Mariano Benlliure Explained

Mariano Benlliure
Birth Name:Mariano Benlliure y Gil
Birth Date:8 September 1862
Birth Place:Valencia, Spain
Death Place:Madrid, Spain
Movement:Heroic realism, Neoclassicism
Field:Sculpting, Painting

Mariano Benlliure y Gil (8 September 18629 November 1947) was a Spanish sculptor and medallist, who executed many public monuments and religious sculptures in Spain, working in a heroic realist style.[1]

Life and works

He was born in the Lower Street of the Carmen neighborhood of Valencia. His earliest sculptures featured bullfighting themes,[2] modeled in wax and cast in bronze. At the age of thirteen he showed a wax modello of a picador at the Exposición Nacional de Bellas Artes, 1876. Pursuing the thought of becoming a painter, he went to Paris his expenses paid by his master, Francisco Domingo Marqués. A trip to Rome in 1879, revealing at first hand the sculptures of Michelangelo convinced him to be a sculptor. In 1887 he established himself permanently in Madrid, where in that year's Exposición Nacional his portrait sculpture of the painter Ribera won him a first-prize.[1]

Benlliure's style is characterized by detailed naturalism allied to an impressionistic spontaneity. His portrait busts and public monuments are numerous, and include:

Benlliure was the protector of the Cadiz sculptor Juan Luis Vassallo, taking charge of the reproduction of the work La Jeroma, which in 1927 had won first prize at the Casino.[12] Mariano Benlliure was the engraver of the first Peseta coins issued in 1947 showing the head of Franco.[13]

He was depicted on the Spanish 500 ptas banknote in the 1950s, with his sculpture "Sepulcro De Gayarre en el Roncal" on the reverse.

His brothers José and were also painters.

Works

Notes and References

  1. Web site: Mariano Benlliure. España es Cultura. Ministry of Education, Culture and Sport, Government of Spain. December 4, 2014.
  2. Web site: Neoclassicism: Mariano Benlliure. 2011. Spanish Arts. December 4, 2014.
  3. Web site: Tierno Galván versus Álvaro de Bazán. La Razón. 24 January 2016. Pablo. Gómez.
  4. Romero-Sánchez. Guadalupe. Marfil-Carmona. Rafael. 2020. La imagen de la mujer en el patrimonio urbano de Granada. El espacio público de la ciudad como "escenario comunicativo". Revista Internacional de Investigación en Comunicación aDResearch ESIC. 22. 22. 202. 10.7263/adresic-022-11. free.
  5. Mariano Benlliure, en Madrid y en la vía pública. 54. Villa de Madrid. Ayuntamiento de Madrid. Madrid. Pastor Mateos. Enrique. 30. XV. 1977. 0042-6164.
  6. Web site: El monumento a Martínez Campos, de Benlliure, Bien de Interés Cultural. Telemadrid. 22 November 2013.
  7. Book: Reyero, Carlos. 978-84-451-3458-0. Benlliure monumental. Mariano Benlliure. El dominio de la materia. 2013. 109.
  8. Book: Mariano Benlliure. El dominio de la materia. Anexo: Índice de monumentos de Mariano Benlliure. 336–337. Madrid & Valencia. 978-84-451-3458-0. Dirección General de Patrimonio Histórico de la Comunidad de Madrid; Consorcio de Museos de la Comunitat Valenciana. 2013.
  9. Web site: Afinidad-Bernardo . Deni Rose M. . No TikTok stand: Historic statue by Rizal’s ‘barkada’ extends stay in the Philippines . 2023-05-23 . Philstar.com.
  10. News: Doctolero . Jumalynne . MIB turns over ‘Bust of Juan Luna y Novicio’ to Filipino Nation . 10 October 2023 . Philippine Information Agency . 9 October 2023.
  11. News: Acebuche . Yoniel . Century-old ‘Bust of Juan Luna y Novicio’ now in its permanent home at the National Museum . 10 October 2023 . The Philippine Star: Life . 10 October 2023.
  12. Web site: Cádiz . Diario de . 2022-10-21 . ¿Quién era Juan Luis Vassallo? . 2023-11-30 . Diario de Cádiz . es-ES.
  13. Web site: Las primeras monedas con Franco . 150 años de la peseta . 3 July 2022 . es .