Beatrice Fenton Explained

Birth Date:July 12, 1887
Birth Place:Philadelphia, Pennsylvania, U.S.
Death Date:February 11, 1983
Death Place:Philadelphia, Pennsylvania, U.S.
Partner:Marjorie D'Orsi Martinet

Beatrice Fenton (July 12, 1887February 11, 1983) was an American sculptor and educator born in Philadelphia, Pennsylvania.[1] She is best known for her whimsical fountains. Her work was also part of the sculpture event in the art competition at the 1932 Summer Olympics.[2]

Early life and education

Beatrice Fenton was born on July 12, 1887, in Philadelphia, Pennsylvania, to Thomas Hanover and Lizzie Spear (Remak) F.

Inspired by the painter Rosa Bonheur, she decided to become an animalier and began drawing animals at the Philadelphia Zoo. Her father, Dr. Thomas Hanover Fenton, an art patron and head of the Art Club of Philadelphia, was impressed with the drawings and showed them to a family friend, Thomas Eakins. Eakins found the drawings “too flat” and suggested that she “get some clay and mold it.” Fenton enrolled in a sculpture class taught by A. Stirling Calder in 1903, and her future direction was set.[3] She began her studies in 1904 at the School of Industrial Art, where she was taught by Alexander Stirling Calder. From 1904 to 1912, she studied with Charles Grafly at the Pennsylvania Academy of the Fine Arts in Philadelphia.[4]

Career

Fenton succeeded Samuel Murray as instructor in Sculpture at the Moore College of Art and Design (formerly the Philadelphia School of Art for Women), teaching there from 1942 to 1953.[5]

Works by Fenton were shown at PAFA's annual exhibition most years from 1911 to 1964,[6] and she was awarded the George D. Widener Memorial Gold Medal in 1922 for Seaweed Fountain.[7] She was a member of the National Sculpture Society, and her Nereid Fountain was featured in the NSS exhibition of 1929.[8] A cast of Seaweed Fountain has been in the Brookgreen Gardens collection since 1934.[9]

She died in Philadelphia in 1983.

Selected works

Personal life

While studying at PAFA, Fenton met fellow artists Marjorie Martinet and Emily Clayton Bishop. Her relationship with Martinet lasted more than fifty years, and included the exchange of passionate letters.[10] [11]

External links

Notes and References

  1. Web site: Beatrice Fenton papers, 1836-1984. Archives of American Art. Smithsonian Institution. 11 May 2016. SIaaa.
  2. Web site: Beatrice Fenton . Olympedia . 8 August 2020.
  3. Book: American sculpture in the Museum of American Art of the Pennsylvania Academy of the Fine Arts. Cunningham. Mary Mullen. 1997. University of Washington Press. 978-0295976921. Seattle. 225. James-Gadzinski. Susan.
  4. Book: American women sculptors : a history of women working in three dimensions. 1990. G.K. Hall. 9780816187324. 1st. Boston, MA. 159. Rubinstein. Charlotte Streifer. registration.
  5. Book: Opitz. Glenn B.. Mantle Fielding's dictionary of American painters, sculptors & engravers. 1986. Apollo. Poughkeepsie, NY. 978-0938290049. 2nd. registration.
  6. The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts, Peter Hastings Falk, ed. (Sound View Press, 1989), vol. II, p. 194; vol. III, p. 181.
  7. http://www.crsculpture.com/garden/ In the Garden
  8. Book: National Sculpture Society (U.S.). California Palace of the Legion of Honor. Contemporary American sculpture : the California Palace of the Legion of Honor, Lincoln Park, San Francisco, April to October 1929. 1929. National Sculpture Society, New York : Press of the Kalkhoff Company. New York, New York.
  9. Book: Proske. Beatrice Gilman. Brookgreen Gardens Sculpture. 1968. Brookgreen Gardens. 244.
  10. Web site: Photographs of the Marjorie Martinet School of Art. George Glazer Gallery.
  11. Web site: A Finding Aid to the Beatrice Fenton Papers, 1836-1984, bulk 1890-1978, in the Archives of American Art by Jean Fitzgerald. Fitzgerald. Jean. Archives of American Art.