Beat (Bowery Electric album) explained

Beat
Type:studio
Artist:Bowery Electric
Cover:BoweryElectricBeat.jpg
Recorded:June 1996
Studio:Studio .45 (Hartford, Connecticut)
Label:Kranky
Prev Title:Bowery Electric
Prev Year:1995
Next Title:Vertigo
Next Year:1997

Beat is the second studio album by American band Bowery Electric. It was released on November 12, 1996 by Kranky.[1]

The cover art is taken from Catherine Opie’s Untitled #27, depicting the Corona Del Mar Freeway in Costa Mesa, California.

Recording

Beat was recorded and co-produced by Bowery Electric and Rich Costey at Studio .45 in Hartford, Connecticut in June 1996.[2] Drummer Wayne Magruder contributed to four of the ten tracks.

Music

Lawrence Chandler of Bowery Electric told Alternative Press "Beat is the beginning of us learning our way around a proper sampler and software which allows us to work with samples on the computer. We can sample ourselves, manipulate sounds, create our own beats and basically work with fewer restrictions."[3]

Release and promotion

Beat was released on November 12, 1996 by Kranky. Beggars Banquet Records licensed Beat for release in the United Kingdom and Europe. Two singles, "Without Stopping" and "Coming Down", were released from the album.[4] Bowery Electric toured the United Kingdom and North America following the album's release.

Bowery Electric co-headlined the Music in the Anchorage festival with Mogwai in New York on June 20, 1997.[5] They performed in London on July 16, 1997 and on The Think Stage at The Phoenix Festival.[6] Reviewing a concert during the tour, Melody Maker noted "for two people to be able to create such a huge, rolling epic sound is surprising; what really hits hard is just how huge it can be, how the inarguable and pulverising beauty of BE's sound simply forces a slacked out crowd into its swell."[7] A John Peel Session was recorded at Maida Vale Studios in London on July 20, 1997 and broadcast on BBC Radio 1 August 7, 1997.[8]

The album was reissued in the United States by Kranky on November 18, 2016.[9]

Reception

Melody Maker named the album the "rock LP of the year",[10] and The Wire praised the album as "genre-defining".[11] Neil Strauss of The New York Times rated it in his 1997 selection of albums "that haven't received much attention but are worth the extra time it takes to hunt for them".[12] In a 2016 review of the album's reissue, The Wire wrote: "This music hasn't aged a bit. ... [It] remains an unexplored road to a wondrous promontory only Bowery Electric have ever reached".[13]

Track listing

"Low Density" is included in the 2016 repress.

Personnel

Credits are adapted from the Beat sleeve.

Notes and References

  1. Web site: KRANK014 – Bowery Electric, "Beat". October 16, 2017. Kranky. https://web.archive.org/web/20171017042216/http://www.brainwashed.com/common/htdocs/discog/krank014.html. October 17, 2017.
  2. Beat . sleeve notes . . Kranky . KRANK 014.
  3. Web site: Bowery Electric. Kranky. October 17, 2017. https://web.archive.org/web/20171018070955/http://www.kranky.net/artists/boweryelectric.html. October 18, 2017.
  4. Web site: Bowery Electric. Brainwashed. June 5, 2016.
  5. Web site: Music In The Anchorage 1997 Roster. Creativetime.org. October 25, 2017.
  6. Web site: Bowery Electric. Songkick. 17 July 1997 . en. October 25, 2017.
  7. Web site: Bowery Electric. Kranky. October 25, 2017.
  8. Web site: BBC – Radio 1 – Keeping It Peel – Bowery Electric. BBC. October 25, 2017.
  9. Web site: Kranky to reissue Bowery Electric's Beat on vinyl. Tiny Mix Tapes. October 25, 2017. Mrozek. Patryk. October 3, 1996.
  10. Kulkarni. Neil. February 25, 1997. Bowery Electric: Beat. Melody Maker. 42.
  11. Ridge. Tom. February 1997. Bowery Electric: Beat. The Wire. 156. 43.
  12. Web site: The Pop Life. The New York Times. 16 October 2017. Strauss. Neil. January 23, 1997. Neil Strauss.
  13. December 2016. Bowery Electric: Beat. The Wire. 394. 52.