Bernardino Montañés Explained

Bernardino Montañés
Birth Place:Zaragoza, Spain
Death Place:Zaragoza, Spain
Education:Real Academia de Nobles y Bellas Artes de San Luis
Real Academia de Bellas Artes de San Fernando
Movement:Romanticism

Bernardino Montañés y Perez (20 May 1825 – 6 January 1893) was an Aragonese painter.

Early life

Montañés was born in Zaragoza on 20 May 1825.

Career

His began studying art at the School of Fine Arts in Zaragoza and,[1] later, at the Real Academia de Bellas Artes de San Fernando in Madrid. In 1848, the government of Isabella II granted him a scholarship to complete his artistic training in Rome from 1848 to 1852.[2] [3] While in Rome, he became friends with fellow artists Felipe Moratilla, Carlos Múgica, Francisco Lameyer, Francisco Jareño, Patricio Patiño and Miguel Floyxench. In the 1850s he traveled to Italy, Austria, Bavaria, Saxony, Prussia, Belgium and France. Upon his return to Spain, he became an assistant drawing teacher at the Madrid Academy, until becoming full professor in 1859 and director in 1886.[4] He also served as curator of the Zaragoza Museum for several years.

Artistic style

Montañés' work has been considered eclectic, combining elements of neoclassicism and rococo. He was highly sought after by Aragonese society and most of his artistic output was portraits and religious paintings.

An important aspect of his work was developed around 1872, when the Cathedral of Our Lady of the Pillar was completed. Montañés was asked to paint some pictures of the main dome, and ended up painting around six. Among these stands out is Coronation of the Virgin.

Today, his work can be found in the Real Academia de Bellas Artes de San Fernando and Prado Museum,[5] both in Madrid, and in the collection of the Provincial Deputation of Zaragoza.[6]

Paintings in the Prado Museum

Personal life

Montañés died on 6 January 1893.[7] [8]

External links

Notes and References

  1. Book: Petisme . María Belén Bueno . Petisme . Ma Belén Bueno . La Escuela de Arte de Zaragoza: la evolución de su programa docente y la situación de la enseñanza oficial del grabado y las artes gráficas . 2010 . . 978-84-92774-93-7 . 265 . 16 May 2024 . es.
  2. Book: McGuigan Jr . John F. . Goodyear III . Frank H. . In Light of Rome: Early Photography in the Capital of the Art World, 1842–1871 . 9 August 2022 . . 978-0-271-09430-4 . 232 . 16 May 2024 . en.
  3. Book: Coates . Victoria C. Gardner . Lapatin . Kenneth D. S. . Seydl . Jon L. . Art . Cleveland Museum of . Québec . Musée national des beaux-arts du . The Last Days of Pompeii: Decadence, Apocalypse, Resurrection . 2012 . . 978-1-60606-115-2 . 245 . 16 May 2024 . en.
  4. Book: Historia (Spain) . Real Academia de la . Zymla . Herbert González . Sastre . Leticia M. de Frutos . Sánchez . Alfonso E. Pérez . Catálogo de pinturas de la Real Academia de la Historia . 2003 . . 978-84-95983-26-8 . 140 . 16 May 2024 . es.
  5. Web site: Montañés y Pérez, Bernardino Zaragoza, 20.5.1825 - Zaragoza, 6.1.1893 . www.museodelprado.es . . 16 May 2024.
  6. Web site: Bernardino Montañés Artists . useum.org . USEUM . 16 May 2024 . en.
  7. Book: Latas . José Antonio Hernández . Bernardino Montañés, 1825-1893: arte y erudición en la Edad de la Inocencia . 2002 . Caja de Ahorros de la Inmaculada de Aragón . 978-84-95306-99-9 . 16 May 2024 . es.
  8. Book: La España moderna: revista ibero-americana . 1897 . 137 . 16 May 2024 . es.