| Rayasam Bheemasena Rao | |
| Pseudonym: | ಬೀchi |
| Birth Name: | Rayasam Bheemasena Rao |
| Birth Date: | 23 April 1913 |
| Birth Place: | Harapanahalli, Vijayanagara District,Karnataka, India |
| Period: | 1913–1980 |
Rayasam Bheemasena Rao (known by his pen name BeeChi) (1913–1980) was a well-known humorist in the Kannada language. He preferred to write his pen name bilingually as ಬೀchi giving first preference to Kannada than English. He was also known as Karnataka's George Bernard Shaw.
Beechi was born in 1913 in Harapanahalli of then His father was Srinivas Rao and mother was Bharatamma. He discontinued studies after SSLC and joined a Government office as an attender.[1] He later worked for the CID for a substantial amount of time. He was married to Seetabai.
Having no formal exposure to Kannada or its literature, Beechi was motivated towards Kannada literature after reading A. N. Krishna Rao's novel Sandhyaraga (ಸಂಧ್ಯಾರಾಗ) on a long train journey. He considered A. N. Krishna Rao as his guru. In Beechi's own words:
"I started reading Sandhyaraga by placing the book inside the folds of the Illustrated Weekly paper. I remember only that I started to read. I don't know how many times my eyes went moist and how many times my heart skipped beats; but I woke up only after completely reading the book."
Beechi's writings were humour-based, and his first novel was Dasakoota, published when he was 32. Dasakoota is the tale of a man(Umesh) fed up with the subservience of, at the surface, government employees to corruption, but relates to the broad servitude of men to conservatism. The protagonist undergoes many travails in his life, working under corrupt superiors, faced with the prospect of a father remarrying a very young woman who will be his stepmother, eventually even joining Subhas Chandra Bose's ("Netaji") Indian National Army (INA) briefly. Scenarios with characters getting enmeshed in trouble inadvertently are created cleverly in the story. For example, after returning from imprisonment due to his participation in the freedom struggle in the ranks of Bose's army, Umesh is sitting at home and drinking coffee. When he finds it bitter, he asks for some sugar. Just then, news arrives announcing that Mohandas K. Gandhi has been assassinated. When rioters break into their house, they see Umesh consuming sugar. Thinking he is celebrating the Mahatma's death, they go on a rampage inside. Refreshing, original and daring, the novel brought Beechi much fame, being a startlingly confident debut, and he went on to more, perhaps greater, works.
His primary character/alter-ego was timma (timma being a name colloquially used in Kannada to denote a man who is considered SIMPLETON). Beechi released a lot of books with timma in the title. Churning out novels at a prolific rate, he wrote around 60 books in his lifetime.
His autobiography, entitled Nanna bhayagraphy (ನನ್ನ ಭಯಾಗ್ರಫ಼ಿ – the title is a pun on the words biography and the Kannada word Bhaya, meaning scary), met with some controversy upon its release. References within the book to Omar Khayyam's 'Rubaiyyat' and how the great Kannada poet G. P. Rajaratnam seemed to have been inspired by it greatly sparked much anger in Rajaratnam and his admirers (Rajaratnam is said to have written his 'Nirbhayagraphy' (ನಿರ್ಭಯಾಗ್ರಫ಼ಿ) in protest). Nanna bhayagraphy is perhaps Beechi's most philosophical work. Detailing his life in necessary, but not excruciating, detail, it amuses, provokes, depresses and ultimately enlightens the reader (the ideal autobiography, in many ways). Despite the painful losses he suffered early on in his life and the unpleasant experiences he subsequently underwent—his father dying as soon as he was born(this is described in a heartbreakingly light manner in the very first chapter), the lack of money to pay his school fees and the indifference of his relatives when he asked for their help ("Who's going to cry if you don't study? I don't have spare money to pay your school fees. Go away now."), the petty casteist bickerings in his village(it was divided into small localities, or keris – pronounced cay-ri and not kerry—based on caste. Members of one keri never crossed over into another unless it was inevitable.), his practically lifelong struggle with alcoholism and the troubles and patience of his family when dealing with this, the loss of his son and the trauma of having to light his own son's pyre—Beechi is never bitter about his lot. The tone is one of endurance, forgiveness and understanding. And the humour in the book is never forced, never awkward or inappropriate. (Beechi is never inhibited, though. In an early chapter, he describes how all the teenage boys of his village would go up to a nearby hill and indulge in masturbation. In another, he narrates how an elderly widow of the village tries to get her widowed daughter to seduce a young Beechi and how he escaped that situation. Both incidents are peppered with humour and make for delightful reading; not in the least bit vulgar.) It comes from a man who has seen it all and understood what life should be about. The last paragraph of the book, perhaps one of the most memorable pieces of writing in Kannada, expresses his philosophy of life.