Bert Kelly | |
Birth Date: | 2 June 1882 |
Birth Place: | Cedar Rapids, Iowa, United States |
Death Date: | January 1968 (aged 85–86) |
Death Place: | Long Beach, New York, United States |
Instrument: | Banjo |
Genre: | Jazz |
Occupation: | Musician, bandleader |
Bert Kelly (June 2, 1882 in Cedar Rapids, Iowa - January 1968 in Long Beach, New York) was an American musician, who pioneered jazz as a banjoist, bandleader, educator, promoter, night club owner, and night club operator. After professional stints in Seattle and San Francisco, Kelly moved to Chicago in 1914 where he flourished a banjoist, bandleader, and promoter. In 1915 — before the U.S. prohibition — he founded and operated a Chicago speakeasy called "Bert Kelly's Stables," where patrons were introduced to early jazz.
Early gigs
Kelly's first professional engagement was in Seattle Washington, around 1896. He moved to San Francisco around 1899.
San Francisco
In 1914, Kelly was in Art Hickman's band playing tea dances in the Rose Room of the St. Francis Hotel in San Francisco. Kelly eventually formed his own band and moved it to Chicago in 1914.
Chicago
Kelly's band in Chicago included notable early New Orleans jazz musicians, including Alcide Nunez, Tom Brown, Gussie Mueller, Emile Christian, and Ragbaby Stephens.
Kelly claimed that his band, Bert Kelly's Jazz Band, was the first to publish the word "jazz" in 1915.
In the early 1920s — during U.S. prohibition — he founded and operated a Chicago speakeasy called "Bert Kelly's Stables," located at 431 Rush Street, in Chicago's Tower Town. It rapidly gained regional and national popularity as one of the jazz hotspots of the 1920s.
The first house band featured Alcide Nunez, whose featured number "Livery Stable Blues" inspired the name of the venue. Later artists at Kelly's Stables included Freddie Keppard. The brothers Johnny Dodds and Baby Dodds were featured in the house band after their break from King Oliver's band.
Kelly later opened another jazz club, Kelly's Stables, in New York City, which was prominent on the 52nd Street jazz scene in the 1930s and 1940s.