 |
| Studio: | Fivestar (Los Angeles, California) |
| Length: | 37:18 |
| Label: | Dead Oceans |
| Producer: |
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Better Oblivion Community Center is the only studio album by American indie rock duo Better Oblivion Community Center, composed of Conor Oberst and Phoebe Bridgers. The album was released on January 24, 2019, through Dead Oceans.[1] [2] [3]
Bridgers and Oberst wrote and recorded the album in secret in Los Angeles in mid- to late 2018.[4]
Writing for Rolling Stone, Will Hermes called its music "soft rock for hard times", while Pitchforks Sam Sodomsky called it a "tight-knit folk-rock album".
The album is a loose concept album about the Better Oblivion Community Center, a fictional dystopian wellness facility.
The album had an elaborate rollout featuring cryptic brochures and a telephone hotline. They performed "Dylan Thomas" on The Late Show with Stephen Colbert on January 23, 2019.[5] The album was released the next day.
On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, "Dylan Thomas", directed by Michelle Zauner of the band Japanese Breakfast.[6]
Better Oblivion Community Center has received generally positive reviews from critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 78, based on 24 reviews.
Writing for Rolling Stone, Will Hermes said, "The duo harmonize beautifully, Oberst's voice often just a brooding floorboard creak behind Bridgers' brightly bloodshot confidences". David Sackllah of Under the Radar said, "This is a cohesive, creative, and multi-faceted record that will over-joy fans of both artists while offering the spark of magic that so rarely comes with these kinds of collaborations."[7] Sam Walker-Smart of Clash praised the album, stating "its depth, brave sonic choices and chemistry make for a near perfect record. Rather than sticking purely with the sad acoustic vibes, the album effortlessly blends country, electro elements and alt-rock with ease. It's as if the LP was simultaneously recorded in 2018, 2007, and 1993, a tonal greatest hits of hard-hitting emotion and fist-pumping fun." Sarah Murphy of Exclaim! gave the album 8/10, stating "The best parts of the album... are the moments where it doesn't sound exactly like anything either artist has released before."
| Publication | Accolade | Rank | ||
|---|---|---|---|---|
| Exclaim! | Top 29 Albums of 2019 (Mid-Year) | |||
| Stereogum | Top 50 Albums of 2019 (Mid-Year) |